Sentences with phrase «century visual artists»

The club has exhibited an impressive number of well - known 20th century visual artists.

Not exact matches

Go home with limited edition art made by 21st century Torontonian visual artists.

His monumental, epoch - making cinema - redefining visual and aural assault on the senses has become the reference by which all horror genre is measured and its creator, director Dario Argento can now truly be seen as one of the important artists of the 20th century..

From acclaimed visual artist Julian Rosefeldt, MANIFESTO features two - time Academy Award ® winner Cate Blanchett in 13 distinct, must - see vignettes that incorporate timeless manifestos from 20th century art movements.

Twentieth - century African American artists, activists, and other change agents, who might not be familiar to kids today, visit a young girl's home in this rich poetic and visual tribute.

The game is a curious combination of visual influences, with nods to artists like Final Fantasy's Yoshitaka Amano (who, incidentally, provided the game with a beautiful piece of pre-order concept art), legendary Japanese anime house Studio Ghibli, and nineteenth century illustrator John Bauer.

Visual artists Lucas Ighile and Ayla El - Moussa, known together as 25th Century, stun with their portraits of women with faces of nature or skylines.

The unconscious aura of titillation that arises from a visual representation of an aspiring woman artist in the mid-19th century, Emily Mary Osborne's heartfelt painting, Nameless and Friendless, 1857, a canvas representing a poor but lovely and respectable young girl at a London art dealer, nervously awaiting the verdict of the pompous proprietor about the worth of her canvases while two ogling «art lovers» look on, is really not too different in its underlying assumptions from an overtly salacious work like Bompard's Debut of the Model.

In Century of the Self, organized by independent curator Sarah C. Bancroft at Lora Reynolds Gallery, artist Alexandra Grant dives into feverishly detailed compositions that embrace language as both quotable texts and visual tools.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

During the twentieth century several important British artists began to paint features of visual experience rarely ever painted before, including...

Not until the end of the nineteenth century did artists begin to make nonfigurative art, which possessed an independent visual reality.

The Bank's intention to honour a visual artist — to replace the 18th - century economist Adam Smith — was announced last year when they put out a public call for nominations (our money was on Hogarth).

Yet Kandinsky's curious gift of colour - hearing, which he successfully translated onto canvas as «visual music», to use the term coined by the art critic Roger Fry in 1912, gave the world another way of appreciating art that would be inherited by many more poets, abstract artists and psychedelic rockers throughout the rest of the disharmonic 20th century.

In the first decades of the twentieth century, Russian Constructivist artists like Kazimir Malevich and Alexander Rodchenko separated from visual reality altogether.

His notion that movement, sound and visual art could share a «common time» remains one of the most radical aesthetic models of the 20th century and yielded extraordinary works by dozens of artists and composers, including Charles Atlas, John Cage, Morris Graves, Jasper Johns, Rei Kawakubo, Robert Morris, Gordon Mumma, Bruce Nauman, Ernesto Neto, Pauline Oliveros, Nam June Paik, Robert Rauschenberg, Frank Stella, David Tudor, Stan VanDerBeek, Andy Warhol and La Monte Young, among many others.

The list of the exhibitors in this sector includes MCHG Maria Casado from Buenos Aires, an alternative to the rigidity of other spaces dedicated to art; Efrain Lopez from Chicago, committed to showcasing work by emerging and established visual artists that is visually engaging and conceptually captivating; Maximillian William from London, a 21st - century nomadic gallery; and Yam Gallery from San Miguel de Allende, an art project located in Central Mexico focusing on contemporary art.

Among the numerous upcoming exhibitions, book releases, and residencies for each of the artists inSum of the Parts are: Kate Gilmore in The Fourth Moscow Biennale of Contemporary Art, Russia (September 22 - October 30, 2011); Quisqueya Henriquez in Cut & Paste, 21st Century Collage, Book release, London, England (October 3, 2011); Susan Lee - Chun, Artist - in - Residence at McColl Center for Visual Art, Charlotte, North Carolina (September 6 - November 22, 2011); Jillian Mayer» sFanimaltastic at de la Cruz Collection Contemporary Art Space, Miami, Florida (December 2011); and Xaviera Simmons in The Record, Miami Art Museum, Miami, FL & The Record, Henry Art Gallery, Seattle, WA (both in 2012), which originated in 2010 at The Nasher Museum at Duke University, Durham, NC.

A century in the making, the Smithsonian museum has been long anticipated and for those with an interest in African American art, the debut of the dedicated gallery on the National Mall is an important milestone on the long path to institutional and critical recognition of the value and contributions of African American visual artists.

2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Successions: Prints by African American Artists from the Jean & Robert Steele Collection, David C. Driskell Center at the University of Maryland, College Park, MD Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA... On Paper, Michael Rosenfeld Gallery LLC, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea, Michael Rosenfeld Gallery LLC, New York, NY

Another pair, Katy Rothkopf, Senior Curator of the BMA's Department of European Painting and Sculpture, and Janet Bishop, Curator of Painting and Sculpture from the San Francisco Museum of Modern Art, have gathered more than ninety of the artists» major paintings and drawings to create what Jay Fisher, the BMA's Deputy Director for Curatorial Affairs, describes as «an unprecedented visual narrative that reaches across the twentieth century.»

«Godfried Donkor is a mid-career Ghanaian artist whose residency at Gallery 1957 in Accra resulted in a visual dialogue about the early 19th - century English explorer of the Ivory Coast, Thomas Edward Bowdich.

For centuries, Dante's literary works and metaphorical language have been a source of inspiration for visual artists, inspiring European masterpieces by Sandro Botticelli, Eugène Delacroix, William Blake and Auguste Rodin, among many others.

Ranging from a focused exhibition of works by canonical photographer and documentarian Robert Frank, to the group exhibition Art and Resolution, 1900 to Today, exploring how visual artists represent and address conflict through the 20th century, to «Where Do I Go from Here?»

Showcasing artists such as Sol LeWitt and Keith Tyson whose works develop from systematic parameters and mathematical formulae to figures such as Robert Mangold and James Siena who work within a geometric visual vocabulary, Principia Mathematica examines the myriad ways 20th and 21st century artists dynamically engage with mathematics as a creative device.

«Modernity» focuses on the development of ink art in the 20th century; «abstraction» recognises artists who create their own visual language; «emerging» promotes new concepts by galleries and their new artists; «salon» examines the effect that new media is having on the genre in the 21st century; and «co-curation» unites different participants in the art industry with dynamic programmes promoting ink art.

From these beginnings, geometric abstraction endured throughout the 20th century as a visual and theoretical counterpoint to gestural movements like Abstract Expressionism, rendered by different artists in many different ways.

The years since the Second World War, and continuing into the 21st century, have witnessed an unprecedented expansion in the visual arts throughout Canada, evidenced in the number of professional artists, the proliferation of galleries and exhibitions, the development of art magazines, and the significant expansion of art schools like the Emily Carr University of Art and Design and Ontario College of Art and Design University.

As a visual anthology of cut and pasted images, Henrik Olesen's Some Gay - Lesbian Artists and / or Artists Relevant to Homo - Social Culture (2007) mounts a provocative counter-narrative to the art historical canon by highlighting artists» censored biographies as well as homoerotic depictions dating from the fourteenth to the nineteenth cenArtists and / or Artists Relevant to Homo - Social Culture (2007) mounts a provocative counter-narrative to the art historical canon by highlighting artists» censored biographies as well as homoerotic depictions dating from the fourteenth to the nineteenth cenArtists Relevant to Homo - Social Culture (2007) mounts a provocative counter-narrative to the art historical canon by highlighting artists» censored biographies as well as homoerotic depictions dating from the fourteenth to the nineteenth cenartists» censored biographies as well as homoerotic depictions dating from the fourteenth to the nineteenth centuries.

The Joyner Giuffrida Collection of Abstract Art is widely recognized as one of the most significant collections of modern and contemporary work by African and African Diasporan artists, and Four Generations draws upon the collection's unparalleled holdings to explore the critical contributions made by black artists to the evolution of visual art in the 20th and 21st centuries.

The sculpture, purchased from the Rauschenberg Foundation, was formerly in the personal collection of artist Robert Rauschenberg (1925 — 2008), who amassed an important collection of the work of three generations of American artists of the twentieth century, including visual and performing artists as well as choreographers.

The great modernist writer Virginia Woolf has long been associated with the visual arts thanks to her central role in the much mythologised Bloomsbury Group — a collective of artists, thinkers and makers who collaborated, studied and lived together during the first half of the 20th century.

Dynamo — A century of light and motion in art, 1913 - 2013 is the title of a survey art exhibition at the Grand Palais in Paris, a show that brings together major works that deal with light and motion and includes artists such as Bruce Nauman, Dan Flavin, Hans Haacke, James Turrell, Yayoi Kusama, Jean Tinguely, Alexander Calder, Marcel Duchamp, Bridget Riley, Dan Graham, Anish Kapoor, Jesus Rafael Soto, Conrad Shawcross, François Morellet, Jeppe Hein, Carlos Cruz - Diez, Takis, as well as artistic collectives such as GRAV (Group of visual Arts research), and the Groupe Zéro.

Throughout the early 20th century, artists were radically breaking with all traditions in art, inventing a new visual language that responded to the experience of living in a new century.

Despite working a century apart, the two artists share a visual language of dreams, and inhabit the dark side of the domestic.

Four Generations: The Joyner Giuffrida Collection of Abstract Art draws upon the collection's unparalleled holdings to explore the critical contributions made by artists to the evolution of visual art in the 20th and 21st centuries.

As a result, Tramway plays a central role in the support, development and promotion of work by Scottish based artists, each commission an investment in Scotland's creative community — pushing the boundaries of innovation and experimentation, and challenging and redefining performance and visual art for the new century.

Dr. Pauwels is currently completing her first book on the American artist Napoleon Sarony, whose complex legacy as a printmaker and photographer illuminates the ways in which commercial art and mass media shaped artistic practice and visual experience in the late nineteenth - century United States.

An activist for many years, he has worked with a wide variety of both arts and AIDS organizations including the Whitman - Walker Clinic, Artists Board of Artists Space, Co-Chair of the 21st Century Committee for the Skowhegan School for Painting and Sculpture 1999 - 2005, Board of Directors for Visual AIDS 1995 - 1998 and 2010 to 2018 and Board of Directors of Cannabis Cares from 1999 to present.

Opening and Artist Talk: Adam Cvijanovic Friday, May 15, 5:00 — 7:00 p.m. cash bar, 6:00 p.m. artist talk Brooklyn - based artist Adam Cvijanovic discusses nineteenth - and twentieth - century visual art, architecture, and cinematic themes present in his paintings and installaArtist Talk: Adam Cvijanovic Friday, May 15, 5:00 — 7:00 p.m. cash bar, 6:00 p.m. artist talk Brooklyn - based artist Adam Cvijanovic discusses nineteenth - and twentieth - century visual art, architecture, and cinematic themes present in his paintings and installaartist talk Brooklyn - based artist Adam Cvijanovic discusses nineteenth - and twentieth - century visual art, architecture, and cinematic themes present in his paintings and installaartist Adam Cvijanovic discusses nineteenth - and twentieth - century visual art, architecture, and cinematic themes present in his paintings and installations.

2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC After Tanner: African American Artists since 1940, Pennsylvania Academy of Fine Arts, Philadelphia, PA To be a Lady: Forty - five Women in the Arts, 1285 Avenue of the Americas Art Gallery, New York, NY Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY African American Art Since 1950: Perspectives from The David C. Driskell Center, organized by Smithsonian Institute of Traveling Exhibition Services (SITES), The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora, University of Maryland, College Park, MD; Susquehanna Art Museum, Harrisburg, PA; Polk Museum of Art, Lakeland, FL; Figge Art Museum, Davenport, IA; The Harvey B. Gantt Center for African - American Arts + Culture, Charlotte, NC; Taft Museum of Art, Cincinnati, OH INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY

digital collages that explore racial and cultural ambiguity through visual hybridity, like the work of each artist in this exhibition, demonstrate that late 20th - century predictions of the end of traditional fine «art» practice at the dawn of digital culture were simply wrong.

After moving to Trinidad from London in 2005, Ofili's work took a new direction and prompted «The Blue Rider» series, which takes its name from the early 20th century artist group that sought spirituality by connecting visual art with music.

Maine continues to be an inspiring site for many of America's most notable painters, visual artists, writers, and critics since the mid-nineteenth century.

Solo shows on artists and themewise recurrences on visual arts from past centuries render its profile.

In the central monumental piece of the show the artist has recreated a ready - to consume iceberg made of found - recyclable materials as an ironic way to depict how easily we can reduce the manifestation of centuries of life into a packages digestible visual concept.

Works by four pioneering artists who, though active in different places and periods, developed similar visual languages, are brought together for the first time to shed new light on 20th - century abstract art.

Structures of Existence: The Cells, presents one of the most striking and influential visual artists of the twentieth century.

The Joyner Giuffrida Collection of Abstract Art is widely recognized as one of the most significant collections of modern and contemporary work by African and African Diasporan artists, and Four Generations: The Joyner Giuffrida Collection of Abstract Art draws upon the collection's unparalleled holdings to explore the critical contributions made by African Diasporan artists to the evolution of visual art in the 20th and 21st centuries.

The exhibition will feature new portraits of Diane von Furstenberg by four leading figures in Chinese contemporary artists — conceptual artist Zhang Huan, photographer Hai Bo, painter Li Songsong, and multimedia artist Yi Zhou — resulting in a dialogue that brings the narrative of Diane's ongoing collaborations with visual artists into the global age of the twenty - first century.