Sentences with phrase «century work very»

Most of the people in the 21st century work very hard and long hours and struggle to just save enough.

Not exact matches

Thus university theology is characteristically in search of the very possibility of theology as such and tends, on the one hand, rarely to advance beyond prolegomena, programmatic probings, or an apologetic natural theology — unless it turns, on the other hand, with no little relief, to the very respectable study of the history of theology (as demonstrated, for instance, by the Bonhoeffer Society, the 19th Century Working Group of the AAR, the Tillich Working Group, or even the recently founded Karl Barth Society).

With books which, like those of the Bible, were transmitted in manuscript for many centuries, the possibilities of variation are very great, and the work of textual criticism (as it is better called) is correspondingly serious.

Since all of the Bible was written many centuries before printing was invented and because in no instance do we have the original as it was written first - hand by its author, the work of the textual critic is very important.

His work The True Word largely survives because the 3rd century teacher Origen made a very longwinded response to it, Against Celsus (which definitely falls into the category of books I have read so that you don't have to).

«His work in philosophy forms part, and a very important part, of the movement of twentieth - century realism; but whereas the other leaders of that movement came to it after a training in late - nineteenth - century idealism, and are consequently realistic with the fanaticism of converts and morbidly terrified of relapsing into the sins of their youth, a fact which gives their work an air of strain, as if they cared less about advancing philosophical knowledge than about proving themselves good enemies of idealism, Whitehead's work is perfectly free from all this sort of thing, and he suffers from no obsessions; obviously he does not care what he says, so long as it is true.

The author points out that the former works out very well, as the current standard of living in developed countries is way beyond anything even princes could have dreamt of just a century ago.

Such notions offend the very nature of the American experiment and do a great disservice to the centuries of good work the Church has done.»

Meyer provides a very brief selection from the rambling volumes of a revelation dialogue from the third century, Pistis Sophia («Faith Wisdom»), in which Mary is quick to interpret the Savior's words — evidence of the Spirit working in her.

Russian religious thought of the nineteenth and twentieth centuries was also very sensitive about the crisis of classical philosophy; quite strong in the criticism of its errors, but aspiring to work out its own organic vision of the world, it was not inclined to unite science with philosophy and theology.

You could say that it is very disrespectful to the men and women who have worked very hard to give us all this knowledge and understanding of how things works over the last few centuries to still believe in these ancient stories.

For the Creator who said in the fifth and ninth and sixteenth centuries «It is good» will not finish his work until we come to the final Sabbath, where everything will, once and for all, be very, very good.

Others have seen in Deuteronomy 12 - 26 (and 28) a very early North - Israelite work — late tenth or early ninth century.

Deuteronomy was produced — like the Yahwist's work from a wide range of sources and including some very old materials — out of prophetic Yahwism in the century preceding Josiah.8 Deuteronomy was probably already in process during the reign of Hezekiah (about 715 - 687) and influenced his reforms (II Kings 18:3 ff.).

In this century, deeper - learning proponents argue, the job market requires a very different set of skills, one that our current educational system is not configured to help students develop: the ability to work in teams, to present ideas to a group, to write effectively, to think deeply and analytically about problems, to take information and techniques learned in one context and adapt them to a new and unfamiliar problem or situation.

Cloth diapering is an age - old tradition and has worked very well for centuries.

I think it is a very laudable project that one thought of and one seeks to implement... but the intention is very clear... in the modern age, 21st Century, parties must depend on themselves and be self - financing to undertake projects that could bring earnings so that all their programmes, conferences and training they have, and taking care of their offices and those who work, because sometimes they devote their whole adult life for the party and so they must be paid.

So I think it's very realistic, if we want to look at the adjustment to that big disequilibrium then that we have generated, to look at those sort of rates of change that we will eventually achieve; and maybe not this century, we'll be working our way up to that, but certainly in the next century, we need to think about that as the rate of sea - level rise.

Imagine the surprise, therefore, of one Dr. Stephen Marquardt, a plastic surgeon working in Southern California at the tail end of the 20th century, who checked in on the progress of the Science of Beauty since Pythagoras and found that very little had been made.

Bowler argues that despite the professionalization of their disciplines, through the middle of the 20th century British scientists remained very active in writing about their work for general readers.

It works very well for people who live in this modern century.

Decades after having penned «Angels in America,» one of the seminal plays of the last century and a very American one at that, Tony Kushner went to work on the script for a movie on yet another very American theme, about one of our own angels.

Among the high - profile premieres this year are «Antz,» the new Dreamworks animated film; James Ivory's «A Soldier's Daughter Never Cries,» with Kris Kristofferson playing a character inspired by novelist James Jones; «Dancing at Lughnasa,» starring Meryl Streep in the film of Brian Friel's celebrated play; John Waters» «Pecker,» with Edward Furlong as a fast - food worker whose photos are embraced by the New York art world; Helena Bonham Carter and Kenneth Branagh in «The Theory of Flight,» about a work - release prisoner assigned to a woman with Lou Gehrig's disease; Ben Stiller as a drug - addicted TV writer in «Permanent Midnight»; Christina Ricci in «Desert Blue,» about slim prospects for a teenager in a town of 89 people; «The Imposters,» the new film by Stanley («Big Night») Tucci, starring Tucci and Oliver Platt as cruise - ship stowaways; «Rushmore,» with Jason Schwartzmann as a prep schooler who is a lousy student but hyperactive in campus activities; Cameron Diaz in «Very Bad Things,» about a bachelor party that ends in murder; Cate Blanchett as «Elizabeth,» the story of England's 16th century monarch, and «The Judas Kiss,» with FBI agent Emma Thompson on the trail of the kidnapper of a computer genius.

One of the very first American pictures produced during the heralded «film noir» epoch - predating the typically marked «starting year» of 1944 - H. Bruce Humberstone (Charlie Chan At The Olympics -LSB-» 37]-RRB- crafted this shadowy, 20th Century Fox precursor as a starring vehicle for Betty Grable (with whom Humberstone would work again on Pin Up Girl -LSB-» 44]-RRB-.

While that treatment worked in the very funny Man of the Century (1999), it doesn't quite fit in with the lurid world of Jacqueline Susann.

Also valuable and worth noting is «La Vie En Rose» which of course featured a spectacular turn by Marion Cotillard that was unexpectedly celebrated by Oscar, Zoe Cassavetes «severely underrated, wry and sweet, «Broken English,» which includes a very winning and charming turn by Parker Posey; Susanne Bier «s Danish drama, «After the Wedding» and perhaps surprisingly equally engaging, her underrated survival and recovery drama, «Things We Lost In The Fire,» which is made great by Benicio Del Toro (and even Halle Berry evinces that she's capable of good work in spots), Thai director Apichatpong Weerasethakul «s always mysterious and bifurcated, «Syndromes And A Century» (which has elements of both sci - fi and comedy).

Benning was unfairly snubbed at the Oscars last year for her very fine work in 20th Century Women.

17, are working together in ways that are very 21st century.

This pragmatic sharing of technology and componentry is the very philosophy that dragged Porsche out of the pit of despondency last century and it's still working well today.

Some favorites were from the 19th century: records from an institution that sheltered unwed mothers, a pamphlet on the care and feeding of babies, newspaper articles (which were written in a very dramatic style then), travel guides, doctors» accounts of life at Blockley Almshouse, a guide to doing charity work with the poor, accounts of underpaid working women, home health - care manuals (most health care took place in the home, and detailed guides were written for mothers) and so much else.

Their model worked very well from the 1930s to the end of the century.

I felt very comfortable working with them and I would recommend Century to anybody.

I felt very comfortable working with them and I would tell others to go with Century because they never did me any wrong and I really enjoyed their service.

They are very similar to the Welsh Springer Spaniel and are descended from the Norfolk or Shropshire Spaniels of the mid-19th century; the breed has diverged into separate show and working lines.

This very first speaking engagement would catalyze my life's work: to enhance veterinary practices around the world with digital tools built for the 21st Century.

Literary works also described this breed (or very similar breeds) in the 13th through 15th centuries, and beyond.

It is not until the late 14th century that Gaston De Foix, a rich and powerful lord of Southern France who was a warrior famous for his hunting feats, wrote his immortal hunting classic «Livre de Chasse» (Book of the Chase) in 1387, in which he describes hunting dogs in their work as quartering in front of the master, flushing game and retrieving from land and water - all very like the behaviour and work of the English Springer Spaniel we know and admire today.

We know from works of art depicting images of small dogs in a very distinctive lion trim, that the breed dates to the 14th century.

3D support is there, and almost any kind of 3D glasses will work (from the red / blue style that's been around for more than half a century, right up to some of the very newest types of glasses).

You've got your range of fantastical abilities and weapons, including a very Edward Scissorhands - like glove of blades as one possible Drain weapon, and Mia's insistence on wearing a bearskin hat and running around with what seems to be a 19th century musket... Somehow, it actually works quite well.

Only at the very end of the 19th century, in the relatively liberated and open atmosphere of Repin's studio and circle in Russia, do we find representations of women art students working uninhibitedly from the nude — the female model, to be sure — in the company of men.

Cornish writes: «Motherwell very self - consciously (in a couple of works too self - consciously for my taste) looks back to the papier collé Picasso and Braque first made a little over a century ago.

Yes I admire both those artists work, I am drawn to the psychological and emotional aspects of their work, and I have always been interested in artists who use photography as their medium, painters that have influenced me have been Helen Frankenthaler and Artemisia Gentleschi, both centuries apart and they are such brilliant painters and in terms of current painters I am very interested in the work of Jenny Saville, I willl always go to see her work.

Precisely a century later, I am standing before the very same painting — it is, properly, Nude Descending A Staircase (No. 2) by Marcel Duchamp — with Kimberly Orcutt, Curator of American Art of the New - York Historical Society on Central Park West, which has brought the big blowup of 1913 back to life in a delicious, irreverent retrospective featuring 100 of the original works.

A survey of painter Agnes Martin's work from the 1950s into this century might not sound very goth — Martin is known for her ghostly canvases overlaid with barely perceptible grids — but open your mind to ``

1995 Pasted Paper: Collage in the 20th Century, Louis Stern Fine Arts, Los Angeles, CA 25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles, CA Between Reality and Abstraction: California Art at the End of the Century, Art Museum of South Texas, Corpus Christi, TX 1994 Balls, World Cup USA 1994, Newspace, Los Angeles, CA Twentieth — Century Drawings, Los Angeles County Museum of Art, Los Angeles, CA In Plain Sight: Abstract Painting in Los Angeles, Blue Star Art Space, San Antonio, TX Paintings of the 80's, RosamundFelsen Gallery, Los Angeles, CA Fractured Identity: Cut and Paste, Julie Saul Gallery, New York pen & ink, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA Fawbush Gallery, New York Very Visual Dialogue, Personal Journeys in Abstract Painting, Rancho Santiago College Gallery, Santa Ana, CA

A survey of painter Agnes Martin's work from the 1950s into this century might not sound very goth — Martin is known for her ghostly canvases overlaid with barely perceptible grids — but open your mind to «white goth» and perhaps then, you will find a cosmic emptiness in her canvases which, without figures or forms, point to the disappearance of the self in art.

You know a Wood work when you see one: rooms crunched in with detail, without seeming claustrophobic, portraits of people with plain, real faces; it all feels relaxed, American, very 21st century.

Examining the development and artistic exploration of one of the greatest artists of the twentieth century, this unprecedented volume presents the works of American artist Mark Rothko from the 1940s, a time when his most essential development as a painter occurred, dramatically and in a very compact space of time.

The American, now in his mid-seventies, has been creating works that not only make you take a step back and reconsider what you know, but that have been challenging the very nature of what art is for half a century.