Sentences with phrase «century works on»

This exhibition explores colonial settlement in Australia through a stunning selection of late eighteenth and nineteenth century works on paper.

The majority of the artworks in the collection, which was established by the Texas Fine Arts Association, the Laguna Gloria Art Museum, and the Austin Museum of Art in the 1960s, are late nineteenth - to twenty - first - century works on paper by regional artists.

In any case, the Ebb bequest marks a significant contribution to the Morgan's new mission to extend its focus to include 20th and 21st Century works on paper.

Three Universities Collect: 20th Century Works on Paper.

Randall Griffey, an associate curator at the Met who was involved in the acquisition with the help of the Alexandre Gallery in Manhattan, said he and Sheena Wagstaff, who leads the museum's modern and contemporary department, had long been trying to build on the Met's strength in early - 20th - century works on paper by African - American artists and were on the hunt for major paintings.

Burlingham has curated numerous exhibitions of prints and drawings, including Tea and Morphine: Women in Paris, 1880 - 1914 with co-curator Victoria Dailey (2014); A Strange Magic: Gustave Moreau's Salome (2012); Outside the Box: Edition Jacob Samuel (2010); The Eunice and Hal David Collection of 19th - and 20th - Century Works on Paper (2003); The World from Here: Treasures of the Great Libraries of Los Angeles (2001); and The French Renaissance in Prints (1994).

Frieze London is now a serious contender to Art Basel in Switzerland / Miami and TEFAF Maastricht, competing as an event, featuring cutting - edge and 20th century works on a grand scale.

2003 Fresh: Works on Paper, a Fifth Anniversary Exhibition - James Kelly Contemporary, Santa Fe, NM Collection D'Estampes Contemporaines - Galerie Akié Arichi, Paris Entre el clavel y la espada: Rafael Alberti en su siglo - Centro Andaluz de Arte Contemporáneo (CAAC), Sevilla Classic Works From the 1960s - Loretta Howard Gallery, New York City, NY Black White - Danese, New York City, NY The Eunice and Hal David Collection of 19th and 20th Century Works on Paper - Hammer Museum, Los Angeles, CA The Eighties - Part II: USA - Galerie Klüser, Munich Grafik - Art Forum Ute Barth, Zurich El Expresionismo Abstracto Americano en las Colecciones Españolas - Museo de Arte Contemporáneo Esteban Vicente, Segovia The Heroic Century: The Museum of Modern Art Masterpieces, 200 Paintings & Sculp - MFAH — Museum of Fine Arts Houston, Houston, TX Some Assembly Required - Collage Culture in Post-War America - Polk Museum of Art, Lakeland, FL Roads Taken: 20th Century Prints and Drawings from the Collection - University of Virginia Art Museums - The Fralin Museum of Art, Charlottesville, VA American Art - The Wilfred Davis Fletcher Collection - Boise Art Museum BAM, Boise, ID Pairings — Hackett Freedman Gallery, San Francisco, CA (closed, 2009) Some Assembly Required: Collage Culture in Post-War America - MMoCA - The Madison Museum of Contemporary Art, Madison, WI Motherwell, Hartung, Fruhtrunk, Sonderborg, Vedova, Trökes - Galerie Dube - Heynig, Munich A Century of Painting - From Renior to Rothko — Guggenheim Hermitage Museum, Las Vegas, NV Trace Evidence - Frederick R. Weisman Art Museum, Minneapolis, MN Leckerbissen - Fischerplatz Galerie, Ulm Graphic Works from the Lopez Collection - Cirrus Gallery, Los Angeles, CA Painting Explosion - 1958 1963, Part I - Blanton Museum of Art, Austin, TX Abstract Expressionism - Art Movement in the 20th Century - Tehran Museum of Contemporary Art, Tehran

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

Strong holdings in later 20th - century works on paper include a decade's production, 1960 — 1970, from the innovative Tamarind Lithography Workshop, including artist's books and suites by Louise Nevelson and Rufino Tamayo.

Recommended reading In the Paris Review, Cynthia Payne is underwhelmed by «Gilded Age Drawings at the Met», a show featuring late 19th - century works on paper by artists such as John Singer - Sargent, Winslow Homer and Mary Cassatt.

Before joining Tate Modern in 2015, Ireson was Rothman Family Associate Curator at the Art Institute of Chicago, where she was responsible for the exhibition and acquisition of 19th - and early - 20th - century works on paper.

I am grateful to Ephraim Radner for introducing me to Jaime Balmes» nineteenth - century work on Protestantism and Catholicism.

Doris Burke's Expertise Is Finally Paying Off — Robert O'Connell writes that after a quarter - century working on the sidelines, ESPN's newest full - time NBA announcer has broken through in a big way.

Not exact matches

Entrepreneur met with Tollin in his New York City apartment to discuss the life and leadership lessons he learned following these men, and what the process of working on a quarter century - long project taught him about creativity, focus and the pursuit of one's true passion.

Simple: Many big commercial clients sign leases for a quarter century or more into the future, so the industry keeps an eye on how work, and the places where we do it, are most likely to evolve.

It's a word that, here, does not so much connote an actual small - business owner as a feeling — an image of the young worker in the 21st - century gig economy who DJs on the weekends and, while almost certainly doing underpaid and entirely precarious labour, has earned the right to work from her local coffee shop in the slouchy drop - shoulder crewneck of her choice.

Trank is currently working on a new «Fantastic Four» movie for 20th Century Fox.

Two interns who worked on that movie sued 20th Century Fox and won.

Boyd's team is working on a hybrid airship that harks back to century - old dirigibles.

I worked with Sting and Trudie Styler, among other artists, on a project telling the love story between Robert Schumann, a 19th - century German composer, and his wife, Clara.

He will continue working on the Fox and FX shows produced by 20th Century Fox Television, a spokesman for Murphy said Wednesday.

He is currently working on a history of commercial fraud in the United States, and especially organizational fraud against consumers and investors, from the early nineteenth century to the present.

More signs that Disney's acquisition talks with 21st Century Fox are picking up steam: Both companies have set teams of bankers on the case to work out the fine print.

This new program recognizes and supports young Canadians who work in the international arena on the most pressing challenges of this century including political unrest, climate change, human rights and global health pandemics.

This was Thomas Hardy's appellation for God, but in Footnote Heaven the moniker ought really to belong to Jacques - Paul Migne, the nineteenth - century Benedictine who singlehandedly edited and published the entire corpus of the Greek and Latin Fathers and whose edition is cited in almost every work on early Christianity ever published.

De Deo Uno works — treatises on the one God — were common in the nineteenth and early twentieth centuries.

At his request, I would send him various recently published scholarly works on Shakespeare and in return he'd send me eighteenth - century Russian woodcuts, one of which hangs in my apartment to this day.

Thus university theology is characteristically in search of the very possibility of theology as such and tends, on the one hand, rarely to advance beyond prolegomena, programmatic probings, or an apologetic natural theology — unless it turns, on the other hand, with no little relief, to the very respectable study of the history of theology (as demonstrated, for instance, by the Bonhoeffer Society, the 19th Century Working Group of the AAR, the Tillich Working Group, or even the recently founded Karl Barth Society).

The potential for using petroleum - based solvents such as gasoline and kerosene was discovered in the mid-19th century by French dye - works owner Jean Baptiste Jolly, who noticed that his tablecloth became cleaner after his maid spilled kerosene on it.

[35] St. Mark the Ascetic (5th century) 1, On Those Who Think They are Made Righteous by Works, n. 29.

The compilation of the Traditions took final form at the hands of Bukhari and Muslim in the third century (ninth century A.D.), and today most Muslims recognize their work as the two correct books on Traditions.

The assumption was on the part of the religious that what we do not understand must be the work of a god — except that over the last few centuries we understand more about creation — big bang, evolution, etc. which shows those creation stories to be incorrect.

The Jewish scholar Joseph Klausner, for example, holds that the Pharisees and Sadducees were justified in their attacks on Jesus because he imperiled Jewish culture at its foundations, and that by ignoring everything that belongs to wholesome social life he undercut the work of centuries.2 Others within the Christian tradition have felt considerable uneasiness lest the words of Jesus about nonresistance imperil the civil power of the State, or his words about having no anxiety for food or drink or other material possessions curtail an economic motivation essential to society.

Relying on memories of his friend Fly's work as a law - copyist in 1840, and of the office at 10 Wall Street where he visited his brother Allan after returning from sea in 1844, Melville sets his story in a modern, nineteenth - century office building.

Scientists, in any case, continued their work through the nineteenth century on the assumption of the mechanistic worldview.

Thus the two basic axes of interaction analysis are the resistance / warmth pole and the power / acquiescence pole.18 Gregory had an uncanny intuitive sense of how interactions work along these two axes, even though the empirical research on them came fourteen centuries later.

However, in the work of William Faulkner, perhaps the only 20th - century novelist worthy of standing beside Hawthorne and Melville, the southern sense of defeat has been deepened into a genuine apprehension of tragedy, not so much by dwelling on the actual military defeat as by an unsparing delineation of the triumph of rapacious commercial values that followed it.

Rhetorical criticism of the Bible is nothing new; it can be traced back at least as early as Augustine, but the twentieth century practice of rhetorical criticism finds its origins in James Muilenburg's work with Hebrew poetry and Amos Wilder's lectures on early Christian rhetoric.

Many works are consciously designed to accommodate «selective» reading, and most readers over the centuries have experienced the Bible in just this way (including Jesus, who frequently quoted Scripture» even as he hung on the cross).

Of particular note is Clarissa Atkinson's essay on the work of the 17th - century French Jesuits and Ursuline missionaries among the Huron Indians in Canada.

I usually begin by confessing that marking and honoring the date of my baptism hadn't really occurred to me until a quarter - century or so ago, when I began working with evangelical Protestants on pro-life and religious freedom issues and noted that some of them had an interesting way of introducing themselves at a meeting.

Treatments based on absolutely wrong ideas also worked centuries ago, for reasons other than the one imagined.

While some of this is fair comment, such de haut en bas defense would convince more if Dinshaw showed a firmer grasp on the historiographical context of Runciman's work, not least his reliance on French scholarship of the nineteenth and early twentieth centuries.

They've been improved on by centuries of work and changed man's understanding of the world.

The Spanish conquest in the early 16th century enslaved Indians to work in mines and on plantations.

The general position of these writers, whose contributions vary considerably in approach and quality, is that Jesus made no claim of divinity for himself and that the doctrine of the incarnation was developed during the early centuries of the Christian era as an attempt to express the uniqueness of Jesus in the mythological language and thought forms of the Greek culture of the time.While recognizing the validity of the patristic theologians» work, which culminated in the classical christological definitions of Nicea and Chalcedon, the British theologians question whether these definitions are intelligible in the 20th century, and go on to suggest that some concept other than incarnation might better express the divine significance of Jesus today.

Paul Bloehm returns home after his divorce to work on a translation of 17th - century Dutch verse.

When I see the tremendous support the Global March has received, it becomes certain that the 21st century is not going to flourish at the cost of the sweat and blood of children, said Mr. Kailash Satyarthi, of India, the international coordinator of the Global March, who had originally conceived the idea and proposed it to NGOs worldwide working on children's human rights.

There has been some work by notable heavyweights in the field of NT scholarship on what is called «The New Perspective on Paul» prompted by evidence that revealed first century Judaism was not the legalistic system that traditional interpreters believed.