Not exact matches
Given the difficulties of really
working through such an issue
within the synod, the seminary faculty took refuge in a second answer to the authority question: What was binding upon the synod's pastors and theological professors was the collection of Lutheran Confessional writings from the sixteenth
century (gathered in the Book of Concord).
19th
century, archaeological finds (e.g. earth and timber fortifications and towns, the use of a plaster - like cement, ancient roads, metal points and implements, copper breastplates, head - plates, textiles, pearls, native North American inscriptions, North American elephant remains etc.) is not interpreted by mainstream academia as proving the historicity or divinity of the Book of Mormon.This evidence is viewed by mainstream scholars as a
work of fiction that parallels others
within the 19th
century «Mound - builder» genre that were pervasive at the time.
That is why Jesus remained a first
century Jew, however deeply he was informed by the
working of the Word
within him.
Erasmus, Luther, Hobbes, Locke, Descartes, et al were, according to Gillespie,
working within a nominalist theology, bequeathed to them from the fourteenth
century Franciscans, which cleaved nature from grace, God's will from His nature, faith from reason, and particulars from universals....
The Jewish scholar Joseph Klausner, for example, holds that the Pharisees and Sadducees were justified in their attacks on Jesus because he imperiled Jewish culture at its foundations, and that by ignoring everything that belongs to wholesome social life he undercut the
work of
centuries.2 Others
within the Christian tradition have felt considerable uneasiness lest the words of Jesus about nonresistance imperil the civil power of the State, or his words about having no anxiety for food or drink or other material possessions curtail an economic motivation essential to society.
That is the
work ahead for those of us who have escaped the 20th
century's more horrendous forms of violence but who now find the forces of cruelty
working within our own traditions.
Using as evidence its obvious parallels to their 19th
century accounts tying the American Indian to Israel's lost tribes, its descriptions of situations, incidents and characters suspiciously like those
within Joseph Smith's ken, its echoes of Masonic lore, its Isaiah passages and its bountiful supply of anachronisms, they conclude that the
work is not only worthless but a fraud.
The origins of structuralism lie in the
work of the early 20th -
century linguist Ferdinand de Saussure, who attempted to analyze the system of relationships
within a language that makes acts of speech possible.
The ecclesiology on which I am
working concerns Chinese, Jews, Roman Catholics and Protestants
within the horizon of a crumbling of modernity that brings Christians closer to premodernity than they've been in perhaps 300 years, and closer to the situation of the first
centuries than they've been in more than a millennium and a half.
Even
within a Lutheran denomination like the Missouri Synod one could find Martin E. Marty leading the charge in the Christian
Century while the
works of Walter A. Maier (d. 1950), the one time The Lutheran Hour radio preacher and Concordia Seminary professor were being advertised in Pentecostal publications and quoted in Christianity Today.
The RE syllabus is too often dictated by the needs of public examinations, but even
within this some fine
work could be done, and the Faith communicated for what it is: essential knowledge, rich and deep, that opens wide the whole of life's meaning and purpose and sets it in the context of
centuries of God's revelation and 2,000 years of Church history that is thrilling to discover.
While
working on a rare little known group of Oriental wasps that most likely parasitise the eggs of grasshoppers, locusts or crickets, not only did a team of four entomologists discover four previously unknown species, but they also found that another four species
within the same genus (Habroteleia) were in fact all one and the same — a fifth species discovered more than a
century ago.
Effective use of eLearning
within business organizations makes that business well prepared for the «knowledge
work» that more and more employees will be engaged in as the 21st
century progresses.
So rather than discuss what curriculum should be, I write this post from the perspective of an educator who already
works within a curriculum that is ready for the 21st -
century and is already future focused.
Community Roots students will meet or exceed the New York State standards and be prepared to excel in the 21st
century by becoming independent thinkers and
working productively
within a diverse group of learners.
That is, they
work within the
century - old framework of largely autonomous, parish - based schools.
By
working within the Framework of the 21st
Century School Nursing Practice, school nurses can ensure that students are healthy, safe, and ready to learn.
While
working on design projects
within this branch, future teachers will build a special kind of TPACK — knowledge that enables observation of the technologically enriched enactment of 21st -
century skills.
We felt that this was well
within the «industry average» for this
work and provided nearly a quarter of a
century for each model to demonstrate its effectiveness and quality.
Professionals in the World of advertising and graphic design, they have expertly created
within the ample and comfortable room's different ambiences, exhibiting psychedelic wallpapers, amazing 19th
Century Sicilian artifacts, vintage furniture and
works of young aspiring artists.
There aren't many twentieth -
century American painters who have had powerful and distinctly contained phases of
work within their art as a whole.
Agnes Pelton,» Incarnation,» 1929 In the LA Times blog, Christopher Knight reports that «the kernel of a powerful idea resides
within «Illumination,» an exhibition of abstract paintings by four women who
worked in the deserts of the American Southwest and whose careers pretty much spanned the 20th
century.
The Artist's Museum locates these diverse
works within a cultural moment and artistic impulse bookended by the historical cabinet of curiosities and 20th
century image libraries, and our current era of the hyperlink and circulation of digital images.
Works in various scale create dynamic spatial relationships: a metal structure covered with accumulated bottles sits on the floor, informed by vernacular architecture as well as the cotillion, a social dance originating in France in the 18th
century and further developed by African Americans in the United States; and a chandelier of oversized cowrie shells hangs dramatically
within a large and site - specific yurt - like structure.
His
work occupies a unique place
within the practice of contemporary photography, employing anachronistic production techniques, borrowing from the aesthetics of the finest figurative painters of the 19th and 20th
centuries, and drawing upon the longstanding tradition of vanitas imagery.
This extensive retrospective of the late artist Ana Mendieta at the Hayward gallery marks and rightly acknowledges the importance of her body of
work, previously unacknowledged, as highly influential
within the art world of the 20th
century.
James Turrell, a Californian artist whose
work explores perceptions of light and space, was approached to create an installation
within Yorkshire Sculpture Park's 18th -
century listed buildings.
The catalogue's authors recognize what a remarkable and curious artist he was, yet place him squarely
within the Dutch art world of his time, as an artist following in the wake of Flemish landscape painting of the 16th
century, and
working in a vibrant artistic milieu of admiring colleagues and a burgeoning middle - class market for easel paintings and prints.
Smith roots her
work firmly
within the discourse of mid-twentieth
century experimental film, and draws from structuralism, international cinema, and science fiction.
Several exhibitions in recent years have drawn
works primarily from the collection today in the care of the Souls Grown Deep Foundation, including The Quilts of Gee's Bend, organized by the Museum of Fine Arts, Houston and the Whitney Museum of American Art in 2002, which traveled to the Corcoran Gallery of Art, Cleveland Museum of Art, Chrysler Museum of Art, Museum of Fine Arts, Boston, High Museum of Art, and four other museums; Thornton Dial in the 21st
Century at the Museum of Fine Arts, Houston in 2006; Hard Truths: The Art of Thornton Dial, organized by the Indianapolis Museum of Art in 2011, which traveled to the New Orleans Museum of Art, the Mint Museum, and the High Museum of Art; and Fever
Within: The Art of Ronald Lockett, organized by the Ackland Museum of Art in 2016, which traveled to the American Folk Art Museum and the High Museum of Art.
Ellsworth Kelly's large - scale, monochromatic art
works have been key innovations
within several 20th
century art movements, including Minimalism and Pop Art.
Recent scholarship has placed these artists
within the mainstream continuum of twentieth
century art history, and their
works add depth and richness to the landscape of American art history: BRUCE CONNER WALLACE BERMAN JOE GOODE ED RUSCHA TONY BERLANT LITA ALBUQUERQUE RICHARD PETTIBONE
Although his
work exists
within the German tradition — from Expressionism a
century ago to the significant contribution made by contemporary artists who are his senior, Anselm Kiefer, Georg Baselitz and his teacher Sigmar Polke — Ackermann has found his own voice independent of his forebears and has become one of the most stimulating and important artists
working today.
With more than 50 of his
works on display, the exhibition has been cleverly and informatively curated so as to place Marini's
work within the wider art - historical context, ranging from early Etruscan sculpture, through 15th -
century Florentine
works, to Auguste Rodin and even Henry Moore.
Its removal, then, being both a
work of art but also part of a long - term curatorial reassessment, created a break in the Renaissance Society's history, literally and metaphorically transforming the space
within which the institution will operate in its second
century.
Julie Langsam is a painter whose
works examines the legacy of modernism
within the context of the 21st
century.
You can get a sense of the history of painting
within Saville's
work so it also reminds me of other artists who inspire me such as Seventeenth
century Dutch still - life painters, Picasso, and Lucien Freud.
Showcasing artists such as Sol LeWitt and Keith Tyson whose
works develop from systematic parameters and mathematical formulae to figures such as Robert Mangold and James Siena who
work within a geometric visual vocabulary, Principia Mathematica examines the myriad ways 20th and 21st
century artists dynamically engage with mathematics as a creative device.
DAVID DRISKELL Creative Spirit: Five Decades by Bridget Goodbody DAINA HIGGINS New Paintings by Charles Schultz LOIS DODD New Panel Paintings by Sharon Butler Unlikely Friends: JAMES BROOKS & DAN FLAVIN by Greg Lindquist DAMIEN HIRST The Complete Spot Paintings 1986 — 2011 by Corina Larkin LORI ELLISON by Corina Larkin GEORGES HUGNET The Love Life of the Spumifers by Valery Oisteanu Dark Christmas by Bradley Rubenstein ELLSWORTH KELLY Schwarz & Weiss by David Rhodes MALCOLM MORLEY Another Way to Make an Image, Monotypes by Robert Storr Five
Works from the Collection of Albert Murray: ROMARE BEARDEN and NORMAN LEWIS by Charles Schultz THE RONALD S. LAUDER COLLECTION: Selections from the 3rd
Century BC to the 20th
Century / Germany, Austria, and France by Charles Schultz Anonymous Tantra Paintings by Noah Dillon SANGRAM MAJUMDAR New
Work by Kara L. Rooney GUDMUNDUR THORODDSEN Father's Father by Paolo Javier SOTO Paris and Beyond, 1950 — 1970 by Cora Fisher JESS Paintings by Phong Bui GEORGE MCNEIL by Robert Berlind VICTOR MATTHEWS by Vincent Katz LOLA MONTES SCHNABEL Love Before Intimacy by David Markus THOMAS WOODRUFF The Four Temperament Variations by Kara L. Rooney MARTHA CLIPPINGER Hopscotch by Robert Berlind PETER GALLO by Jonathan Goodman Connected by Noah Dillon KANDINSKY's «Painting with White Border» by Susan Bee BARBARA SANDLER Straight On Till Morning by Robert Berlind December (Organized by Howie Chen) by Nathan Kernan EDWIN DICKINSON In Retrospect by Robert Berlind JOSÉ RIVERA by Nathan Kernan REMBRANDT»S WORLD: Dutch Drawings from the Clement C. Moore Collection by Sara Christoph JOSEPH MONTGOMERY Velveteen by Linnea Kniaz The Renaissance Portrait from Donatello to Bellini by Mira Schor BOSCO SODI Ubi Sunt by Jonathan Goodman DOUG WADA Americana by Lilly Wei Mind the Gap by Anne Sherwood Pundyk BILL JENSEN by Ben La Rocco
WITHIN / WITHOUT: A Studio Visit With SHOSHANA DENTZ by Zachary Wollard SUSANNA HELLER's Studio by Robert Berlind STUDIO VISIT: JOYCE PENSATO by William Corwin Making American Taste: Narrative Art for a New Democracy by Shane McAdams Letter from BERLIN by David Rhodes JOSEPH MARIONI Eye to Eye by Robert C. Morgan GORDON MOORE by Joan Waltemath Master Bill at MoMA by Irving Sandler
At Turner Contemporary, it will be displayed
within the context of a trans - historical exhibition that includes figures such as Thomas Gainsborough, Joseph Wright and Angelica Kauffman, as well as major 20th -
century and contemporary artists including Andy Warhol, Lucian Freud, Louise Bourgeois, Damien Hirst, Sarah Lucas, Ian Breakwell, Felix Gonzales - Torres and many others (over 100
works in total).
«Tàpies chose these
works carefully, building
within his collection a group of exceptional artworks from the 20th
century,» says Olivier Camu, Deputy Chairman, Impressionist and Modern Art at Christie's.
That sense of the past is combined with the imagery Shaw uses for the
works — from late 19th
century political cartoons to DC comics, 1970s album covers, Hollywood films and detective novels indicating a past which haunts the present and different vernaculars which co - exist
within the same frame.
For this special presentation, Aitken and Vergne discuss Aitken's uniquely immersive aesthetic; the
work's relationship to 20th -
century avant - garde art, cinema, and experimental music; the nature of creativity in the 21st
century; the possibilities for artmaking
within our ever - mobile, ever - changing, image - based contemporary world; and other ideas central to the artist and the exhibition.
Within the gallery walls are more than 5,000 20th -
century works by the likes of Henri Matisse, Pablo Picasso, Francis Bacon, David Hockney, Andy Warhol and Lucian Freud, as well as pieces by prominent contemporary artists such as Antony Gormley, Gilbert & George, Damien Hirst and Tracey Emin.
There are five areas of deep focus
within the Colección Patricia Phelps de Cisneros: modernist geometric abstraction from Latin America; artworks and documentation of traveler artists who explored and
worked in Latin America and the Caribbean during the 17th, 18th and 19th
centuries; ethnographic objects from and documentation of twelve of the indigenous tribes from the Orinoco river basin in Venezuela's state of Amazonas; material culture from Latin America's colonial era; and contemporary art from Latin America and beyond.
This exhibition explored the
work of contemporary Chinese artist Mu Xin (born 1927), revealing his distinctive personal and artistic responses to tumultuous changes
within twentieth -
century China.
Within the
work of contemporary Brazilian artists, one can find the history of the country, spanning from 20th
century modernity back to the colonial period.
Yorkshire Sculpture Park is a treasure trail of
works by Barbara Hepworth, Henry Moore and James Turrell, found
within the breathtaking 18th -
century Bretton Estate (free to all, 10 % off shop purchases).
Within this preoccupation with the copy, the metaphor of death is never far away, at least in reference to the late twentieth -
century theory of the «death of the author,» which in more recent times has become nuanced by the notion that the ready - made and the copy are «original» art
works after all.
Widely acclaimed as one of Lucian Freud's greatest
works, Lucian Freud's Benefits Supervisor Resting vividly illustrates his unparalled technique and ability to reinterpret an age - old genre
within a 20th -
century vernacular.