The cracked tile has been a recurring motif in Varejão's work since early in her career, and in these works she draws particularly on the history of Portuguese
Azulejo tilework and of Chinese celadon
ceramics dating back to the 11th century Song dynasty.
The work is part of Varejão's ongoing explorations into the traditions of
azulejos, hand - painted tiles in Brazil that trace back to when the Portuguese imported Baroque tiles, which were inspired by the cobalt - blue
ceramics that Europeans encountered in China.
Boston Museum of Fine Arts, Boston, MA International
Ceramic Museum, Faenza, Italy Metropolitan Museum of Art, New York, NY Musée des Arts Decoratifs, Paris, France Museu Nacional do
Azulejo, Lisbon, Portugal Museum of Modern Art, New York, NY National Gallery of Art, Washington, DC Victoria and Albert Museum, London, England Whitney Museum of American Art, New York, NY World
Ceramic Center, Ichon, Korea Gardiner Museum, Toronto, Canada