Sentences with phrase «ceramic wall works»

Immediate physicality is also a defining feature of the ceramic wall works that hang opposite the figures.

Lehmann Maupin sold Teresita Fernández's ceramic wall work Fire (America) 2 (2016) for between $ 400,000 — 500,0000, Tracey Emin's Feeling Sexy and Beautiful (2015) embroidery for # 150,000 — 200,000 (and the artist's installation in Unlimited, co-presented with White Cube and Xavier Hufkens, for an undisclosed price), and Nicholas Hlobo's Idabi (2016) for $ 80,000 — 120,000, among others.

The majority of the pieces selected this year are from New York galleries: Brie Ruais» stunning 2017 ceramic wall work, «Broken Ground Red,» from Albertz Benda; «Condition,» a small 2018 sculpture by Matthew Ronay from Casey Kaplan seems to embrace both science and art; Shara Hughes» 2018 painting, «Gusto,» is from Rachel Uffner Gallery.

Not exact matches

They report on their work studying ancient glass and rock defense walls in a paper published in the May issue of American Ceramic Society Bulletin.

From wrought - iron chandeliers, to hand - painted ceramic tiles, from stucco walls to heavy wood ceiling beams, this luxury estate exudes Spanish Colonial Revival and Palm Springs history.

In a poignant reflection on a well - documented abusive childhood at the hands of his stepfather, Perry's ceramic work Mad Kid's Bedroom Wall Pot (1996) states, «I was a mad kid and now I ain't.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

Published to coincide with her solo exhibition at the Aspen Art Museum, this catalogue surveys over five years of Los Angeles — based artist Liz Larner's (born 1960) wall - based ceramic works.

Work perceived as trending that sold out the first day included pop comments on Pop (Sylvie Fleury's life - size crushed car that she painted with pink nail polish and posed against a wall caked with makeup; impeccable fabrication (Anish Kapoor's shiny discs that danced down every aisle); mannequin sculptures (Chicago imagist Karl Wirsum's robotic stick figures); body fetish (Guillaume Leblon's truncated ceramic legs and Jonathan Monk's kicking ones, Naotaka Hiro's body casts of himself made with his right hand).

Major works made by Mason around this time, like his «Blue Wall» (recently featured in Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture at the Getty Center) and free - standing «spear» and «X» forms, would define a new expressive potential and monumentality for ceramic - based art.

For your degree show from the Royal College of Art last year, you bravely chose to exhibit your work in the art school's café area, filling it with bespoke tables, chairs and shelving units containing other textile, ceramic and wood objects as well as house plants poking out of a decoratively shaped hole in the wall.

Entitled the «Yama Series,» these works were inspired by Japanese Momoyama period (17th century) ceramics, while incorporating lush glazes based on contemporary American phenomena: custom car colors, stucco walls, speckled linoleum.

In the smaller room, Lynda Benglis presents new works in ceramic alongside early floor pieces of brightly pigmented poured latex and a selection of wall pieces in wax.

The show is titled «The Secret Lives of Spiders» and combines new ceramic works, mixed media sculptures, and wall drawings.

These works include her richly layered wax paintings and poured latex and polyurethane foam sculptures of the late 1960s and early»70s; innovative videos, installations, and «knots» from the 1970s; metalized, pleated wall pieces of the 1980s and»90s; and pieces in a variety of other mediums, such as glass, ceramics, photography, or cast polyurethane, as in the case of the monumental The Graces (2003 — 05).

Like the multi-part octopus piece by Joakim Ojanen pictured above, each work in CLAY TODAY will be a significant ceramic artwork, whether sculpture, wall work or even claymation video.

Johanna Jackson's recent work involves designing and knitting garments, creating abstract wall hangings, and ceramics.

Sterling Ruby (b. 1972) and Lucio Fontana (1899 — 1968) may seem an unlikely pairing, but their shared irreverence toward surfaces (smudged, slashed and otherwise violated) and interior volumes (exposed unmercifully) is evident in these wall works, ceramics and bronze sculptures.

Incorporating both white walls and the surrounding ungainly, if eccentrically charming, brutalist architecture, the show makes corporeal connections between the splattered canvas works by VanDyke, the hand - pushed ceramic totem by Brie Ruais, and Meisenberg's delicate abstractions and impressed body prints on canvas, among others.

The body, in most instances her own, became her primary subject matter and the springboard for ceramic sculptures, latex wall pieces, chewing gum sculptures, and numerous performances, photographs, films and two dimensional works.

Two years later he commenced work on a ceramic wall for the Fondation Maeght, which he completed in 1981.

El Anatsui: When I Last Wrote to You about Africa brings together the full range of the artist's work from early wood trays to ceramics and wooden sculptures to the luminous metal wall sculptures that have brought the artist international acclaim.

Working primarily with clay, Ruais makes large - scale ceramic floor and wall pieces that covet their own self - sufficiency.

A strange cross between a butchers shop and a nightclub 26 May — 7 July 2013 Jonathan Baldock's first solo exhibition in the UK for three years will include an entirely new body of work initiated during his residency at Wysing last year; large - scale felt sculptures, ceramic objects, corn - dolly masks and hand - made wall prints.

Techniques will include using functional ceramic processes to create wall hangingsculpture; engineering a piece that will hang securely, shaping and carving from a solid form and creating a carved plaster mold for intricate detail work.

Honors in Sculpture Skowhegan School of Painting and Sculpture 1982 Carnegie - Mellon University SELECTED SOLO EXHIBITIONS 2015 Les Guérillères, Sandra Gering Inc, New York, NY 2014 Julia Kunin & Jackie Gendel, Jeff Bailey Gallery, Hudson, NY 2013 Golden Grove, Barry Whistler Gallery, Dallas, TX 2012 Nightwood, Greenberg Van Doren Gallery, NY, NY 2002 Rotes Wildleder, Deutches Leder Museum, Offenbach, Germany 2000 Cephalopoden, Bellevuesaal, Wiesbaden, Germany 1999 Crimson Suede, Stefan Stux Gallery Project Room, New York, NY Rambling Conversation series, Four Walls, New York, NY Old Gallery, Tbsili, Georgia SELECTED GROUP EXHIBITIONS 2016 Dysfunction, BCA / Burlington City Arts, Burlington, VT In a Field with No Bounds, New City Galerie, Burlington, VT NY, NY: Clay, CAC / Clay Art Center, Port Chester, NY 2015 Who, Lesley Heller Workspace, New York, NY 2014 2Q13, Women Collectors Women Artists, Lloyd's Club, London, England The Body is Present: Women at Work, Ramapo College Art Galleries, NJ Cleaning House, MAMŰ Galéria, Budapest, Damjanich Zsolnay, Kapolna Gallery, International Ceramic Studio, Kecskemet, Hungary Natures Knot, Luise Ross Gallery, New York, NY 2013 Treasures for the German Leather Museum.

Angell Gallery is pleased to present Rise Then Shine, an exhibition by New York - based Greg Haberny featuring new wall - mounted assemblages and ceramic works.

Eva Masterman's profile >> > Jackson Sprague Sprague's work plays - up tensions between aesthetic and functional, sculptural and pictorial, lasting and ephemeral: a room divider performs as a painting, a painting on the wall is also a plaster cast sculpture, painted cardboard appears to be ceramic.

Sprague's work plays - up tensions between aesthetic and functional, sculptural and pictorial, lasting and ephemeral: a room divider performs as a painting, a painting on the wall is also a plaster cast sculpture, painted cardboard appears to be ceramic.

Work by well - known artists such as Yinka Shonibare, MBE and architects including David Adjaye appear alongside those of lesser - known but equally exciting designers whose garments, carpets, baskets, ceramics, furniture, body arts, wall painting, photographs and sculpture blur the distinction between art and craft.

The exhibition features over fifty works made between 2014 and 2018 including intricately beaded wall hangings and punching bags, paintings on canvas and rawhide, ceramics, garments, and a new video debuting in this exhibition.

«Teresita Fernández: Fire (America)» presents new works by the artist, including a 16 - foot glazed ceramic wall panel depicting a landscape on fire set in the dark of night.

This is because his new body of works mingle with the older one, which seem to have no affinity or similarity to each other, his ceramic colorful wall - sculptures or the sculptures, compared to the all - black voluminous sculptures of birds or animals occupying the space, are creating only queries and questions that puzzle the thinking of the viewer.

Including film, wall paintings, ceramics, silkscreens, Adam Pendleton: Becoming Imperceptible frames the artist's oeuvre as a complex dialogue between culture and system, a body of work invested in the perpetual cross-referencing of aesthetic and social histories.

Including film, wall paintings, ceramics, silkscreens (on mylar, plexiglass, steel, and canvas), Adam Pendleton: Becoming Imperceptible frames the artist's oeuvre as a complex dialogue between culture and system, a body of work invested in the perpetual cross-referencing of aesthetic and social histories,» states the Contemporary Arts Center.

The show also included several films that contain fragmented biographies and texts from key figures in the Civil Rights Movement, floor - based abstract ceramic sculptures, and a large vinyl wall work, with a title that, as with Shiferaw and Jackson, further signals his politics, «Black Lives Matter # 3 (wall work)» (2015).

Including film, wall paintings, ceramics, silkscreens (on mylar, plexiglass, steel, and canvas), Adam Pendleton: Becoming Imperceptible frames the artist's oeuvre as a complex dialogue between culture and system, a body of work invested in the perpetual cross-referencing of aesthetic and social histories.

But she's striking out in so many directions at once that it may be hard for newcomers to process it all, especially since she has jumped from mixes of ceramics and painting to more - exclusive wall - works.

After repeated visits, however, they come to provide a useful organizing structure; while it's true that the ceramic works are grouped in the final gallery, that the poetry lines the walls of that same space, and that the jewelry is together in one case, they are all contained within a single show, marked by their collective belonging.

Open to sculptures and sculptural wall - mounted work that is at least 50 % ceramic, this exhibition will be on display April 6th to 28th, 2018 in the Clay Center's new gallery space in the heart of New Orleans.

Instead of displaying them on the gallery walls, Crowner has arranged the works around a raised stage of glazed, ceramic tile.

Gallery newcomer Zemer Peled contributes a sensuous wall - mounted ceramic sculpture ornately assembled from shattered pieces of blue and white porcelain, while Kim Rugg's work is an intricate quilted rendition of the «newsworthiness» of Warhol's own imagery — both testaments to the increasing lack of handcraft in recent contemporary art.

A visual delight awaits on the second floor where expansive handwoven rugs, featuring the theme design in deHarek's original pale pink and brown colors, are framed by seventy stunning pieces of small, wall - mounted ceramic works.

Artist, printmaker, textile designer and horticulturalist, Angie Lewin's work encompasses an astonishing range of disciplines and techniques, working in wood engraving, silkscreen, lithography as well as creating pattern for wall papers, ceramics and textiles.

Kyle's studio includes woodworking tools, a ceramic casting station, a portable spray booth, and a finished, gallery - style wall that he uses to document his work on a consistent background, mimicking the symmetry of how works are presented in some of his favorite monographs, such as Martin Puryear's.

Each room features a distinct body of work, showcasing the artist's multifarious range — including glazed ceramics; examples from her bronze fountain series; large - scale biomorphic aluminum sculptures; a constellation of recent paper wall works; and the eleven - foot phosphorescent cast polyurethane HILLS AND CLOUDS (2014).

For her next solo show at Regen Projects in Los Angeles, Ms. Larner will present ceramic and epoxy wall pieces, a mixed media work made of steamed, bent and painted paper on an aluminum armature, and a free - standing sculpture in mirror - polished aluminum, further establishing her reputation as a master of hybrid forms.

The poets will activate Teresita Fernandez's most recent glazed ceramic work from her Fire (America) series and an immersive, site - specific charcoal wall drawing, Charred Landscape (America).

Selected Group Exhibitions 2012 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 SOFA Chicago, Perimeter Gallery, Chicago, IL 2011 ART Chicago, Perimeter Gallery, Chicago, IL 2010 SOFA Chicago, Perimeter Gallery, Chicago, IL 2010 Olympia Center Lobby Installation, Chicago, IL 2009 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 SOFA Chicago, Perimeter Gallery, Chicago, IL 2008 Perimeter Gallery, Chicago, IL Ceramic Sculpture, April 2008 - present 2007 «All The Difference» Group Ceramic Exhibition, University of Akron, Akron, OH 2007 Packer Schopf Gallery, Chicago, IL Large Sculpture, Summer 2007 2006 Aron Packer Gallery, Chicago, IL (January - May 2006) 2005 «Living Artists» Invitational Exhibition, Fine Arts Gallery, Chicago, IL 2004 «The More the Merrier» Group Invitational Exhibition, Viridian Artists @ Chelsea, New York, NY 2003 «Objects of Desire» Group Ceramic Exhibition, Northeastern Illinois University, Chicago, IL 2002 SOFA Chicago, Aron Packer Gallery, Chicago, IL 2002 «Natural History» Group Exhibition, Aron Packer Gallery, Chicago, IL 2001 «Member and Guest Exhibition» Fine Arts Building Gallery, Chicago, IL 1998 «New Work» Barat College, Lake Forest, IL 1992 «CAA / MFA: Juried Exhibition» College Art Association, Gallery 2, Chicago, IL 1989 «Artspace» Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Faces at SPACES» (Mixed Media Self - Portrait) SPACES Alternative Gallery, Cleveland, OH 1988 «Off the Wall» (Paintings) Cleveland Center for Contemporary Art, Cleveland, OH 1988 «Three Emerging Artists» (Ceramics and Paintings) Akron Woman's City Club, Akron, OH 1987 «Northeast Ohio Ceramic Invitational» Cuyahoga Valley Art Center, Cuyahoga Falls, OH 1987 «Women at Work» Juried Exhibition, Third Place Award, Perkins Gallery, University of Akron, Akron, OH 1987 «Artists of Studio 828» Studio 828, Akron, OH 1986 «Explore and Discover» Akron Art Museum, Akron, OH 1986 «Drawing in Foundation Studies in Art: Goals and Strategies» National Exhibition, Allen R. Hite Art Institute, The University of Louisville, Louisville, KY

The works onsite are the ceramic tiling of toilets from floors and walls up to ceiling height and some prep work also.