An American artist of Greek decent, pioneering abstract expressionist
ceramicist Peter Voulkos (1924 - 2002) almost single - handedly altered the course of American ceramics from the 1950s onwards.
Also appearing were minimalist painter Agnes Martin at the UAM; East Bay
ceramicist Peter Voulkos at Oakland; and Willem de Kooning's late paintings at
Early in his career, Nagle apprenticed with fellow Abstract Expressionist
ceramicist Peter Voulkos, and he cites Ken Price and Giorgio Morandi as significant influences.
[3] Mason attended Otis Art Institute, and in 1954 enrolled at Chouinard Art Institute, where he became a student and close friend of
ceramicist Peter Voulkos.
In this period, American designer George Nakashima's furniture celebrated the raw edge of a wooden plank, while
ceramicist Peter Voulkos played with thrown clay vessels that were summarily dismantled and hacked into to become the basis for his sculptures.
Not exact matches
Koslow was more inspired by lo - fi home - design mags like Apartamento and L.A. artists /
ceramicists like
Peter Shire than she was by the matte paper and rumpled - linen - napkin styling that have defined cookbooks for the last five or so years.
Noted alumni include the painters Nathan Oliveira and Raymond Saunders; the
ceramicists Robert Arneson, Viola Frey, and
Peter Voulkos; the filmmaker Wayne Wang; the conceptual artists David Ireland and Dennis Oppenheim; and the designers Lucille Tenazas and Michael Vanderbyl.
In the summer of 1953, while teaching at the experimental Black Mountain College, a young
ceramicist named
Peter Voulkos met avant - gardists of all stripes: the painter Robert Rauschenberg, the composer John Cage, the choreographer Merce Cunningham, and the poet Charles Olson.
By 1956 Bengston had enrolled at Otis Art Institute to study under master
ceramicist,
Peter Voulkos.
Thirty years ago
Peter Voulkos, a young
ceramicist from Bozeman, Montana, was invited to a summer session at Black Mountain College.
Starting to work with clay in high school, Nagle trained with
Peter Voulkos, and today holds a place with Voulkos and Ken Price as one of the major postwar American
ceramicists.
have had nationally and, in some cases, internationally visible careers: the Hairy Who's Jim Nutt, Gladys Nilsson and Karl Wirsum; from Funk, the
ceramicists Ken Price and Robert Arneson and the painters William T. Wiley and
Peter Saul (represented here by a wacky 1966 sculpture of a man in an electric chair, one of the few 3 - D works he made); and Mike Kelley and Jim Shaw of Destroy All Monsters.