Sentences with phrase «certain color paint»

Not exact matches

«There he was standing in victory lane in the ParkerStore colors, and all I could think about is how I painted his kart ParkerStore yellow even though they only asked us to put on a certain size sticker.

Created in honor of this year's color - themed National Chemistry Week, the video explains why certain objects appear black and how scientists have created surfaces that are more than 100 times darker than black paint.

The print itself brings a certain beachy joie de vivre feeling and vivid sunset colors like something out of a souvenir painting.

Having basic aesthetic and idea of certain tips and technique is necessary when it comes to lip color, whether to go for a glossy finish or matt outlook, this questions must be answered in your mind when painting your lips all glamorous.

I always want to laugh when painted furniture is called a trend, furniture had been painted for hundreds of years, it's not new!!!!!! I think both wood and painted furniture will work in a lovely blend forever, sure things will date (certain colors will definitely be of an era) but the idea of reworking things and making over things has been, and will be around forever!

I love color; I love the way a certain color can influence my mood, can alter my disposition... but I prefer not to be dressed like a pop painting.

Big, garishly painted cars from German - owned Bentley, like its ba - lue Mulsanne, and Rolls - Royce are the «10s equivalent of loudly colored tweed hunting jackets favored by some German gentlemen of a certain age and class, a generation ago.

Certain items can be ordered individually too such as larger 19 - inch alloys a navigation system and a vast range of interior colors, detail inlays and exterior paint colors are available too.

I think we've done a pretty good job of challenging you in situations where there's no easy answer... Ideally, we end up with players with different mindsets and different thoughts and if things are really humming, then your origin story has helped to paint the world a certain color, giving it a certain tint that helps you tackle the world from a different angle.»

The fans love watching the process and sometimes I allow them to input there opinions on colors I should use for certain parts of the piece, or guess what else I'd add to the painting, and I love the instant feedback too.

I should also note that he was the first of the New York School to make a mural - size painting (it measures 7.5 × 10 feet), and that his personal style owes nothing to the athletic gesture that is often identified with certain works by Pollock, de Kooning and Kline, or the subtle applications of the hard - edge geometry of Reinhardt, or the fields of suffused and unbroken color in Rothko and Newman.

His two recent paintings, Patches of Color, Three Hands, and a Partition Line (2015) and A Lot of Dark Blue Legs and Patch of Color (2015), are covered in multiple layers of pastel blues and purples that reveal only certain body parts of human figures.

Just the current show of Florine Stettheimer's extraordinarily gorgeous, inventive, kaleidoscopic paintings at the Jewish Museum suggests that there are a thousand aesthetic aromas, ideas of color, composition, surface, subject matter, metaphysical attitudes, body postures, and optical domains that have been cut out of the canon (probably because certain «qualities» have forever been considered too female, or «girly»).

This is art that is made, to a certain extent, in the image of Clement Greenberg's take on the meaning of color and material in painting, reducing it to purely optical or formal concerns.

Instead of revising her initial marks in certain areas, Wylie has collaged pieces of canvas over the paint, introducing texture and small flecks of color that together lend the work an organic nature.

[39] Certain artists quoted references to past or present art, but in general color field painting presents abstraction as an end in itself.

There's the part of painting that is just an activity, and if you like paint or color or gesture or drawing or a certain kind of surface, you're going to end up making paintings — and then you're just going to have to grapple with the structures around that.

Since then, she has continued to base her paintings on pastels made from direct observation, while frequently enlivening compositions through heightened color, repetition of certain elements, and manipulation of light, scale, and perspective.

For my DJ set, I have chosen songs whose titles specifically reference certain colors, and I will layer and juxtapose those songs in ways that evoke specific Bess paintings like

At certain points his additions to the etchings push into the realm of painting, a threshold that coincides with the increased appearance of color.

For my DJ set, I have chosen songs whose titles specifically reference certain colors, and I will layer and juxtapose those songs in ways that evoke specific Bess paintings like The Hermaphrodite, View of Maya, and an Untitled, 1949 greenish piece with a patch of grey and red (1949) that was in the Gober - curated section of the 2012 Whitney Biennial.

For my live broadcast * in the Hammer courtyard, I chose to play songs with titles that specifically reference certain colors, as a way of approaching his paintings from an altered, auditory viewpoint.

, the awkward color, not - quite geometric shapes and flat - footed paint handling have a certain haphazard appeal.

They carve space out of the featureless expanse on which they rest, interact playfully with the colors they abut, and, when Pibal has painted the edges of the thin aluminum panels on which she works, appear from certain

Without his influence, it is quite certain that Color Field Painting would have evolved in a different way.

Vigfússon's work in this exhibition highlight the artist's use of glass, which is cut in a particular shape, the edges polished, and the back painted with a certain color.

All of those layered contents could be addressed or reflected directly in the painting: the idea that the painting has the ability to reflect consciousness in a certain way — maybe in the way poetry can — in this peculiar language of colors arranged in a certain order.»

To a certain extent, the abstract style known as Color Field painting is a one - shot deal: what you see is what you get.

Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

Since the early days of Color Field painting, working on unprimed canvas or linen has given the impression of a certain unfinished immediacy — more like the page of a sketchbook than a finished painting.

When colors have similar value and low contrast, they create the illusion of vibration or movement, as in the paintings of Agnes Martin, whose color choice often stays within the realm of a certain value to create subtle variation with a puzzling effect for the eye.

Michelangelo, with an eye trained to the material weight of color, might have been comfortable with this form of sculptural painting, even if Tsao's abstract language is more akin to the late 1950s New York School, with Pollock's spattering giving way — at certain turns of mood or emotion — to sublime color fields reminiscent of Helen Frankenthaler or Ellsworth Kelly.

Working with the seemingly narrow subject of his own face, Close has produced a richly varied trove that ranges from intimately scaled collage maquettes and fingerprint drawings to monumental gridded canvases; from the sharp definition of certain photographic techniques to the ghostly blurs of daguerreotypes and holograms; from the tactile complexity of paper pulp editions to the smooth, mechanical surfaces of Polaroids and digital ink - jet prints; from the subtle tonalities of gray - scale paintings and drawings to the exuberance of an 111 - color screenprint.

Her latest semi-abstract color - block paintings, reminiscent of those by modernists like Agnes Martin and Ad Reinhardt and Russian Suprematist Kazimir Malevich, both conceal and broadcast various declassified military reports — papers that relate to everything from medical guidelines for detainees to the legality of interrogation methods — in a sense showing by painterly example how certain words are cut from the page so the audience doesn't suffer the brutal truth in favor of the prettier surface.

Ericson's clear spatial divisions suggest Ukiyo - e printmaking and give the painting a certain intensity wherein form and color play off one another.

But I have to say, the reason I paint only a certain size is because some people are like, «Oh, too much color.»

Holger Bär's machine - painted images translate strings of numbers into colors, assigning certain colors to numbers.

The focus is on the process of painting and unpredictability, where Albert sets certain limits, especially in the pallet of colors, but also adds mirrors to his canvases, and relies on technology to generate designs.

Noland achieved this varied application of paint and emphasis on certain colors by using a gel medium, which sits on the surface of the paintings and gives the color a tangible, physical quality.

He uses an oil paint stick to accentuate certain marks and words, leaving a complex interplay of color, texture, and autobiography.

Ad Reinhardt, whose black paintings seem a world away from Grill's lively color - forms, shared with Grill a metaphysical approach with his idea that «art is involved in a certain kind of perfection.»

The interplay of adjacent graphic blobs of color combined with a highly unusual technique that gives certain areas of the painting a splotchy «melted wax» look makes Application: One a particularly hypnotic item that is sure to suck you in.

Stella himself wryly observed that «what you see is what you see,» though in his work he replaced a certain romantic approach to painting with geometry, and in doing so merely replaced a certain appreciation of painterly beauty with the beauty of geometry and color.

«If you have seen... many of Hofmann's paintings, you will have seen certain attributes persisting: bright color, painterly surface, impulsive... You will also have seen many puzzling things: the stylistic variety, abutting complimentary colors which never become garish or «optical,» surfaces jam - packed with agitated pigment which somehow turn serene, icy greens exuding warmth.»

This is not to mention that we are also made aware that, as with the black paintings to come, no painting is ever truly monochrome, but is always built up out of varying shades of blue, and in certain paintings, especially early ones, they sometimes coexist with complementary, non-blue colors, most prominently in the large horizontal painting incorporating greens.

Informed by neuroscience and leaps of intuition my paintings aim to reveal a new and different visual experience by articulating an objective, thus universal, color language that is based on certain predications of the viewer's response.

Among previous projects are A Certain Slant of Light (2014 - 15), a large - scale installation at The Morgan Library & Museum inspired by its collection of medieval Books of Hours; Trying To Remember the Color of the Sky on That September Morning (2014), composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; There Is Another Sky (2014), which transformed a formerly dark alley into an urban forest sanctuary at South Lake Union, Seattle; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation composed of an existing series of windows transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

He radically cut his abstractions by obliterating almost all colors and compositional elements and beginning his final ride with the so - called ultimate paintings, based on certain works by Malevich or visual programs by Mondrian.

Painted with a certain gusto in a color that could be identified as fuchsia, they are knowing nods to the complexities of gesture that remain in painting even today, as well as comebacks to the type of dialectical Greenbergian «service» described above.

I am writing this statement not quite knowing what the immediate outcome will be, but am aware of the potential collective impact that this distinctive community of creators will have with Brian Belott's innovations in collage, Ákos Birkás's philosophy about painting a certain situation, Regina Bogat's devotion to art making with clever variations on certain abstract themes, Matt Bollinger's extra-large and bracing graphite drawings, Paul DeMuro's painterly electricity, Marc Desgrandchamp's time - fragmented paintings, Michael Dotson's paintings of the «Disney - esque,» Michel Huelin's relationship with nature and software, Irena Jurek's very meaningful cat character, Alix Le Méléder's proposals of four colors determined by the passage of the brush, David Lefebvre's painted images cut out of magazines or downloaded from a mobile phone, Pushpamala N.'s ethnographic documentations which have been compared to Cindy Sherman, Wang Keping's unique wooden sculptures that juxtapose vivid emotion with a marked sense of introversion, Katharina Ziemke's pictorial treatment of current events, and me, the co-host with a small drawing.