Ms. Cornett argues that the love affair between Almasy and Katherine «is of the very same emotional and spiritual and factual material that
dramatic religious conversions are made of»» namely, a
certain sequence of strong feelings, including the experience of being led to do something against your will.
Well, as sure as sunshine, if Jesse Hibbs succeeds at nothing else, it's sustaining a
certain entertainment value through directorial pacing that is tighter than structural pacing, highlighted by some tensely well - staged action
sequences that also mark heights in
dramatic resonance, which is lacking, but there at times in which it's most needed to establish some sense of conflict and human weight.