His investigation gets a boost when the FBI informs him that they have a picture of the murderer... [/ font][font = Century Gothic] The thing that separates superior psychological dramas like «Keane» and «Red Road» from a mediocrity like «Fear X» is
a certain fearlessness, not only from the director but also from the lead actor.
Not exact matches
Granted, they're wired to explore and as such seem to have an innate ability to scare the crap out us during their daily expressions of
fearlessness in the face of
certain death.
That this filmmaker / actor / musician manages to wage such a thrilling and enlightening «war,» with sheer
fearlessness and passion as his only weapons, says more about a
certain soulless industry machine than it does about Flooding with Love for the Kid.