Sentences with phrase «certain film genre»

Every so often a certain film genre will suddenly begin to pick up speed without much warning, whether that be a huge increase like with the Marvel and DC comic book universes or more low - key ones such as political and cyber thrillers.

Not exact matches

The story is well crafted and it is a film that resonates well, as Jodorowsky crafts a film that is very unique in the Western genre, a film that displays certain ideas that are the director's trademark.

there were a few moments where just a little more dialogue would have improved certain scenes and the film was not without a few of the cliches of this genre, but overall it stands as a personal favorite of mine.

After a certain point, though, the film succumbs to genre expectations and, indeed, the blood begins to flow.

While there are still hindrances and biases against certain films and genres (like superhero films, comedy or sci - fi), we could see some interesting things unfold this season and in the years to come.

KW: Yeah, I think there's a certain gravitas and authenticity to your films that make them feel a lot more realistic than most other examples of the ghetto genre.

The film owes a little to the horror genre, certain visual moments capturing that hair - raising creepiness common in the genre greats — I'm thinking of the way the camera foregrounds and backgrounds people and space in a certain sequence towards the end (reminiscent of Mike Gioulakis and David Robert Mitchell's efforts in It Follows).

It isn't an accident that Certain Women's closest brush with genre — when attorney Laura's (Laura Dern) enraged client, Fuller (Jared Harris), takes a night watchman hostage — is both the film's only portrait of male indignation, and the only vignette that's deflated in near - comic anticlimax as quickly as it reaches its apex.

On the surface level would be an entertainment film, a genre film, an exciting film of a certain type, and on a deeper subtextual level would be a film that would have some meaning to me.

In «Horror 101: The Exclusive Seminar» (10:27), director James Wan and writer Leigh Whannell separately discuss their philosophies for the film, putting new spins on the haunted house and possession genres and doing certain things differently from other modern movies.

But it is certain that the film is less tied to the conventions of some film genre, as, for example, Miller's Crossing is, belonging as it does completely to the tradition of the gangster film.

It gets to a certain point in the film that when he goes through the withdrawal, time away with his family, part of the film (yet another staple of the recovering drug addict genre), we don't want him to have that triumphant return to music.

Having watched Gerald's Game after a string of some very violent films during genre film festival Fantastic Fest, I still wasn't prepared for a certain scene late in the film.

That the film occasionally succumbs to certain rudimentary hallmarks of industrial studio horror is regrettable, but for the most part it's agreeably suspenseful, date - night arm - squeezing genre fare.

Sometimes, though, festivals are put together to celebrate a certain theme or genre, with the moviegoing public allowed to enjoy previously released acclaimed films.

Focus has all the ingredients to be a solid entry to the genre — as long as you don't mind a certain irony in the film's title.

What is certain is that independent films have been staking a claim in this genre with their low budget, more grittily authentic incantations of love.

But it's an objectionable turn of phrase, implying a certain intrinsically lowly or shameful status to genre film - making in itself: there are good horror movies and bad ones, smart horror movies and stupid ones, and the critical distinction seems clear enough without needing to delineate and elevate a separate subgenre on the basis of class and quality alone.

The genre may have previously encompassed films that were independently produced, but nowadays, it seems like we simply call a flick an indie when it has a certain vibe to it.

WHY: Whether he's making poetic coming - of - age films or pot - fueled buddy comedies, David Gordon Green hasn't allowed himself to be confined to a certain genre, although he does seem to have an affinity for the kind of naturalistic, salt - of - the - earth dramas that he's returned to in recent years, including his latest movie, «Manglehorn.»

It could be a film that's such an utter failure that it's fun to get a laugh at its expense, a subpar movie that you enjoy watching simply because you're into a certain genre, actor or character, or perhaps a movie that's actually pretty good, but just isn't your thing whatsoever.

The Infiltrator may lack some of the general pizzazz and true substance that so many films this genre have, and its story is rather straightforward in the general biography mold, but thanks to an great, all - around cast and legitimate tension, it is a watch that grows on one throughout and slowly but surely hooks the viewer, like a certain stimulant.

For a certain subset of film critics, the Catalan - born Jaume Collet - Serra — director of such niftier - than - predicted genre fare as Orphan and Non-Stop — is something of a (figurative) great white hope.

As certain films can be seen as perfect representatives of their genres (Sleepless in Seattle for romantic comedies, The Maltese Falcon for noirish private detective stories, Airplane!

To remind us once again that certain films are commercial dreck appealing to the lowest common denominator, whereas others are within a genre of festival films designed to purvey a sense of cultural distinction, is finally to give all the power to the institutional and class divisions that one presumably wishes to challenge.

Film review has the purpose to tell about the novelties that virtually nobody even wrote about and about what there is no definite opinion yet.In order to receive evaluation of your film review on merit, your work should conform to certain rules of the genre.

Beholden to Victory is an edited video version of the full - length Super-8 «war movie» genre picture Hail the Fallen -LRB-...) The film was not directed in the traditional sense, as there was no script, and the actors were required to play as in a game — to follow certain rules, or, more precisely, to observe certain restrictions.

The project evolved from an interest in horror films as a genre where certain aesthetics and fear are often constructed by means of architecture.