With that being said, I also cry out loud for
certain films and performances to be considered and watched among voters everywhere.
But an award is an award and this season is nothing if not making sure
certain films and performances are kept in the conversation.
Not exact matches
There is indeed a
certain immersion value even within the
film's style, subtle though it may be,
and when it comes to substance, no matter how thinly or formulaically it goes handled, it carries a potential that is reflected in the
film carrying wit
and dramatic elements as a portrait on man's interactions with his environment
and his peers, anchored by memorable characters who are themselves anchored by memorable
performances.
There is a
certain intimacy to Hibbs» efforts, though not as much as there is to the efforts of a cast full of dated
performances, some of which are dated to the point of mediocrity, while other hold up well enough to be rich with charisma, if not a little dramatic weight, with Audie Murphy himself, as himself, all but carrying the
film with his particularly grounded charisma,
and charming chemistry with his peers.
That losing streak is almost
certain to be ended in February, this
film and this year being the obvious vessels to recognize not just a fearless, committed,
and physical
performance full of snot
and beard but a body of work over the past quarter - century seemingly unrivaled by any other actor.
Blu - ray Highlight: In addition to an excellent six - part documentary that runs the entire gamut of production — from location shooting in Romania, to Nicolas Cage's (creepy)
performance capture of the Ghost Rider, to special effects
and more — the Blu - ray also includes a feature similar to Warner Bros.» Maximum Movie Mode where directors Mark Neveldine
and Brian Taylor dissect the
film (sometimes pausing it to discuss
certain scenes in more detail) with the help of behind - the - scenes footage.
Movies like Leon: The Professional
and even Jason Bourne echo throughout the
film's exhausting proceedings, but whereas those
films had a
certain edge in their approach, not to mention solid action set pieces
and, most important of all, expressive
performances, The Hunter's Prayer serves to be a shoddily - executed version in comparison.
As awards season kicks into high gear this month,
certain films that aren't «Star Wars: The Force Awakens» should see box - office gains from conversations about
and nominations for the best pictures
and acting
performances of 2015.
As impressive as Edwards» low - budget effects are in «Monsters,» it's their
performances that make the
film so effective — Able was sympathetic, steely
and vulnerable, while McNairy brought an unusual energy
and a
certain cynicism to his role, so it's no surprise that it has led to great things for the duo.
They do have a
certain charm
and chemistry,
and given the entire
film revolves around their
performances, they didn't do half bad.
The
film won the Caméra d'Or for best first feature, the Queer Palm for LGBT - relevant
films,
and a best
performance prize for Polster in the Un
Certain Regard awards — an impressive haul for an impressive
film.
The effect is overly sentimental, giving the
film a saccharine tone.Their absence would benefit the players»
performances and its deft dialogue, giving
certain scenes a bleakness that might underline Kay's unhappiness
and uncertainty
and Arnold's reluctance.
I realize I'm being simplistic about the above paragraph, as I'm probably ignoring
certain unique individuals out there who absolutely connect with the
film on every level, as well as those who might enjoy it for one particular aspect, such as the
performances of Tomlin (Orange County, The Kid)
and Hoffman (Meet the Fockers, Finding Neverland).
The most pleasingly cerebral of recent American
films, «Experimenter» concerns Dr. Stanley Milgram (Peter Sarsgaard in an expertly shaded
and intelligent
performance), the creator of
certain enduringly famous experiments in social psychology, which the
film starts out by showing us.
Destiny 2 has many actors
and actresses returning from the previous game to produce more exceptional
performances while bringing a
certain charm to their respective characters including Nathan Fillion voicing Cayde - 6 Hunter Vanguard having starred as Captain Malcolm Reynolds in Firefly
and Serenity, Richard Castle in Castle
and surely to be the on screen Nathan Drake in the Uncharted
film; Gina Torres voicing Ikora Rey
and Warlock Vanguard having starred as Zoe in Firefly
and Serenity
and Jessica Pearson in Suits;
and Claudia Black voices Tess Everis having starred as Aeryn Sun in Farscape, Sharon Montgomery in Pitch Black
and videogame roles such as Chloe Frazer in Uncharted 2, 3, 4
and The Lost Legacy as well as Crysis, Mass Effect 2
and 3
and Diablo III.
In a smaller room next to the Tanks, two new acquisitions were displayed: Suzanne Lacy's multimedia presentation of The Crystal Quilt, her 1985 — 87 collaborative
performance with women of a
certain age,
and Lis Rhodes's 1975
film and sound installation Light Music (unfortunately out of order on opening night).