And I think because of transparency and the formats I can get away with with
certain kind of color situations that I would bet that a lot of other artists can't handle.
Not exact matches
Its a sad day when our young black men do nt have the freedom to walk through
certain neighborhoods without being harrased are mudered, no one has the right to just take a life just because
of the
color of your skin we as a people has to stand up to injustices such as this no one wants to hear the truth there is still a racial devide in America and our justice system create laws so that this
kind of injustice can continue to happen rather u want to admit it are not our young black men are the prey.
In a world
of school supplies that all look the same, patterned pencils, notebooks with cats, or a
certain kind of binder in a favorite
color let students express their individuality beyond the basics on the school supply list.
A
certain kind of beetle is crushed and boiled to extract juice, which his then used to
color foods that need a pink, orange, or red hue.
BOX 15, A-15-6; 30219214 / 734997 SAPA Part B - 1st Draft, c. 1972 Using Numbers - Numbers and the Number Line, JRM Observing - Observing the Weather Measuring - Making Comparisions Using a Balance, JE Alternate Auto - Instructional, Measuring 1 - 4 / Measuring Area, Gillis Classifying - Trees in our Environment, JRM, c. 1972 AAAS - Xerox Film Loops Guide, A11 Exercises - Shapes and Symmetry, Hansen, 1972 SAPA Part B - 1st Draft, 1972 Observing - Observing
Color and
Color Changes in Plants, HM Communicating - Identifying Objects and their Variations, RN Communicating - Different
Kinds of Forces, AHL Communicating - Graphs, JRM Classifying - Observing Living and Nonliving Things, Smith Using Space / Time Classifying - Animals in Our Environment: Part B (alternate) Using Space / Time - Shadows, Smtih Alternate (Autoinstructional)- Using Numbers - Numbers and the Number Line Observing - Observing Soils, JRM SAPA Part B 2nd Draft, 1972 Measuring Area 1 - 4, CCP Measuring 1 - 4, Volume
of Solids, Alternate 2, CCP Measuring 1 - 4, Volume
of Solids, Alternate 1, CCP Measuring Length 4 - 6, Linear Measurement Using Metric Units, CCP Communicating - Intro to Graphing, JRM Communicating - Pushes and Pulls, AHL Communicating - Identifying Objects and Their Variations, RN Classifying - Trees in Our Environment, JRM Classufying - Observing Living and Nonliving Things, Smith Observing - Observing
Color and
Color Changes in Plants and Observing Changes in Mold Gardens, HGM Observing (alternate)- Observation, Using Several
of the Senses, HGM, c. 1972 Using Numbers - Numbers and the Number Line, JRM Measuring - Making Comparisions Using a Balance, JWE Using Space / Time - Shadows, Smith Using Space / Time Relationships - Time Intervals, HGM Observing 10 - Observing the Weather, JWE Observing - Observing Soils Using Several
of the Senses, JRM SAPA Part B Tryout Draft, 1972 Communicating - The Same but Different Observing 10 - Observing the Weather Observing 9A - Observing Soils Observing (alternate)- Using Several
of the Senses Observing - Observing Change Classifying - Trees in Our Environment Classifying - Observing Living and Nonliving Things SAPA Part B, Observing - Changes in Molds and Other Plants, c. 1972 SAPA Part B Tryout Draft, 1972 Observing - Observing Changes in Plants Observing - Changes in Mold and Green Plants Measuring - Making Comparisions Using a Balance Measuring Length - Linear Measurement Using Metric Units Measuring Volumes
of Solids, 1 - 4 Communicating - Pushes and Pulls Comparing Area, c. 1972 Using Space / Time Relationships - Shadows, 1972 Addition
of Postive Numbers, Sums 1 - 99 (not being tried) SAPA Part B 3rd Draft (alternate), Using Numbers - Numbers and the Number Line, 1972 SAPA Part C 1st Draft, 1972 Classifying - Classifying Components
of Mixtures, Livermore Inferring 2 - How
Certain Can You Be?
They found that in 17
of the 19 participants the fusiform face area, the brain's face - recognition region, was turned on most strongly when they saw somebody
of their own
color, indicating that it responds to
certain kinds of faces with greater acuity.
Develop a «feed style»... like a
color scheme or editing style or a
certain kind of aesthetic.
I'm put in mind
of the
kind of fashion rules individuals impose on themselves for specific reasons; tall people (that is, people who think themselves too tall) who won't wear shoes that add height, short people (ditto) who won't be without shoes that add height, people who decide a
certain color or shape is off the table, etc..
And remember,
color is so important for eliciting
certain kinds of emotions.
In your tackle box you'll find all
kinds of lures, some work better than others for attracting
certain types
of fish, some
colors of lures even work better depending on the time
of the day.
A
certain color meant a
certain kind of weather was coming, a broken branch meant lunch just walked by.
It prefers
certain media: toners that produce a melted crayon
of waste, a
kind of gooey cloud that stains the hand and can be used as a new mark - making tool; specific paper weights and
colors and grains.
There's the part
of painting that is just an activity, and if you like paint or
color or gesture or drawing or a
certain kind of surface, you're going to end up making paintings — and then you're just going to have to grapple with the structures around that.
Johnson believes there is a
certain kind of taste development in the assembled painters» use
of color and an opportunity to explore their palette as race, theory, and feeling.
It's done slowly with a
certain degree
of sensitivity and grace so that there is time for the foliage to grow through the broken concrete, and there is time for the various
colors on the wall to mellow under the sun.So you get this
kind of really sensuous sense
of something extending both in and out
of time, something that doesn't belong to the earth and really something that is rooted very much into the earth.This
kind of de-architecturization pervades the entire structure.And you have to remember that it's a-centric, no focuses, nothing to grip on to, no certainty.»
Now, I think the point is that Surrealism also had
certain popular elements that could appeal to a large public like the postcard
color, the use
of realistic, naturalistic techniques, as in Dali - so that this was a
kind of dilution
of the values that had existed; there was a lowering
of the standard that Cubism had.
As could be expected, since current interests have been shifting more and more towards themes
of discrimination, also at Frieze we see a better representation
of certain categories — or rather, a shift from «a
certain kind»
of representation
of women and people
of color (if any) to a representation that hints to a reclaim
of power from these groups.
Ad Reinhardt, whose black paintings seem a world away from Grill's lively
color - forms, shared with Grill a metaphysical approach with his idea that «art is involved in a
certain kind of perfection.»
«She was the one who transmitted a
certain kind of freedom and boldness use
of the subconscious and impulse from the Abstract Expressionists on through the
Color Field painters.»
Maybe Microsoft could add some
kind of feature that just automatically turns on the warmer
color profile after a
certain time.