A pure screwball companion to While We're Young, the 2014 film that only recently
graced Seattle Screens, the pair form a hilarious portrait
of our culture's obsession with a
certain kind of youth, a Manhattanite companion to Sylvia Chang's brilliant exploration
of Hong Kong womanhood, 20 30 40..
It's done slowly with a
certain degree
of sensitivity and
grace so that there is time for the foliage to grow through the broken concrete, and there is time for the various colors on the wall to mellow under the sun.So you get this
kind of really sensuous sense
of something extending both in and out
of time, something that doesn't belong to the earth and really something that is rooted very much into the earth.This
kind of de-architecturization pervades the entire structure.And you have to remember that it's a-centric, no focuses, nothing to grip on to, no certainty.»