To contemporary eyes, their pictorial strength is so self - evident, so enduringly fresh, you have to chuckle at those pundits who a half - century ago deemed Post Painterly Abstraction (both the style and the exhibition) a failed «rescue action for quality» against the «turgidities» of
certain kinds of abstraction on the one hand and the vapidity of «newfangled art» on the other.
Not exact matches
While
certain aspects
of Anglo - Postmodernism in the 1980s rejected the concept
of «purity» in painting, there is much to be said about reconsidering its importance as a viable form
of abstraction and therefore as a
kind of resistance to the enforcement
of the mindless inevitability in most commercial production.
After the first half
of the unit we began thinking about how
certain kinds of approaches such as exaggeration, simplification, and rearrangement
of certain elements, can be ways
of utilizing
abstraction.