Sentences with phrase «certain kinds of painting»

DH Certain kinds of painting are a good place to exercise these occluded states of mind.

I'm also interested in breaking conditions that are supposed to go with certain kinds of painting.

Moreover, to have this survey also be her first solo exhibition in Los Angeles highlights the possibility that there is still a certain kind of painting that New York provokes best, and that Brooklyn - born - and - based Pensato has turned out to be — along with partner - in - crime Christopher Wool — one of a few painters capable of keeping the New York School relevant.

Kootz did, because I think Kootz, with all his faults, and he was as tough as either of the others, um, I think really loved a certain kind of painting.

In a lifetime of making a certain kind of painting, an artist may find some kind of transcendence in the production and some kind of sign of that transcendence in the work, but, as time passes, I'm not sure how immutable that transcendence is.

Idk if you have to use a certain kind of paint on cabinets that aren't unfinished, but your price seems extremely high.

Not exact matches

But firing Mueller or issuing pardons «would be certain to ignite the kind of political firestorm that we haven't seen since the Saturday Night Massacre,» he said, and Trump's political opponents would undoubtedly paint it as obstruction of justice.

He notes remarks that «it doesn't care too much if it's from the 60's or from last year - it's kind of the same thing... apparently there are certain structures, certain ways of organizing a painting that's there, that I'm born with as a painter.»

Do people feel alienated by certain kinds of art, like abstract or minimal painting?

His paintings are heavy with irony, heavy with exposing with how certain kinds of images of women warp our sensibilities and our idea of beauty, of glamor.

Reinhardt said that he was making the last paintings he could make, so he saw himself at the end of a certain kind of art.

In other works, such as her painted takes on iconic modernist furniture — of the kind still to be found in certain gallery and museum settings — Daignault amplifies, and gently subverts the aesthetic codes and social hierarchies associated with these universal symbols of good taste.

There's the part of painting that is just an activity, and if you like paint or color or gesture or drawing or a certain kind of surface, you're going to end up making paintings — and then you're just going to have to grapple with the structures around that.

It takes a certain kind of pride in that knowledge, which is as varied and complex as the personalities of its makers, and each painting in itself is a record of that radical self - awareness.

While certain aspects of Anglo - Postmodernism in the 1980s rejected the concept of «purity» in painting, there is much to be said about reconsidering its importance as a viable form of abstraction and therefore as a kind of resistance to the enforcement of the mindless inevitability in most commercial production.

Tworkov's answer is complex, a sign of the intellectual subtlety he brought to painting even when he was a gestural abstractionist of the kind certain European critics had dismissed as untutored primitives in 1958.

Robert Storr: What was your relationship to the kind of painting that was being done when you entered the scene in the 1950s — to use Greenberg's term, «American - type painting,» by which he meant a certain kind of reach, a certain scale?

It needs to be remembered, however, that you do have to bring a certain interest in the art of painting to fathom what, in Diebenkorn's case, that kind of freedom made possible.

Marshall, however, has increasingly voiced a «strategy of resisting prediction» in making his art, that is, resisting the expectation for a certain kind of art work - in his case, painting.

CR In African American painting there has been a certain reliance on a particular kind of cultural symbolism.

Ling comments: «Painting is really good at getting you close to certain kinds of things.

In the film Schnabel remarks: «I started to use different kinds of materials because I was looking for some kind of new way to paint... working with things that already exist affords you associations that are beyond your invention... I see opportunities everywhere as paintings, in images that already exist, in surfaces that will repsond to paint a certain way, or it might come from an accident... I realized a picture could be the architecture of a painting... so I would select thigns that already had pictures - images of things impregnated on them - and then I could treat them as a blank canvas... let them inform what I was doing and make me react to what was there and come out with a hybrid painting... it has a much to do with reacting rather than acting.»

In these particular paintings, the motivating kind of force was the idea of Salomé, which led to a certain kind of figure, primarily a female figure.

And the whole abstract expressionist movement — the title even is so bread and it takes in so many different kinds of paintings that it's almost impossible to even think of it without beginning to speak of certain artists.

And one of the paintings that I recall vividly is one Bust of Voltaire which was sort of a pun kind of painting, where he was composed like an Archibaldi of various other elements and then if you sort of focused your eyes in a certain way he would turn out to be the Bust of Voltaire, the famous Bust of Voltaire.

A certain kind of creative ruthlessness connects the various artists represented in «Low Life Slow Life,» from the raw ugliness of Robert Mallary's «Little Hans» (1963), a sculpture made of resin - dipped tuxedos, to the sheds - present in the exhibition but sealed shut - containing all the paintings acknowledged as his own by McCarthy's friend, Al Payne, who died during the show's preparation.

When you are working small, the brushstroke has a greater impact — you expect small paintings to have a certain kind of looseness.

Varejão's Mimbres are made with a plaster - and - paint mix that is poured onto the canvas and when dry breaks on its own creating cracks and having a similar intent as the Mimbres had: to surround the piece with certain mysticism, as if inviting the viewer to wonder what kind of energy is behind that thick interface.

Recycling Warhol's car crash paintings from the Pop artist's «Death and Disaster» series, which in turn were appropriated from photographs of fatal accidents in newspapers, Turk swaps Warhol's American car with a white van, a symbol of a certain British white working class, now dying its own kind of slow death as the demand for blue - collar labor begins to diminish.

One thinks of the early paintings of Cy Twombly, certainly to the Cold Mountain paintings of Brice Marden but where both these painters assert a certain romantic authorship, there is a modesty to Thornley's hushed elegance, one that doesn't strive for the kinds of emotional tremor that Twombly and Marden seek.

Ad Reinhardt, whose black paintings seem a world away from Grill's lively color - forms, shared with Grill a metaphysical approach with his idea that «art is involved in a certain kind of perfection.»

I don't see any reason you have to be consistent, but it is an interesting thing to reflect upon, that your paintings are completely freshly - painted sort of things; you don't go in for the kind of surface which certain painters do which seems to repeat old walls or things like that, cracks and seams and discolorations.

But it seems evident that the target must have been, in part, the form of life in which the affluence of the Reagan years expressed itself in collecting art, in «getting in on the ground floor» through acquiring paintings that were certain to appreciate in the way that Abstract Expressionist paintings had done - so that «bad painting» was a kind of willed uglification, a refusal to be complicit in the agenda of painting - as - luxury.

JW In early American painting, you get the strength of a certain kind of provinciality.

Lisa Espenmiller's paintings are reminiscent of Agnes Martin, or a certain kind of drawing of the 60s and 70s, and the artist in the front room, who works with acrylic nails, dental floss --

One of the most significant artists in the show is Carl Renner, whose large scale paintings on black backgrounds embody a certain kind of 1950s cool.

He saw the work of Antoni Gaudí, who employed broken crockery in his mosaics: this medium, Schnabel realised, «had a certain kind of reflective quality and density of colour and light that I felt hadn't really been used in painting, that was sort of off the ground and had a... pictorial possibility, besides the psychological one» (J. Schnabel, quoted in C. Ratcliff, «Julian Schnabel: New Again», Interview Magazine, January 2016).

This change of identity resulted in certain losses: a key one (starting in the 1990s) was the surrendering of the ability to produce the kind of iconic images that painting was accustomed to making.

Only later did I realize that landscape painting could have its own kind of structure and I was able to pick out certain guideposts, such as Claude Lorrain, Corot, and Constable who comes the Dutch.

These paintings not only represent but also embody the kind of intensive travel and networking that is essential for the accruement of press and praise that often lifts certain artists and their work into a heightened echelon of contemporary popularity and discourse, if even only temporarily.

Girl 14... kind and helpful beyond words, not as strong a sense of style as older sister but still loves certain things... old fans, spray painted chandelirs, organization and more.