So if God chose to limit this most Perfect form
of self - revelation to three decades (and to a small little
piece of land as well), then why couldn't God limit other forms
of revelation as well to
certain times and places, and the rest
of us just make - do?
However, Techland sets its game apart with a physics engine that makes every strike you
land result in a very specific injury to the undead, taking off a
certain piece of skin or breaking bones.
Other examples
of the Neo-Dadaist-style «junk art» include Hudson River Landscape (1951, Whitney Museum
of American Art) and Australia (1951, MoMA, NY), both by David Smith (1906 - 1965); Untitled (wood, metal
pieces, nails)(1960, Museum
of Modern Art NYC) by Jesus Rafael Soto (b. 1923); and
certain «combines» by Robert Rauschenberg (1925 - 2008), such as First
Landing Jump (made from: painting, cloth, metal, leather, electric fixture, cable, oil paint, board)(1961, MoMA, NY).