Moreover, the social shift I describe has isolated
certain powerful institutions (corporate, military, governmental, media, entertainment) from the influence of the so - called normative institutions such as education, religion and the arts.
Not exact matches
The old certitudes seem less
certain; the old privileges are under
powerful challenge; the old dominations are increasingly ineffective and fragile; the established governmental, educational, judicial and medical
institutions seem less and less able to deliver what we need and have come to expect; the old social fabrics are fraying under the assault of selfishness, fear, anger and greed.
Abstract Expressionism was being promoted as the «all - American» art which personified the «free world», and in this context many critics found Glasco hard to categorise, and he became uneasy with the accompanying pressures of the increasingly market - dominated and political New York art world, determined by the opinions of a
certain powerful group of critics, dealers, collectors and
institutions.
In my opinion, human - beings are not naturally hateful, though
powerful institutions often look to squash dissent by turning the tribe against groups with
certain characteristics — particularly those likely to possess special knowledge.