Sentences with phrase «certain slant»

Spencer Finch (born 1962, New Haven, Connecticut) has had extensive international solo exhibitions and projects including A Certain Slant of Light, The Morgan Library & Museum, New York, NY, The Skies can't keep their secret, Turner Contemporary, Margate, UK (2014); Painting Air, Rhode Island School of Design Museum of Art, Providence, RI (2012); Lunar, The Art Institute of Chicago, Chicago; Rome, Museum of Contemporary Art San Diego, La Jolla, CA, Between the light - and me, Emily Dickinson Museum, Amherst, MA (2011); My Business, With the Cloud, Corcoran Gallery of Art, Washington, DC, Evening Star, Pallant House, Chichester, UK, Between The Moon and The Sea, Frac des Pays de la Loire, Carquefou, France (2010); As if the sea should part and show a further sea, Queensland Gallery of Modern Art, Brisbane, Australia (2009).

SPENCER FINCH A Certain Slant of Light: Spencer Finch at the Morgan June 20, 2014 - January 11, 2015 © The Morgan Library & Museum Photography by Graham S. Haber, 2014 Artwork © Spencer Finch, 2014

Among previous projects are A Certain Slant of Light (2014 - 15), a large - scale installation at The Morgan Library & Museum inspired by its collection of medieval Books of Hours; Trying To Remember the Color of the Sky on That September Morning (2014), composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; There Is Another Sky (2014), which transformed a formerly dark alley into an urban forest sanctuary at South Lake Union, Seattle; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation composed of an existing series of windows transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

Right now in the building's rotunda, colorful light streams in through the windowed walls partially concealed by Spencer Finch's «A Certain Slant of Light» (on display through January 11, 2015).

, MEN IN ARMOR: El Greco & Pulzone, Face to Face, At The Guggenheim Museum: UNDER THE SAME SUN: Art from Latin America Today, ITALIAN FUTURISM 1909 1944: Reconstructing The Universe, At MMoA — The Metropolitan Museum of Art: GARY WINOGRAND, At The Morgan Library & Museum: MARKS OF GENIUS: Treasures from the Bodleian Library, A CERTAIN SLANT OF LIGHT: Spencer Finch at the Morgan, First The Venice Biennale, Then the Whitney Biennial, & Now: The MAD Biennial!

He has had extensive international solo exhibitions and projects including A Certain Slant of Light, The Morgan Library & Museum, New York, NY, The Skies can't keep their secret, Turner Contemporary, Margate, UK (2014); Painting Air, Rhode Island School of Design Museum of Art, Providence, RI (2012); Lunar, The Art Institute of Chicago, Chicago, Rome, Museum of Contemporary Art San Diego, La Jolla, CA, Between the light - and me, Emily Dickinson Museum, Amherst, MA (2011); My Business, With the Cloud, Corcoran Gallery of Art, Washington, D.C., Evening Star, Pallant House, Chichester, UK, Between The Moon and The Sea, Frac des Pays de la Loire, Carquefou, France (2010); As if the sea should part and show a further sea, Queensland Gallery of Modern Art, Brisbane, Australia (2009).

A Certain Slant of Light (2014), created for the glass atrium of New York's Morgan Library, reflected the colors of the four seasons, and his recent solo show at James Cohan, My business is circumference (2016), included installations inspired by fog, the light of a passing cloud, and the colors he noted during a hike through Yellowstone National Park.

«There's a certain slant of light On winter afternoons, That oppresses like the weight Of cathedral tunes» — Emily Dickinson

Having exhibited extensively internationally, his solo shows and projects include Ulysses, Marfa Contemporary, Texas (2014); Colour / Temperature, Hanes Gallery, Wake Forest University, Winston - Salem, NC (2014); Spencer Finch: Yellow, Montclair Art Museum, Montclair, NJ (2014); A Certain Slant of Light, The Morgan Library & Museum, New York (2014); The Skies can't keep their secret, Turner Contemporary, Margate, UK (2014); Painting Air, Rhode Island School of Design Museum of Art, Providence, RI (2012); Lunar, The Art Institute of Chicago (2011); Rome, Museum of Contemporary Art San Diego, La Jolla, CA (2011); Between the light - and me, Emily Dickinson Museum, Amherst, MA (2011); My Business, With the Cloud, Corcoran Gallery of Art, Washington, DC (2010); Evening Star, Pallant House, Chichester, UK (2010); Between The Moon and The Sea, Frac des Pays de la Loire, Carquefou, France (2010); As if the sea should part and show a further sea, Queensland Gallery of Modern Art, Brisbane, Australia (2009).

Spencer Finch's site - specific installation, A Certain Slant of Light was installed in Gilbert Court last summer, and the Morgan spent over a year in a technicolor glow.

The agency represents fiction by Dennis Lehane, Kathleen McCleary (House and Home), Laura Whitcomb (A certain slant of light), and C.J. Box (Blue Heaven), and nonfiction bestsellers, Bad Cat» and the college guides, Looking beyond the Ivy League» and, Colleges that change lives».

It follows, therefore, that most academic discussions of fundamentalism exhibit a certain slant.

This tendency is only exacerbated when certain networks actually require certain slants and when the demands of impatient consumers take priority over accuracy and caution.

Not exact matches

It just means you're getting your news through a certain lens, and that lens is going to slant the delivery.

And if anything I would rather see us get a speedester out on the edge with T. Will and put Dez in the slot in certain situations since he and Dak can only connect on slants.

but I can't believe that a certain female writer (initials «SG»), now with (the trash news - site) CNN, and a consultant to the film, hasn't been mentioned... That she's associated with this project (and we all know how hip deep she was in the lynching of Joe) gives us all we need to know about how it will be slanted...

We've got certain things for slanting defenses, for even - front teams, for pressure.

Although the car is little more curvy and slanting at certain places, the overall design and looks remain the same.

This type of reporting puts a slant on dog bite statistics in that certain breeds of dog (namely those with increased natural jaw strength) are more likely to inflict significant damage or even cause death with a biting incident than other varieties.

At any rate, I think it's very clear that the Escapist has decided to embrace a certain editorial slant for their future content, which is fine.

And the board on her feet reminds me of Bruce Nauman's «Slant Step» (1965), which suggests a certain but unnameable function.

The letter prompted outrage of its own, and generated a wide - reaching debate about who is allowed to make work about certain subjects, a question taken up, with an autobiographical slant, by writer Zadie Smith in «Getting In and Out — Who owns black pain?»

Sometimes the evidence in our cases is very strong but biased judges refuse to treat the strength of the evidence with the integrity that it deserves in order that the judge can slant things to a certain party or as a favor to an attorney who is involved in the case that the judge may like for some reason or another.

The display is able to take on the shape of the bracelet or it can be altered so that one portion of the display could be stiffened and appear to slant away from the bracelet base so that it stands up straight or be shifted to present itself horizontally that's better suited for certain types of jobs.