Sentences with phrase «certain viewers of»

Not exact matches

Although certain sites favor recency over permanence, the relative distribution of potential viewers of your content over time looks essentially similar.

The same is true of many media reform efforts: by attempting to get people excited about liberal bias in the news, or nudity or profanity in a particular program, or the ideological bent of a certain series, or whether a network is «Christian,» concerned leaders have diverted the attention of viewers from the most important problem, the basic point, namely, that the whole process - of - television is providing us with a worldview which not only determines what we think, but also how we think and who we are.

The «special treatments» of certain texts, such as the first and last psalms and the Magnificat, literally rise from the page and fill the viewer's field of vision.

Viewers of a certain age will enjoy meeting again such anti- Communist crusaders as Fred Schwartz and Billy James Hargis, once such prominent figures on the far right.

They point to other destructive aspects of television that have been stressed by television researchers and theorists; the privatization of experience at the expense of family and social interaction and rela - tionships; (33) the promotion of fear as the appropriate attitude to life: (34) television's cultural levelling effects which blur local, regional, and national differences and impose a distorted and primarily free - enterprise, competitive and capitalistic picture of events and their significance; (35) television's suppression of social dialogue; (36) its distorted and exploitative presentation of certain social groups: (37) the increasing alienation felt by most viewers in relation to this central means of social communication; (38) and its negative effects on the development of the full range of human potential.

There can be no doubt that the broadcasters have the capacity to stir a response in certain of their viewers.

The airplane explanation was put forth rather quickly by Contrail Science, which demonstrated how an airplane flying horizontally toward a viewer can, from certain perspectives, mimic the appearance of a rocket flying vertically into the sky.

While the activation of the voxels varies randomly during other parts of the film, at each of the 15 key moments certain voxels are in the same position for each viewer and form an identical fingerprint pattern,» describes Iiro Jääskeläinen, Aalto University professor in systems neuroscience.

I started my blog with the intentions of it being a fashion blog and knew that I wanted to share all of my favorite pieces in my closet with my viewers, what I was going to post about was actually the one thing I was certain of when I started.

Also, the creators of fake affair dating sites know that their viewers have reached a certain part of their lives when they are likely to become desperate for a little «something else» or for «some action».

A certain breed of teen horror thrives on the ease with which skittish young viewers can recreate its rituals in the comfort of their own home: Bernard Rose's Candyman, with its famous fiend - baiting chant in front of the mirror, and the mere act of falling asleep in Wes Craven's A Nightmare on Elm Street, are both perfect cases in point.

The movie's all - too - deliberate pace holds the viewer at arms length for much of its overlong running time, however, as Foley's rough - cut sensibilities result in a surfeit of palpably padded - out and entirely needless sequences - with the ensuing lack of momentum ensuring that certain moments aren't able to pack the visceral punch that Foley has intended.

With hit shows like The Venture Bros., Robot Chicken, Aqua Teen Hunger Force, and more, the channel has cemented itself as a cult favorite amongst late night viewers who might be under the influence of certain substances.

Provides a rich, extraordinarily fascinating account that's sure to have many viewers» minds constantly shuttling between then and now, noting how different certain things about politics and media were in that distant era, yet marveling at how directly those archaic realities led to many of our own.

It's fairly disappointing, too, given that Knock Knock does open with a certain degree of potential, with Reeves» typically affable turn as the sympathetic protagonist certainly playing an integral role in initially capturing the viewer's interest.

A certain disconnection, and perhaps a little concentration from the viewer is required to copiously appreciate Michael Winterbottomâ $ ™ s newest film â $ «a must for sci - fi fans who have been wishing for the second coming of Blade Runner instead of the mind numbing special - effects bonanza of say a Roland Emmerich pic.

Constraints are put in place, so that soon it's understood, by the viewer, that certain kinds of things fit, and others don't.

by Angelo Muredda To say that latter - day Clint Eastwood is an acquired taste seems slightly inaccurate, in that it implies a certain consistency on both the filmmaker's and the viewer's part: while even Invictus and the «Touched by an Angel» outtake Hereafter have their fans, you don't find many of them championing, say, the delirious Europop ballads that punctuate the former.

It's consequently not difficult to see why Election is now considered a classic high school comedy, although the presence of several decidedly adult themes (ie lesbianism, adultery, etc) ensures that viewers over a certain age will probably get a whole lot more out of the film than teens.

And while the almost Napoleon Dynamite-esque sensibilities of Andy Stock and Rick Stempson's screenplay might be enough to sustain the interest of certain viewers, it's ultimately impossible not to view the movie as anything more than a disappointment (albeit one that boasts a central performance that needs to be seen to be believed).

McCarthy conveys a certain charm, reminding viewers of her talent that's been put to better use elsewhere, even if Deanna's awkwardness becomes less endearing as it goes along.

Add to that a sensual teen kiss (where an imagined portrayal has the couple appearing to be naked, even though bare backs and shoulders are all that is seen) as well as themes of racial supremacy and genocide, and families may be pretty certain this cauldron is conjuring up a brew fit mainly for older viewers.

It's set in Los Angeles circa 1970, after Tet and Altamont and Manson so many other time - and - place names that viewers of a certain age will recognize as markers of the point where»60s Utopianism morphed into»70s numbness.

We wanted the beginning of the film to have a certain rhythm and to involve the viewer in a kind of journey.

Though her career spans an extraordinary sixty years, Doris Roberts seems certain to forever be identified solely as Marie Barone or «the mother from «Everybody Loves Raymond»» for less than devout viewers of that highly - rated, long - running CBS sitcom.

For a certain kind of viewer, the mere sight of the 2 Guns...

Each has their own personal issues: Jon is addicted to prescription painkillers, and Ponch struggles to control certain urges... and unfortunately for viewers, the two spend an inordinate amount of time discussing these issues.

Some of the gender depictions are outdated and will prompt viewers to cringe at certain societal norms back then.

And there's a sequence near the end that feels like the seed of a far richer, stranger sequel: a sendup of the corny «inspirational» TV movies that viewers of a certain age will remember all too well, in which a character overcomes a handicap after years of feeling sorry for himself.

A certain brand of schadenfreude takes over watching The Commuter crumble in its later halves, myself and a good chunk of other viewers at my screening cackling at the various hare - brained plots and dull lines that populate the later portions.

The sinister intent of certain characters may also be disturbing to some viewers.

Patrick is just one of the many amusing casting touches, along with Hayek, Janssen, Laurie (from Carrie and Twin Peaks), Neuwirth, Jon Stewart, Susan Willis (known to viewers of All My Children as malevolent maid Helga), and even — to a certain novelty value extent — Knowles.

Applying this observation to Japanese music and other cultural forms, Stockhausen identified a pattern that helps account for what Western listeners and viewers perceive as the extreme slowness of certain passages and the extreme rapidity of others (often sequences involving violence).

Like most of Joel and Ethan Coen's movies, A Serious Man will no doubt draw mixed reactions from viewers, with its industry recognition confusing certain members of the general public whose heightened expectations aren't met.

Sending mixed signals about the distance between possibly rich and technically poor, these shows all ask their viewers to accept and understand the most exquisite kind of West Coast suffering, as experienced by a very certain stripe of creative, nerdy Los Angeles - area residents.

It's clear right from the get - go that Joe Johnston is looking to emulate the feel of an old - school horror flick, and although the filmmaker does succeed to a certain extent (ie the movie boasts a decidedly atmospheric sense of style), The Wolfman suffers from an egregiously deliberate pace that slowly but surely renders its overtly positive attributes moot - with the pervasively stuffy vibe holding the viewer at arm's length for the majority of the running time.

But despite several fantastic performances - Chernick is certainly leading - man material, while established costars such as Callum Keith Rennie and Lindy Booth are expectedly effective - Lucid never quite becomes anything more than a visually - intriguing experiment, one that'll likely hit certain viewers as a stunningly original piece of work (which it is, in a way).

Although certain preconceived notions may drive some viewers to label the homosexual relationship at the core of the story as niche cinema, they'll soon be proven wrong and left speechless, realising that director Luca Guadagnino and his brilliant cast have masterfully told a universal story about first love which transcends any possible label.

For a certain group of Oscar viewers, specifically the people who have faithfully followed Sufjan Stevens» career since long before he did the score for Call Me By Your Name, his much - hyped and star - studded Academy Awards performance seemed like it would be the second coming of Eliott Smith's weird - yet - touching take...

The Infiltrator may lack some of the general pizzazz and true substance that so many films this genre have, and its story is rather straightforward in the general biography mold, but thanks to an great, all - around cast and legitimate tension, it is a watch that grows on one throughout and slowly but surely hooks the viewer, like a certain stimulant.

Its graphic violence is certain to turn away some intelligent viewers and attract some dumb ones, but the few cringeworthy moments of gore do not undo the good will earned by its atmospheric, unorthodox, and streamlined drama.

The lighter moments are necessary to offset the more upsetting corners of the story, as some of the plot machinations will hit certain viewers pretty hard.

One has the option of watching the film with subtitles that prompt the viewer when to throw the rice, etc.; another overlays an audio track of an actual theatre audience over the film's soundtrack to create a faux you - are - there feeling; and a third gives viewers the option to temporarily leave the film at certain junctures to watch video shot of an actual RHPS audience performing to the film.

Now, almost 60 years later — and despite an occasional reliance on matte shots that, depending on whom you ask, either a) remind viewers of the film's age or b) lend it a certain nostalgic charm — it all still stands up as a highly entertaining and wonderfully suspenseful example of a filmmaker taking obvious pleasure in toying with his audience.

Next to each work is a brief description of the piece as well as some questions that encourage viewers to intellectually explore certain topics and to take a critical perspective.

The task is not only to combine photos on the basis of this or that theme, but also to evoke certain emotions and feelings on the part of the viewer.

x play is always bias towards certain games.One of them final fantasy why is Adam reviewing games that he do nt like hims self what g4 should do is let their viewers vote online for reviews on game that way no complaints and everybody wins:)

The timeslot is important for a few reasons: firstly shows that are not in their ideal timeslot will score less viewers during their first season of airing, sometimes as little as half, and secondly because some adverts require a show to be in a certain slot or in its preferred slot, otherwise they get rotated to their worse side.

The gist is that TotalBiscuit publicly revealed that pre-released PC code for Shadow of Mordor was being withheld to those unwilling to sign a deal in which they had to make one Youtube video and produce one livestream of the game in which they would have to strongly encourage viewers to purchase the game, focus on certain mechanics and say nothing negative about the title, nor focus on any glitches or bugs.

The first continues the hardcore soundtrack responsible for breaking thousands of necks as viewers headbanged in excitement during a Mech launch sequence, while the second features the developers talking about the game types that will be available at launch and how they're designing the game so that the Mechs will fulfill certain roles on the battlefield.