Sentences with phrase «challenge all viewers who»

Though we mourn the loss of a great artist, we celebrate with much joy his impact on art and culture at large, knowing that his work will continue to touch, inspire, and challenge all viewers who come across it.

Not exact matches

To see if entertainment could offer a solution to this challenge, Ingber teamed up with Charles Reilly, Ph.D., a molecular biophysicist, professional animator, and Staff Scientist at the Wyss Institute who previously worked at movie director Peter Jackson's Park Road Post film studio, to create a film that would capture viewers» imaginations by telling the story of a biological process that was accurate down to the atomic level.

Set in a business world of long white corridors and glass walls and research labs, it's a Freudian - Jungian - Felliniesque sci - fi thriller, and an outright challenge to American viewers, who may, in the face of its whirligig complexity, feel almost pea - brained.

A talented and attractive actress who has managed to wrangle a remarkable number of affecting roles despite her youthful age, Elisabeth Moss may be best known to television viewers as the President's daughter on the acclaimed series The West Wing, though thoughtful characterizations in such features as Girl, Interrupted and Imaginary Crimes have been a testament to an actress not afraid to court more challenging and emotionally demanding roles unusual for an actress of her age.Born to music manager and a mother who specialized in the blues harp in 1983, Moss spent her childhood in Los Angeles and was inspired to pursue acting at an early age by screen idol Bette Davis.

When put together (as here), they are overextended and too long by half, with many a dull stretch before the famous wirework action sequences finally kick in — although perhaps this will not prove too much of a challenge for the modern viewer who is a fan of, say, 2015's The Hateful Eight (with its similarly protracted pace and duration).

Although this minimalist technique is the hallmark of a well - crafted film, it does prove to be a bit of a challenge for the viewer who has to carefully pay attention to the acting on screen while at the same time attempting to read the subtitles!

With layers of meaning, this offbeat documentary by James Franco and Travis Mathews (I Want Your Love) provokes viewers as we watch its ideas challenge the people who are on - screen.

A cartoonist, novelist and screenwriter, Alex Garland, who's most commonly known for writing films such as The Beach, 28 Days Later, Sunshine, Never Let Me Go, and Dredd, has now made his directorial debut with Ex Machina, a sci - fi cautionary tale that challenges viewers with a variety of existential questions in regards to artificial intelligence.

This has led to many recent societal embarrassments, across media forms devoured by viewers who want to keep analytical challenging out of their popular entertainment, but it especially shines in the unfortunate backlash against that upcoming, female - led «Ghostbusters» movie.

, a group exhibition curated by Beth Rudin DeWoody featuring works in various media by both well - known and emerging artists who work in the field of contemporary realism to visually or conceptually challenge the viewer.

An artist whose mixed media work is highly conceptual and who constantly challenges himself to work with a wide range of materials, Ryan Gander also challenges his viewer to engage with his environments instead of playing the «lazy spectator.»

Several women artists who are left out of this exhibition, such as Jenny Holzer or Adrian Piper, have challenged the commodification of text by reclaiming it as representational in contemporary art, often portraying direct, confrontational statements to viewers.

The angry provocateur who helped to forge a new identity for German painting after the Second World War is still taking risks; the painter who saw works from his first solo exhibition in 1963 confiscated by the authorities for their grotesque sexual imagery is still challenging the viewer.

The Malaysian - born, London - based artist uses the overly precious setting of the gallery space to pull objects — cooking utensils, kitchen fittings, plastic tubs, sheets of jute, etc — out of their utilitarian context in such a way as to force viewers to think about them as discrete objects, or things in and of themselves, while in the process challenging the assumptions we make about their functionality and attendant concerns such as, for example, the social status of the person who might own such an object, its role in their lives and that relation in respect to one's own style of living.

As has been widely reported, Dana Schutz's painting Open Casket (2016) was immediately challenged by protestors who stood in front of it to block viewers» access along with a call to remove and destroy it.2 At issue is the appropriation by this white painter of the photo of the lynched - body of the black boy, Emmett Till, taken at his open - casket funeral held in Mississippi in 1955.

The early - career artwork of these artists, challenging viewers» perception, will be presented alongside the early work of artists who were included in the 1965 MoMA show.

Running at the CHELSEA space from 23 April — 31 May 2014, the exhibition challenges viewers to explore relationships between pairs, and reflects how people who are unfamiliar with theoretical physics may respond to such an unusual concept.

Like other Conceptual artists who gained international recognition in the late 1960s and early 1970s, Weiner has investigated new forms of display and distribution that challenge our traditional assumptions about the nature of the art object and its relationship with the viewers.

Body Art was adopted by many male artists who saw its potential for breaking down barriers between the viewer and the artist, challenging gender stereotypes and confronting difficult aspects of everyday life.

«The Kandors project, which occupied over 10 years of Kelley's artistic production, is a profoundly imaginative body of work that transports and challenges viewers simultaneously,» said Mary Clare Stevens, Executive Director of the Mike Kelley Foundation for the Arts and the artist's longtime studio manager, who will deliver the symposium's welcome remarks.

According to Fearnley - Whittingstall, eating puppy meat is really no different than eating pork.Fearnley - Whittingstall, who stars in the British cooking program River Cottage, has become a leading voice for the organic movement in the UK, challenging his viewers to adopt a more intimate understanding of where their food comes from.