Like most Pixar movies, it's irresistibly fun, funny and touching — but it's also one of the most insightful movies of the year,
challenging viewers not to vilify any of their feelings, but rather emphasizing the importance of allowing room for the full range of emotions.
Much like the themes of Gattaca, Predestination is meant to
challenge the viewer not only with plot but in self - reflection.
Not exact matches
Challenging limits of the Speaker's unwillingness to impose standards on this place and the extent to which
viewers are willing to have their intelligence insulted, Conservative MP Blaine Calkins and Justice Minister Rob Nicholson used a scripted exchange on the
Not Criminally Responsible Reform Act to criticize Mr. Trudeau's public speaking.
The movie is
not a heavy - handed commentary on supernatural apologetics but it does
challenge the
viewer to consider that there is so much we don't know, and so much more for all of us to learn.
I mean, it would be amazing and would probably
challenge the NFL Draft for
viewers, and maybe it would be the greatest thing in sports history... but it wouldn't exactly be fair, right?
I suggest that by refusing to demonise the incumbent, Syllenhaal isn't just
challenging our beliefs around politics but also the traditional structure of a Hollywood screenplay, which usually coerces
viewers into an emotional response by ramping up the evil of the villain.
Using clips from the internationally acclaimed NOVA - PBS science series, Paula Apsell will discuss how topics are chosen, how to make difficult or controversial material
not only accessible but compelling to a wide range of
viewers, and how to address the
challenges ----- and opportunities ---- science journalists face as they compete for the public's attention in an increasingly fractured and crowded media landscape.
A talented and attractive actress who has managed to wrangle a remarkable number of affecting roles despite her youthful age, Elisabeth Moss may be best known to television
viewers as the President's daughter on the acclaimed series The West Wing, though thoughtful characterizations in such features as Girl, Interrupted and Imaginary Crimes have been a testament to an actress
not afraid to court more
challenging and emotionally demanding roles unusual for an actress of her age.Born to music manager and a mother who specialized in the blues harp in 1983, Moss spent her childhood in Los Angeles and was inspired to pursue acting at an early age by screen idol Bette Davis.
It's too bad that there aren't more movies like this around — movies that tackle political corruption in a way that
challenges viewers to pay more attention to real politics.
When put together (as here), they are overextended and too long by half, with many a dull stretch before the famous wirework action sequences finally kick in — although perhaps this will
not prove too much of a
challenge for the modern
viewer who is a fan of, say, 2015's The Hateful Eight (with its similarly protracted pace and duration).
This heartwarming story of a man's determination to adopt a child with social
challenges may
not appeal to young
viewers due to many scenes of dialogue and adult - focused situations.
It isn't perfect, but when it works, it's brilliant, and a definite recommendation for
viewers looking for something a little more
challenging than your typical adventure film.
Isn't passionately loving or hating a work of art a way of measuring what buttons have been pressed and demonstrating that
viewers might have been
challenged?
Challenging but
not inscrutable, it rewards an engaged
viewer but could easily be overlooked if tossed into the theatrical marketplace without the right positioning.
Little Fockers isn't necessarily a better film than Killing Them Softly (I wouldn't watch it again anyway), but because that film doesn't
challenge viewers» perceptions, the grade is higher.
The team, nickname: Comebacks, is rounded out by the odd cinematic allusion: iPod (Jermaine Williams), a leg - humping mentally -
challenged assistant, blatantly spoofs Cuba Gooding, Jr.'s Radio persona, while an Indian girl kicker (Noureen DeWulf) pays homage to Bend It Like Beckham, a film that most
viewers probably haven't seen.
Instead it strolls at its own languid pace,
challenging the
viewer to share its patience — run ahead and you'll get lost, because this sure as hell doesn't follow a set plot path.
It doesn't take long to establish the
challenge of Matthew McConaughey's performance in «Dallas Buyers Club,» both for him and
viewers implicitly asked to accept it.
Although a fairly safe storyline doesn't exactly
challenge viewers imaginations.
After all, any film which spends its first ten minutes on saying goodbye to an old piano and hello to a new one can
not be too concerned with
challenging viewers or keeping them enthralled.
So the main
challenge for
viewers, it would seem, is
not to become so engrosssed and impatient that they search these cases on the Web and spoil all the dark fun for themselves.
The writing duo also addresses the decision to engineer the three movies as one big story and the constant
challenge of giving
viewers too much and
not giving them enough.
This movie does
not intellectually
challenge its
viewers, but it doesn't need to.
The performances are strong, especially that of star Claire Foy, but Jonathan Bernstein and James Greer's screenplay doesn't develop into much more than a fairly standard psychological horror in which the
viewer's perception of reality is constantly being
challenged.
Viewers are told, «The student is
not expected to have any prior knowledge of wells or hand pumps but is
challenged to use the information provided to get to the root of the problem.»
Don't record yourself as the sage on the stage, harness the power of TouchCast to be the guide on the side as you
challenge your
viewers to explore and investigate learning.
Automotive displays and Aircraft displays are the most
challenging displays because the positions of the
viewer (driver or pilot) and the display are both fixed and are
not adjustable like on all other displays, they must be readable inspite of being unadjustable in high ambient light including direct sunlight, and operate with large viewing angles that affect brightness, contrast, and color.
Mahadev's series of winning images
not only provides a window into the lives of the women and children working in a brick factory, but poses an interesting
challenge for the
viewer to look beyond the attractive imagery.
While partnering with Anonymous is most likely
not on the agenda, Mr. Robot star, Rami Malek did play Watch Dogs 2 on a November 13 Twitch livestream, and
viewers were able to suggest in - game
challenges for Malek to attempte.
From Claudia Hart's critique of digital technology and the misogyny of gaming and special effects media to Carla Gannis's performance video where the artist competes with her virtual self; from Cynthia Lin's monumental drawings detailing minuscule portions of skin to Laura Splan's mixture of scientific and domestic in molecular garments and Joyce Yu - Jean Lee's
challenge of conventional viewing perspectives; from Christopher Baker's examination on participative media to Victoria Vesna's collaborative project on social networking, identity ownership and the idea of a «virtual body» — the show guides the
viewer through an array of captivating approaches that
challenge not only current media ideologies but also conceptual paradigms underlying today's digital art, the question of disembodiment and post-humanism in particular.
She
challenged viewers and voyeurs to confront a body that would
not passively accept their gaze, but return it.
In a moment of particularly heightened talk of plans and solutions, of issues that can be enumerated and resolved, Ronay's work invites the
viewer to embrace complexity and the
challenge of everything
not being figured out.
«This exhibition
not only brings attention to the complexity and intricacy of the process of printmaking, but also
challenges viewers to look at traditional symbols of American culture with a critical eye.»
These politically charged photographs and their accompanying texts are
not used to make overtly ideological statements, but are open - ended in ways that
challenge viewers to test their own convictions.
Even Diebenkorn must have known that he wasn't as good as Rothko and Newman, that where they continually
challenged themselves and their
viewers, he settled for the easy - and the profitable.
She says in showing everyday actions with a twist, she's
not necessarily criticizing technology, but
challenging the
viewer to re-examine what we may take for granted in our constant transcendence of physical frontiers.
These thought - provoking works of art will
not only
challenge the
viewers» preconceptions about written language and cultural identity, they will also invite them to interact with the art.
The diorama explores human knowledge of the world,
not without influencing and perpetually
challenging the
viewer's perception
The real innovation, though, happens through the official website, created by digital ad agency Rokkan, which allows
viewers not only to interact with the contestants, but also to actually participate in the competition as members of «virtual teams,» helping their favorite duo win
challenges.
Guiding the
viewers away from this event, or creating a «friends group» within the
challenge is
not in the spirit of the ORC and won't be permitted.