Sentences with phrase «challenge the viewer through»

He challenged the viewer through aggressive use of colour, wielding a vast palette that seemingly encompassed all of the hues that fill the world around us.

Known for his conceptual rigour and sense of humour, Graham's work pulls at the threads of cultural and intellectual history, captivating and challenging viewers through a range of media and cultural references.

Not exact matches

Orgasmic Birth brings the ultimate challenge to our cultural myths by inviting viewers to see the emotional, spiritual, and physical heights attainable through birth.

Attracting viewers and maintaining interest through email correspondence is already a challenge.

Through their stories, viewers gain insight into situations and challenges faced by immigrant students and their families.

The images questioned accepted taste, challenging the viewer to think through how they had been made; their random juxtapositions often seemed to mimic thought itself.

Through glass works designed and fabricated in Murano and the Seattle area, as well as in paintings, sculpture, prints, and video, Wilson challenges assumptions about history, culture, and display practices, offering alternative interpretations and encouraging viewers to reconsider how they think and what they know.

Her work is informed by her daily experience with ambiguity and seeks to dismantle assumptions of our fixed subjectivity through images that challenge the viewer to contend with the disorganized body in a state of excess.

Drawing from his personal, as well as a collective, wellspring of experiences living as an African American man in the South through the middle of the twenty - first century, Dial's work captures struggle and oppression, but also joy and wit, and challenges viewers to wrestle with their own preconceptions, prejudices, as well as ironies of being an American.

From Claudia Hart's critique of digital technology and the misogyny of gaming and special effects media to Carla Gannis's performance video where the artist competes with her virtual self; from Cynthia Lin's monumental drawings detailing minuscule portions of skin to Laura Splan's mixture of scientific and domestic in molecular garments and Joyce Yu - Jean Lee's challenge of conventional viewing perspectives; from Christopher Baker's examination on participative media to Victoria Vesna's collaborative project on social networking, identity ownership and the idea of a «virtual body» — the show guides the viewer through an array of captivating approaches that challenge not only current media ideologies but also conceptual paradigms underlying today's digital art, the question of disembodiment and post-humanism in particular.

She actively challenges viewers to question their perception of space through works that blur the line between two and three dimensions.

Lydia Okumura (b. 1948, Brazil) actively challenges viewers to question their perception of space through sculptures, installations and works on paper that blur the line Read More»

Lydia Okumura (b. 1948, Brazil) actively challenges viewers to question their perception of space through sculptures, installations and works on paper that blur the line between two and three - dimensions.

Artist Toyin Ojih Odutola will be honored this year with the Rees Visionary Award for bringing forth critical African cultural and transcultural perspectives, that inspire and embolden the viewer through these challenging times.

Through this philosophically charged space, viewers are asked to challenge their assumptions of their environment and the restrictive barriers they build for themselves.

Through these works, she challenges the viewer's inherent desire for narrative and considers color as it relates to natural and man - made elements, design theory, and the culturally - specific meanings of logos, branding, pie charts, diagrams.

Through this process, the two - dimensionality of his paintings approach three - dimensional space; a space to which the viewer is challenged to adapt.

Meier explores implications of the body through sculptural abstraction, imparting psychological meaning through production, and challenging viewer perception.

The viewer is told what the «real Life» image is in the title of the piece, but through abstraction and reconstruction of that image, the viewer is then asked and challenged to explore the shapes, colors, movements and forms, which the abstraction and reconstruction presents.

Aside from that, which I feel enriches the viewer's experience, their fearless mastery of their craft, their individual courage in piercing more traditional boundaries, and their enthusiastic drive through decades of challenging circumstances make Judith Godwin and all of the women plying their art in the field of abstract expressionism, women to admire.

Says the artist of his technique, «when designing my work the goal is to create a unique and rewarding perceptual experience for viewers through artworks that are intellectually challenging and technically intriguing.

Muniz challenges the viewer to look at these historic paintings through a new lens, focusing the attention on the literal creation of the works and the richness and purity of each colour used.

ArtBall 2018 honored artist Toyin Ojih Odutola with the Rees Visionary Award for bringing forth critical African cultural and transcultural perspectives, that inspire and embolden the viewer through these challenging times.

Where the work fails to shock or challenge viewers, the slogans emerge as obsolete and almost fossilized through the prism of the current political affairs.

Through an unswerving challenge to the meaning of painting in the world today she gives a voice back to painting: a voice that remains on the pulse, and engages with the viewer in a direct, natural and anything but elitist manner.

In their two - person exhibition «Away From Keyboard» at Postmasters Gallery, New York - based artists Kristin Lucas and Joe McKay challenge viewers» perceptions through a wide range of engrossing user interfaces and innovative technology.

«Emancipating the Past: Kara Walker's Tales of Slavery and Power» will be on display at University Museum of Contemporary Art from Feb. 2 through April 30, bringing together 60 different works by artist Kara Walker designed to challenge viewers to create a dialogue around race and gender politics.

Through gouache and graphite in his work on paper and acrylic on canvas, the works of Todd James challenges the boundaries between the viewer and what probably sees around him, trying to escape and get away from the current state of things, avoiding the contamination of the cruelest reality.

Through her meticulous and systematic practice, Quaytman challenges historically determined assumptions about the relationship between viewer and painting, and questions painting's autonomy as a means of visual communication by foregrounding, within her work, the context of its reception.

Through her installations, she dramatically alters physical environments, using color and light to challenge how viewers interact...

Through pieces of his satirical art, the artist is challenging the longstanding differences between urban art and fine art, drawing the viewers into his bizarre world of irony.

For the past three decades, the influential American conceptual artist Jenny Holzer has been challenging viewers» assumptions about the world through language that conveys the multiplicity of often contradictory voices, opinions and attitudes that form the basis of contemporary society.

Through the last three decades, he continues to challenge himself as a photographer and offers viewers new discoveries through thoughtful and visually arresting photographs that suggest overlooked aspects of the medium,» said curator David E. Through the last three decades, he continues to challenge himself as a photographer and offers viewers new discoveries through thoughtful and visually arresting photographs that suggest overlooked aspects of the medium,» said curator David E. through thoughtful and visually arresting photographs that suggest overlooked aspects of the medium,» said curator David E. Little.

Through repetition, subtle changes of perspective, and shifts of scale, Leonard frames the quotidian in ways that challenge the viewer to reexamine the familiar.

Relying also on the images that surround us, John Baldessari encourages the viewer's attention to minor details, absence, and the space between things, and through his manipulation of the image, and the painting over the faces with primary colors, and the obscuring of the portions of the scenes, challenges and creates philosophical inquiries into art and knowledge.

Ligon speaks directly to the viewer through this piece, challenging his audience to confront our pre-existing perceptions of domestic identity and place in society.

At the same time, fresh and dynamic contemporary work addressing present day issues is constantly being created and evolving from year to year as the gallery aims to challenge our viewers» notions of what is possible through the medium.

The huge exhibition moves from a diptych of Hans Namuth's film of Jackson Pollock at work, playing on a monitor next to Pollock's Number 1 (1949), through - among so many other things - Japanese Gutai painting performances from the»50s; photo - documentation of Valie Export's Genital Panic (1969), in which Export, in crotchless jeans and packing an Uzi, roamed the aisles of a porn cinema challenging viewers to deal with the real thing (there's that «real» thing again); relics of Hermann Nitsch's bloody ritual drama, Asolo Raum (1971), to the most recent works, set pieces by Mike Kelley and Paul McCarthy.

Featuring both whimsical and more traditional portrait pairings, this exhibition will challenge viewers to contemplate the power of portraiture through comparisons of iconography, pose, attire, props, medium, subject, and style.

The real innovation, though, happens through the official website, created by digital ad agency Rokkan, which allows viewers not only to interact with the contestants, but also to actually participate in the competition as members of «virtual teams,» helping their favorite duo win challenges.

Speedrun events like Games Done Quick, which challenge players to get through games as quickly as possible, regularly draw in thousands of viewers and raise huge amounts of money for charity every year.