Sentences with phrase «challenged art traditions»

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Rauschenberg challenged this tradition, inventing new intermedia forms of art making that shaped the decades >> more The Museum of Modern Art, New York ISBN 9781633450202 US $ 75.00 CAN $ 99.00 TRADE Hbk, 9.5 x 12 art making that shaped the decades >> more The Museum of Modern Art, New York ISBN 9781633450202 US $ 75.00 CAN $ 99.00 TRADE Hbk, 9.5 x 12 Art, New York ISBN 9781633450202 US $ 75.00 CAN $ 99.00 TRADE Hbk, 9.5 x 12 in.

He challenged this tradition with an egalitarian approach to materials, bringing the stuff of the everyday world into his art.

Capturing images of the U.S. and Europe, Eggleston challenged fine art photography and photojournalism traditions at the time.

Lynette Yiadom - Boakye is well known for her enigmatic portraits of fictional figures, which challenge the traditions of European portraiture and art history.

I've started a tradition at art fairs, where I challenge whoever I'm with to spot the first Alex Katz.

In a visual arts context, Picabia, Schnabel, and Willumsen challenge the same concepts in their unprejudiced treatment of the traditions of art history and mass media images as well as private photographs and stories.»

Starting with James Abbott McNeill Whistler and ending with Matthew Barney, nearly every prominent figure in Modern art is represented in vibrant double - page spreads that show how these artists continued to redefine norms and challenge tradition.

The exhibition groups the artworks within five themes of second - wave feminism: «Challenging Institutions and Canonical Traditions in Art,» «The Body,» ««Women's Work,»» «Gender and Performativity,» and «Race and Ethnicity.»

Reinhardt's and Rothko's ideas about form and color challenged and reconsidered European artistic traditions and philosophies, giving rise to a unique American sensibility in art in general, and particularly in painting.

Carmen got to know the young painters from the famed Salon des Réalités Nouvelles, an art collective that was striving to challenge the traditions of the art scene and impose their own avant - garde concepts to the scene.

Equally, Neel was unflinching in her depiction of the female body, often in states of awkwardness and unease, as seen in the painting Childbirth, 1939, and assured of her own freedom as an artist, challenging a Western tradition that regarded a woman's proper place in the arts as sitter or muse.

It was Dana Bathurst, a high school art teacher, who challenged their assumptions: that good art must approximate European traditions and that pursuing a career in art wasn't possible.

Rauschenberg challenged this painterly tradition with an egalitarian approach to materials, bringing the stuff of the everyday world into his art.

In the article, Leonardo Drew Challenges Himself and the Traditions of Printmaking, Artsy editor Casey Lesser delves into Drew's process, art - making philosophy, and his experience of collaborating with Ruth Lingen and Akemi Martin at Pace Paper.

Abstract expressionism had already challenged the tradition of representational art and its use of illusionistic space.

Stacey Gillian Abe's installation at 1 - 54 Contemporary African Art Fair, which runs May 4 through 6 at Pioneer Works, the cultural center in the borough's Red Hook neighborhood, would be provocative in any context, but given the patriarchal traditions of her native Uganda, its subject matter is all the more challenging: the objectification of women, and the sexual satisfactions of women.

Challenging tradition, Pop artists regularly incorporated into their work mass - produced images drawn from popular culture and the world of advertising art.

Maybe there's something in the bright summer breeze that has inspired our artistic venues and galleries to branch out, cross boundaries and challenge the typical perspectives on these traditions, but it is clear that all these week's top art picks are all about categorical transgression and presenting work that defies strict definition.

Simultaneously challenging clichés and prejudices about women's art, Trockel subverts conventions of the male dominated tradition of auratic oil on canvas painting.

Opened in 1997, the Ronna and Eric Hoffman Gallery of Contemporary Art at Lewis & Clark College emphasizes work at the forefront of the contemporary tradition: challenging, provocative, and international in scope.

This sense of cultural refinement, which included various forms of ritual and tradition, shaped her aesthetic along with her art education, inspiring her to challenge established social conventions.

As a contemporary artist in China working with diverse traditions and new and ancient media, Huang has built an artistic universe comprised of provocative installations that challenge the viewer to reconsider everything from the idea of art to national identity to recent history.

Recent exhibitions of his work include «Picasso: Tradition and the Avant - Garde,» Museo Nacional del Prado and Museo Nacional Centro de Arte Reina Sofía, Madrid (2006); «Picasso and American Art,» Whitney Museum of American Art, New York (2006, traveled to Walker Art Center, Minneapolis; and San Francisco Museum of Modern Art, through 2007); «Picasso et les Maîtres,» Galeries nationales du Grand Palais, Paris (2008 — 09); «Picasso: Challenging the Past,» National Gallery, London (2009); «Picasso at the Metropolitan Museum,» Metropolitan Museum of Art, New York (2010); and «Picasso: Black and White,» Solomon R. Guggenheim Museum, New York (2012 — 13).

Jeroen Frateur's art is entangled with the art historical traditions mentioned above, though his work has more to do with composition and it obviously challenges a definition / status that hesitates between sculpture and installation.

As a leading expert of British Columbia art and a scholar of Emily Carr's work, Thom is the author of thirteen books, including Challenging Traditions: Contemporary First Nations Art of art and a scholar of Emily Carr's work, Thom is the author of thirteen books, including Challenging Traditions: Contemporary First Nations Art of Art of the

His research and eventual film work will explore how the influence of these committed intellectuals reverberated widely in the post-war cultural arena, eventually giving rise to an emerging discipline of «cultural studies», that, in its focus on popular art forms and vernacular traditions, posed considerable challenges to the established academic elite of that time.

Conceptual art, while having no intrinsic financial value, can deliver a powerful message, and thus has served as a vehicle for socio - political comment, as well as a broad challenge to the tradition of a «work of art» being a crafted unique object.

The way he has brought together the art historical traditions of John James Audubon and the great naturalists of the past with profound and often challenging cultural themes has established him as a uniquely American artist.

At the same time, her reexamination of the human body paralleled the cultural upheaval of the sexual revolution and women's movement: her work challenged the Western artistic tradition that regarded a woman's proper place in the arts as sitter or muse.

Originally trained as a painter, Howardena Pindell spent the last fifty years challenging the staid traditions of the art world, becoming a key female art figure as a result.

The exhibition documents recent developments to expand, challenge, and reassess painting as both a tradition and medium in art.

Revered for her prolific career spanning five decades, Carolee Schneemann has transformed ideas and discourse on the body, sexuality and gender through work that challenges art historical and visual traditions.

By experimenting with processes, Nelson challenges these traditions, which, as she explains, is a white male dominated art form.

It culminates in the 1960s, with avant - garde works forged out of the traditions of weaving and craft (disciplines that had historically welcomed women), as well as new types of unorthodox objects whose very nature challenged art historical conventions and boundaries.

However, as he points out, movements like this were «insufficiently engaged with the history of art and the Western tradition they sought to challenge» (91).

If the Arte Povera movement challenged established art conventions through its use of found or «low» materials, and if abstract expressionism was in many ways a tradition of American hegemony during the Cold War and the ultimate in «high art seriousness» as practitioners confronted the sublime and the subconscious in their energetic output, Scott's paintings are a strange hybrid of both.

With a unique and elegant language, Shettar's pieces challenge the potential and limits of the material she works with to juxtapose craft and art, tradition and modernity, the mundane and the magical.