Sentences with phrase «challenges the space between»

Terrain Exhibitions founder, Sabina Ott says the Public Art Residency allows emerging Chicago curators to find site - specific work that challenges the space between public and private, decoration and function, figure and ground.

Not exact matches

A partnership with Ryerson University, its incubator space, and the Ministry of the Attorney General and $ 80,000 in seed money resulted in the AI Challenge Forum, a competition between six startups who have incorporated AI in their products for faster, more efficient and effective legal services to legal consumers.

The Cislunar Explorers — cislunar means «between the Earth and the moon» — are in phase 3 of the four - phase Ground Tournament portion of the Cube Quest Challenge, sponsored by NASA's Space Technology Mission Directorate Centennial Challenge Program.

Whether studying deep in space among the stars or deep below the surface of the Earth, the collaboration between supercomputing centres and researchers will play an increasingly important role in solving the world's toughest scientific challenges.

Particularly in confined spaces — thin gaps between machine parts, the contact area between hardware and metal plate, behind seals and under gaskets, seams where two surfaces meet — close observation of such electrochemical dissolution had been an enormous challenge, he added.

The space between the chairs will increase your range of motion in the lift, making it even more challenging!

It's got daily challenges, it's got social spaces shared between players, and it's even got little numbers that pop out of enemies when you damage them.

It wasn't easy, but it was fascinating to try and find the balance between the three of them and give them enough space so that the spectator can see them facing the challenges and evolutionary crossroads that they're going through.

The dynamic content will introduce a wide variety of STEM - focused careers in space exploration, compare and contrast differences between life in space and on Earth, and illustrate the challenges of a future Mars mission.

Space, technology, plumbing, nutrition programs and cafeterias, updating building heating and air units, school beautification and many other things under facilities are challenging to maintain when school leaders have to decide between getting these things done or if they're going to provide exceptional instructional resources.

Rabbits do not have canine teeth.1 — 4 Instead, there is a space between the incisors and premolars called the diastema (FIGURE 1).1 — 5 The premolars and molars are anatomically identical, making differentiation of each tooth challenging.2 Thus, the premolars and molars are simply called the cheek teeth.2 The dental formula for a rabbit is I2 / 1, C0 / 0, P3 / 2, and M3 / 3, for a total of 28 teeth.1 — 5

Slow - moving and well - telegraphed attacks giving you ample space to dance between walls of bullets and pulsing lasers in what quickly become challenging encounters.

The intergalactic reality show it about two space oddballs travelling the cosmos trying to complete complex challenges, however they must do so with just one air hose which is connected to the both of them in where they need to pass the gas back and forth between each other, using the gas to shift body weight to your advantage is key in solving puzzles in over 50 levels spread over five... Read More»

Though the stages in - between are well spaced, and I found that 6 out of 8 stars was a reasonable amount of challenge without me wanting to smash my joypad against the wall.

Many visual artists, like myself have a tendency toward introversion which can make live social engagement in the flesh very challenging; one advantage to social media engagement is that it allows shy or socially awkward people to have some comfort space between themselves and other people while remaining in active relationship with «strangers».

Seattle - based Roy McMakin is a designer of furniture, art and spaces whose work challenges the distinction between the sculptural and the utilitarian.

Part philosopher and part poet, the artist Richard Tuttle creates works that challenge the formal, and often oppositional relationships between time, space, color, and open and closed forms.

They strove to challenge and transgress the traditional dictums of art making, to transport art into new spaces, to create an experience for the viewer, and to dissolve boundaries between nature, art and technology, all with an optimistic enthusiasm and unrestricted aesthetic.

While these is much overlap between the genres of art cinema and video art, the former differs in both intention and substance — challenging and exploring time, space and structure within the medium.

Evolving through a range of mediums such as performance, video, installation, sound, and literature, her works consider the fluid border between public and private space, and in so doing, challenge established conventions relating to the body, sexuality, power relations, and institutional spaces.

She actively challenges viewers to question their perception of space through works that blur the line between two and three dimensions.

Lydia Okumura (b. 1948, Brazil) actively challenges viewers to question their perception of space through sculptures, installations and works on paper that blur the line between two and three - dimensions.

It proposes an essential hinge between a full investment in an institution and an opening of space for challenging or critical practices.

Adjacent to the main space, a section of the exhibition explores how nineteenth - century French printmaker Félix Buhot dissolved classic distinctions between figure and ground in ways that challenge the limits of the etching medium.

In recasting the functionality of standard materials, including light, the works in Between Spaces challenge the viewer's perception of domestic material conventions.

The institution is thereby conceived as a social space that facilitates contemplation and exchange between different protagonists and cultures, consistently challenging its audience.

Berlin - based Austrian artist Gerwald Rockenschaub's unique take on minimalism has resulted in a complex sculptural oeuvre that challenges the so - called white cube and calls the relationship between the artwork, viewer, and exhibition space into question.

He is the founder and artistic director of the non-profit art space SAVVY Contemporary Berlin - a laboratory for conceptual, intellectual, and artistic production and exchange that takes up the challenge of investigating the «threshold» between, as well as critically reflecting on and questioning discourses around «Western art» and «non-Western art».

Often best seen from space, Albuquerque's work challenges perspective, and the perpetually shifting relationships between bodies in space.

Its mission is to create a space in which to experiment with ideas and exhibition formats, to foster an active collaboration between artists and curators while challenging their roles.

Monica Bonvicini (born in Venice, lives in Berlin) creates powerful work that investigates and challenges the relationships between architecture, control, gender, space, and power.

His short films «Router» and «We'll Do the Rest,» look at the socio - psychological spaces between histories, where complexity and contradiction challenge the way we understand the past, present and the future.

Their objective is to challenge one's unimpeded perception of reality, by framing a single detail — the sunrise — in order to induce a dislocated condition which forces a shift in our relationship between time and perceived space, as well as to experience of our everyday environment in all of its splendid beauty — to find slowness in chaos.

By inhabiting the space between a photograph's instantaneous moment and video's time span, Kydd challenges the canons and expectations attributed to still and moving imagery.

This presentation of historical work — a first at the CAG — is intended to challenge the viewer's understanding of what a contemporary art space should show, building a bridge between image making techniques and endeavors of different eras.

The challenge for me was to find a connection between both spaces and to offer a different perspective on my practice.

The pieces enhance the sense of isolation that accompanies empty spaces and challenge the boundaries between the everyday and the familiar turned strange.

Still, «technology» is a broad medium and in this show it encompasses video, manufacture, photography and materials and the work challenges tropes with fresh perspectives of landscape that take a close look at the space between reality and fiction.

This is further accentuated by the way certain works are inlaid and cut into the wall, melding and challenging the boundaries between artwork, wall, and the gallery space.

Buren has continued to use stripes of fixed width, alternating between white and colour, in a huge variety of different contexts and media including paper, fabric and flowers to create dramatic and challenging interventions and installations in public spaces and museums around the world, including Les Deux Plateaux in 1986, a huge and controversial installation in the classical courtyard of the Palais - Royal in Paris.

They evoke space and suggest a bond between the inside and outside by extending the charcoal lines to the top edge of the canvas and presumably beyond, directly challenging the formalist orthodoxy that defined painting as a self - contained object or surface.

To present, today, an exhibition from 1969 just as it was, maintaining its original visual and formal relations and links between the works, has posed a series of questions on the complexity and very meaning of the project, which has developed through a profound debate from various perspectives: the artistic, the architectural and the curatorial.This was the challenge: how could we find and communicate a limit to a non-limit, creating a place that would reflect exactly the architectural structures of the Kunsthalle, but also an asymmetrical space with respect to our time and imbued with an energy and tension equivalent to that felt at Bern?

Untitled (Double) materialises the intangible and challenges the distinction between presence and absence by reversing positive and negative space.

He is the founder and artistic director of the non-profit art space SAVVY Contemporary Berlin — a laboratory for conceptual, intellectual, artistic production and exchange that takes up the challenge of investigating the «threshold» between, as well as critically reflecting on and questioning discourses around the «West» and the «non-West».

Neto uses space to explore volume and gravity, creating installations that break down barriers between works and the general public — challenging traditional pre-conceived ideas on how art should be viewed.

Relying also on the images that surround us, John Baldessari encourages the viewer's attention to minor details, absence, and the space between things, and through his manipulation of the image, and the painting over the faces with primary colors, and the obscuring of the portions of the scenes, challenges and creates philosophical inquiries into art and knowledge.

Running at the CHELSEA space from 23 April — 31 May 2014, the exhibition challenges viewers to explore relationships between pairs, and reflects how people who are unfamiliar with theoretical physics may respond to such an unusual concept.

Recent solo exhibitions include Double Bind at Palais de Tokyo, Paris (2007); 4 Between 2 and 3 at Centre Pompidou, Paris (2008); A Stay Between Enclosure and Space at the Migros Museum of Zurich (2009); Tatiana Trouvé at the South London Gallery (2010); and Il grande ritratto, an extensive exhibition inspired by the title of Dino Buzzati's science fiction novel and conceived in response to the challenging architecture of the Kunsthaus Graz (2010).

As the story unfolds through the gallery space, the distinctions between reality and fiction becomes ever more blurred and the «fourth wall», that invisible line between belief and disbelief, is challenged.

Inspired by the works of Buckminster Fuller and Yona Friedman, Cloud Cities offers an unconventional glimpse into how humans may situate themselves in between earth and sky, challenging ordinary ideas, boundaries and relationships with space and how it can be occupied.