The gallery presents art that
challenges viewers on multiple levels and diversifies dominant understandings of modern and contemporary art.
The film
challenges its viewer on many levels, perhaps being the reason why its been negatively and unfairly bombarded by critics, and audiences alike.
Not exact matches
The video might make
viewers pause to reflect
on the societal implications of this behavior and this may have achieved the company's goals of
challenging gender norms and identifying what holds women back.
Challenging limits of the Speaker's unwillingness to impose standards
on this place and the extent to which
viewers are willing to have their intelligence insulted, Conservative MP Blaine Calkins and Justice Minister Rob Nicholson used a scripted exchange
on the Not Criminally Responsible Reform Act to criticize Mr. Trudeau's public speaking.
The movie is not a heavy - handed commentary
on supernatural apologetics but it does
challenge the
viewer to consider that there is so much we don't know, and so much more for all of us to learn.
Examining absurd theories around Mad Men and True Detective, Julia Yost characterizes this phenomenon as a shift from the aesthetic to the forensic: «Everything
on screen and soundtrack is a clue, and the
viewer's
challenge is to suss out the secrets encoded by the creators» choices in writing, casting, wardrobe, and art direction.
Everything
on screen and soundtrack is a clue, and the
viewer's
challenge is to suss out the secrets encoded by the creators» choices in writing, casting, wardrobe, and art direction.
Widely known to
viewers of TV pit and barbecue programs, the renowned teams are scheduled to
challenge each other
on the resort's Main Lawn.
To kick off the
challenge, the Eh Bee Family shared a custom rap video on their YouTube channel called «Floss Like a Boss» teaching parents about the importance of flossing, while inviting viewers to join the DenTek 30 - Day Family Floss C
challenge, the Eh Bee Family shared a custom rap video
on their YouTube channel called «Floss Like a Boss» teaching parents about the importance of flossing, while inviting
viewers to join the DenTek 30 - Day Family Floss
ChallengeChallenge.
A talented and attractive actress who has managed to wrangle a remarkable number of affecting roles despite her youthful age, Elisabeth Moss may be best known to television
viewers as the President's daughter
on the acclaimed series The West Wing, though thoughtful characterizations in such features as Girl, Interrupted and Imaginary Crimes have been a testament to an actress not afraid to court more
challenging and emotionally demanding roles unusual for an actress of her age.Born to music manager and a mother who specialized in the blues harp in 1983, Moss spent her childhood in Los Angeles and was inspired to pursue acting at an early age by screen idol Bette Davis.
Therein lies the real
challenge of Bay, since, in reflecting
on the two opposing camps, one
viewer will denounce Bay's images as anathema, whereas the other will have no idea what you're talking about, and regard such intellectual subjects with thinly veiled distrust.
Although this minimalist technique is the hallmark of a well - crafted film, it does prove to be a bit of a
challenge for the
viewer who has to carefully pay attention to the acting
on screen while at the same time attempting to read the subtitles!
With layers of meaning, this offbeat documentary by James Franco and Travis Mathews (I Want Your Love) provokes
viewers as we watch its ideas
challenge the people who are
on - screen.
No comic filmmaker in America today works so hard to stay
on the knife's edge between humor and pathos or is so eager to
challenge his
viewers emotionally.
After all, any film which spends its first ten minutes
on saying goodbye to an old piano and hello to a new one can not be too concerned with
challenging viewers or keeping them enthralled.
I caught up with Fog to talk about the process of making a film that breaks with convention and
challenges the
viewer to think about what they're seeing
on screen.
So the main
challenge for
viewers, it would seem, is not to become so engrosssed and impatient that they search these cases
on the Web and spoil all the dark fun for themselves.
Don't record yourself as the sage
on the stage, harness the power of TouchCast to be the guide
on the side as you
challenge your
viewers to explore and investigate learning.
Automotive displays and Aircraft displays are the most
challenging displays because the positions of the
viewer (driver or pilot) and the display are both fixed and are not adjustable like
on all other displays, they must be readable inspite of being unadjustable in high ambient light including direct sunlight, and operate with large viewing angles that affect brightness, contrast, and color.
The former will let players
challenge one another by displaying their avatars in each other's games, while the latter will let players stream level runs, as
viewers vote
on positive and negative ways of influencing the player's game.
The new trailer, which can be watched below, focuses
on the game's nightmare world, giving
viewers a glimpse of the
challenges they will have to face during the game.
As part of MTG's digital transformation, MTG Tech is constantly
challenging the status quo by driving projects that enable
viewers to experience content in new ways and
on new platforms.
While partnering with Anonymous is most likely not
on the agenda, Mr. Robot star, Rami Malek did play Watch Dogs 2
on a November 13 Twitch livestream, and
viewers were able to suggest in - game
challenges for Malek to attempte.
With «pattern paintings» intentionally resembling wallpaper, and paintings that capture the image of
viewers on their surface, the work presents a playful
challenge to notions of gallery space and what constitutes a painting.
Perched
on a seat or leaning onto a wall, her models contain various emotions ranging from joyous to somber to dazed,
challenging the
viewers» understandings of traditional portraiture.
The experience of overlapping sounds, images, text, and even shifting climates,
challenge the
viewer with unceasing stimulation — often bordering
on sensory overload.
challenges viewers to find personal meaning in the works
on exhibit.
Inspired by Song dynasty painting techniques and calling
on a generous worldview, Liang's creative process hints at her concern for articulating an alternative way of expressing the inexhaustible chaos of our world and
challenges the
viewer to restore order.
From Claudia Hart's critique of digital technology and the misogyny of gaming and special effects media to Carla Gannis's performance video where the artist competes with her virtual self; from Cynthia Lin's monumental drawings detailing minuscule portions of skin to Laura Splan's mixture of scientific and domestic in molecular garments and Joyce Yu - Jean Lee's
challenge of conventional viewing perspectives; from Christopher Baker's examination
on participative media to Victoria Vesna's collaborative project
on social networking, identity ownership and the idea of a «virtual body» — the show guides the
viewer through an array of captivating approaches that
challenge not only current media ideologies but also conceptual paradigms underlying today's digital art, the question of disembodiment and post-humanism in particular.
Challenging the
viewer's patience, making him stunned by the complete absence of narrative, palette, or any other element that everybody was used to, Reinhardt explained that everything is
on the move, so the art should be still.
Each artist focused
on their subjects as a means to discovering their truth in a complex series of questions that directly and comfortably
challenge the
viewer.
LRF: The
challenge of working
on the same subject matter for over a decade is how to keep the photographs dynamic and interesting to the
viewer over that extended period of time.
Lydia Okumura (b. 1948, Brazil) actively
challenges viewers to question their perception of space through sculptures, installations and works
on paper that blur the line Read More»
Lydia Okumura (b. 1948, Brazil) actively
challenges viewers to question their perception of space through sculptures, installations and works
on paper that blur the line between two and three - dimensions.
About Face, the current exhibition at Spruill Gallery, presents alternative perspectives
on war,
challenging viewers...
In his piece, Formless Figure (2015) now
on view in the main exhibition room at Robert Wilson's Watermill Center, Arsham engages the
viewer by
challenging the very wall of the space to perform in a unique, mysterious way.
Berlin - based Austrian artist Gerwald Rockenschaub's unique take
on minimalism has resulted in a complex sculptural oeuvre that
challenges the so - called white cube and calls the relationship between the artwork,
viewer, and exhibition space into question.
Worst's paintings
challenge viewers with these questions while at the same time simply allow us to savour their beauty, opulence and richness of detail, all perhaps a meditation
on human desire.
Creating any art involves a leap of faith, and throughout the last century artists have put themselves at risk and
challenged viewers, reflecting
on what risk means in our society and daily lives.
For works that rely
on such an economy of gesture, they nevertheless suggest an interrogative and antagonistic position, one that requires both artist and
viewer to complete the unspoken partnership with each piece and to respond to the titular
challenge: Where Were You?
The artists have examined the concept of the exhibition from diverse angles - the legacy of institutions which now sit uncomfortably with each other, the question of identity which oversteps fiercely guarded national borders with several
challenges thrown to the
viewer to ponder
on what is deemed to be the «status quo».
My Place, 2000, depicts a female nude posing with her hands firmly
on her hips and staring squarely in a
challenging manner at the
viewer.
Drawing
on the language of social media, hyper - globalization and dissonant collage they will present work which will
challenge viewers» expectations and offer a peak into what the next generation of young African and diaspora artists are up to.
Muniz
challenges the
viewer to look at these historic paintings through a new lens, focusing the attention
on the literal creation of the works and the richness and purity of each colour used.
In the installation, Maasai and Zulu war shields rest
on either side of the chair, triggering memories of the duality of the Panthers» narrative while
challenging the
viewer's perspective of the Party.
Her second iteration of her interactive show Untitled: What You See or What Do You See during Art Basel Week in Miami during Spectrum Miami, focused
on the relationship between art and the
viewer's perspective, specifically
challenging the traditional experience between
viewer and artist.
Through an unswerving
challenge to the meaning of painting in the world today she gives a voice back to painting: a voice that remains
on the pulse, and engages with the
viewer in a direct, natural and anything but elitist manner.
Throughout, artworks asked
viewers to reflect
on the
challenges that members of the LGBTQ community — and especially trans people of color — continue to face.
It also departs from the biennial's value system as rooted in the empire building world's fairs of the 19th and 20th centuries — many call London's Great Exhibition of 1951 held in a dramatic crystal palace the «first» biennial — designed to give
viewers a deeply overwhelming «great mass and jumble of things» (commodities, mostly) as «a
challenge to make sense of... unimaginable diversity; to find or invert a «perspective»
on the whole so that objects could be made to «stay and lie orderly.»
The only series
on television in the United States to focus exclusively
on contemporary visual art and artists, Art in the Twenty - First Century is a Peabody Award - winning, biennial program that allows
viewers to observe artists at work, watch as they transform inspiration into art, and hear how they struggle with both the physical and visual
challenges of achieving their visions.