The movie makes smart use of that record as translated by Krakauer, cutting back and forth in time, embedding stories within one another, and so
challenging common notions of subjectivity and identity.
«Our findings
challenge this common notion that only low - income families feed their kids junk food because it appears wealthy families are not always making healthier choices either.»
On both formal and conceptual levels, the artist and filmmaker
challenges common notions of space and boundary, weaving together archival material, scripted text and hypothetical circumstances to chronicle the political narratives of our day.
Not exact matches
Pressure on the hyphen ought to result in the
challenging of simplistic
notions of group or religious identity which claims that there lies something deeper, something intangible, which is supposed to be the cement which binds people and communities together under a
common label.
Peter learned two things from the dissidents: the
notion of «living in the truth»; and the disconcerting thought that Communism and Western liberal democracy had things in
common, modern science to begin with, that
challenged human freedom and dignity.
This important research
challenges common sense
notions that unemployment and economic shocks inevitably mean rises in property crime.»
We were going up against
common knowledge, and everyone who
challenged those
notions was considered kind of unusual, or too courageous, or — I don't know.
Thomas introduces complex
notions of femininity and
challenges common definitions of beauty and aesthetic representation.
Playing to the artists complex
notions of femininity that often
challenge common definitions of beauty, the Mickalene Thomas range aims to mirror Mickalene's embellishment technique via texture and design.
Her work introduces complex
notions of femininity and
challenges common definitions of beauty and aesthetic representations of women.
Endless Drawing showcases a diverse group of works that share the
common denominator of «conceptual - drawings» that
challenge the
notion that drawing is limited to works on paper.
In examining the legal reasoning behind the Hong Kong case of Yeung v Google and German case of RS v Google, and comparing the two, this chapter argues that the orthodox approach to fixing responsibility for defamation, based either on the established English
common law
notion of publisher or innocent disseminator or the existing categories of passive host, conduit and caching in the relevant European Union Directive, is far from adequate to address the
challenges brought about by search engines and their Autocomplete function.