Sentences with phrase «challenging exhibition viewing»

Indeed, while we tend to think of conceptual art as belonging very much to now, this challenging exhibition views it as a tightly defined historical phenomenon, whose heyday was 40 years and more ago, a period during which, the show claims, British artists changed the very nature of art.

Not exact matches

Challenged by gallery owner Janet Lehr to «Think Red,» the living artists with work on view in the «Valentine & Art: Together Forever» exhibition at Janet Lehr Fine Arts responded with breathtaking results.

Taken together, the exhibition challenges viewers to go beyond preconceived and polarizing narratives to encourage discussion after viewing the images.

In Radcliffe Bailey's (NAP # 28) new exhibition, Maroons, on view at Jack Shainman Gallery in New York, the Atlanta - based artist challenges the dominant history of slavery, and probes the unexpected cultural interactions that it inadvertently promoted.

Drawing on the spectacular resources of the Norton Simon collections, the exhibition explores the wealth of aesthetic and conceptual artistic strategies that challenge the shortsighted view of still life as simply an art of imitation.

In his piece, Formless Figure (2015) now on view in the main exhibition room at Robert Wilson's Watermill Center, Arsham engages the viewer by challenging the very wall of the space to perform in a unique, mysterious way.

Bucher's work is currently included in the group exhibition Women House, on view at the National Museum of Women in the Arts in Washington, D.C., through May 28, 2018, which challenges conventional ideas about gender and the domestic space.

Because many of the works on view challenge the less - than - utopian aspects of digital platforms within capitalism, however, the exhibition provokes a rich conversation about how various feminisms interface with art history.

On view throughout the fifteen galleries of the Hessel Museum, this exhibition offers a specifically selected survey of Gillick's seminal projects and installations that challenged the orthodox presentation and reception of art and its methods and practices during the 1990s.

In the exhibition, abstract paintings and sculpture from the 1960s through the 1980s by Barbara Chase - Riboud, Martin Puryear, and others show a desire to balance cultural and artistic identities, challenging the idea that work by African Americans should be viewed in primarily racial terms.

Currently on view in two large galleries, stark works in sand colors, geometrics, in brown felt material, in bright neon, the exhibition displays art from the collection of Bridgehampton resident Leonard Ruggio, whose passion is minimalism, a midcentury movement that challenges our notions of the types of materials can be used in art, and in fact our traditional notions of beauty.

With its crowded bodies and crowded walls, Sideshow offers a must - see exhibition that is a challenge to view.

Liliana Porter's work will be included in the exhibit How to Read El Pato Pascual: Disney's Latin America and Latin America's Disney, a Pacific Standard Time exhibition of over 150 works by 48 Latin American artists who investigate and challenge nearly 100 years of cultural influence between Latin America and Disney, on view Sep 9 - Jan 14.

This exhibition challenges many of the widely accepted, homogeneous views of postwar American art history that began to surface in the early 1960s, coinciding with the expansion of the Vietnam War, the Civil Rights movement, and the rise of Minimalism and Pop Art.

Awards and Residencies Atlantic Center for the Arts (Golden Foundation Fellowship) Bemis Center for Contemporary Arts Fleisher Challenge Exhibition, Samuel S. Fleisher Art Memorial Millay Colony for the Arts Pew Fellowships in the Arts, Works on Paper Philagrafika Invitational Portfolio Ragdale Foundation Roswell Artist in Residence Program Ucross Foundation Vermont Studio Center (Full Fellowship) Viewing Program Artist Registry, The Drawing Center Virginia Center for Creative Arts White Columns Artist Registr

At 34, Fowler is the youngest artist and is shortlisted for an exhibition at Inverleith House in Edinburgh which showed his third film in a trilogy about the late Glaswegian psychiatrist RD Laing who, from the 60s onwards, espoused views that challenged the psychiatric orthodoxy.

With irony, the exhibition challenges the view of art as an exchangeable commodity with a singular objective outcome.

The Selection Committee had a very rewarding time viewing all the works and they are proud that the resulting exhibition will present an enticing breadth of work, including a good number of videos, in all, promising to be thoroughly lively and challenging.»

The two discussed Atlas» pioneering video work with Merce Cunningham, the challenges of shooting 3D film, and his exhibition on view at The Kitchen in New York.

In the group exhibition «The Projective Drawing» at Austrian Cultural Forum New York (ACFNY), curator Brett Littman applies Evans's theory, which is skeptical of drawing at its core, to challenge our understanding of how the medium of drawing operates in contemporary culture by highlighting both Austrian and international artists whose drawings require viewers to activate a matrix of complex and nontraditional ideas in order to interpret the works on view.

Presented at Tate Liverpool from 21 May to 30 August 2010; this exhibition reveals a fascinating new insight into the artist's life as a tireless political activist and campaigner for peace, challenging the widely held view of Picasso as creative genius, playboy and compulsive extrovert.

In tracing the development of ideas from one socio - geographic context to another, the exhibition will challenge the view of Latin American art as a single phenomenon, revealing important differences and tensions among various artistic proposals articulated during the decades under examination.

Organized by the Scottsdale Museum of Contemporary Art in Arizona, the exhibition is currently on view at the San Jose Museum of Art, where it provides a challenging reflection on Silicon Valley's relationship with data and privacy.

Baseera Khan's iamuslima at Participant Inc., her first solo exhibition in New York City, presents work that, at least in part, challenges such sardonic views in an effort to excite, complicate, and open dialogue about Muslim femininity and by extension Islam.

Taken as a whole, the works on view «challenge perceived notions of what constitutes an exhibition space, a public, an artwork itself,» according to the gallery.

Ligon's authority on the subject was probably all Walker needed to settle the dispute around his work once and for all, but in the volatile climate that defines our current times, even the most brilliant view doesn't stick around for long without being challenged a second time, and disagreements over Walker's work reached a new height again on the occasion of «Direct Drive,» his solo exhibition at the Contemporary Art Museum St. Louis last September.

Presented at Tate Liverpool from 21 May to 30 August 2010, this major exhibition of over 150 works will reveal a fascinating new insight into the artist's life as a tireless political activist and campaigner for peace, challenging the widely held view of the artist as creative genius, playboy and compulsive extrovert.

Together, in their radical openness to interventions of site, audience, and context, the works on view challenge perceived notions of what constitutes an exhibition space, a public, an artwork itself.