Sentences with phrase «challenging experiences in arts»

All pupils will experience traditional, high - quality instrumental and vocal music - making opportunities, alongside challenging experiences in arts and sport in our Trust - wide extended day

Not exact matches

Mr. Garrity's legal experience, his love of the arts, and his commitment to the Marjory Stoneman Douglas High School have prepared him to lead Shine MDS, Inc., and face the challenges of a community in need of healing.

In a time when the richness of play (from recreational activity to the arts) is available to an increasing number of Americans, and when some are finding sources of pleasure, meaning, and power within such experiences, Christian theology is being challenged to reassess its suspicions of play.

In the study, we found that while quality is a persistent challenge, many arts educators demonstrate that, with thoughtful, careful analysis, constant dialogue, and dogged persistence, it is possible to achieve and sustain high quality arts learning experiences for young people in and out of school settings.&raquIn the study, we found that while quality is a persistent challenge, many arts educators demonstrate that, with thoughtful, careful analysis, constant dialogue, and dogged persistence, it is possible to achieve and sustain high quality arts learning experiences for young people in and out of school settings.&raquin and out of school settings.»

Hire willing teachers: Most teachers will not have experience teaching with AI, so administrators need to hire people who are willing to take on the challenge of integrating the arts in their lessons and who want to learn to maximize art's potential to engage their students.

In this archived chat, Education Week staff writer Catherine Gewertz discussed one district's experience with the common - core English / language arts standards and the challenges facing states and districts putting the standards into practice.

One emerging theme from these discussions has been the challenges experienced by educators due to the uncertainty of the state's assessments in English language arts (ELA) and math and the impact of administering the existing TCAP exams while meeting the current ELA and math academic standards.

However, with many teachers only having experience in one or two STEM content areas, arts and humanities teachers being called upon to incorporate STEM, and with the number of preservice vocational teacher preparation programs decreasing, teaching integrated STEM concepts to meet these workforce demands can be challenging.

The implications of adapting a language arts curriculum for students of the same age but different levels of functioning in the language arts presents a real challenge, even for experienced educators.

«Marketers have been telling brand stories for years through advertising, in - person brand experiences, and so on, but the art of writing those brand stories as effective pieces of online content is a challenge that few are trained to do.

- Aonuma thanks the audience for the award - Aonuma: The team did not want to simply adapt the old formula of Zelda games, and they carefully balanced old and new elements - Fujibayashi: The dev team had several challenges while developing; worked hard to satisfy gamers; is happy to see Germany loving it - Takizawa: Artstyle has changed often throughout the series» history; the art team's experience has been applied to the game, that's why the whole team is very happy about the award - Dohta: The team created lots of fun elements for the players, and the whole technical team is very happy to see Germany loving the game - Aonuma: «We are honored to accept the price in the name of over 300 developers who worked hard and passionately on the game for years - Everybody: «Vielen Dank!»

GDC and Unity3D, recognizes Riverbond in the 3D Game Art Challenge for it's outstanding and unique 3D aesthetic style and experience.

The target audience of this title include folks who first experienced these games in the late eighties and early nineties and who want to have a strong nostalgic Mega Man experience, people who are interested in the history and evolution of video games, people who enjoy watching and competing in speed running challenges, and people who enjoy Mega Man art and trivia.

the only experiences with no - gutter syndrome I've encountered is some art spreads in Phoenix Wright and Tetris DS (specifically the head2head challenge of FIRE mode).

The museum champions the art and artists who challenge us to see the world in a new light, to experience the unexpected, to ignite our imaginations, and inspire change.

He enjoys and appreciates the invention, challenge, and discovery of making art in the hopes that this translates into a similar experience for his viewer.

For YARE: ONE MORE DANCE the artist has recreated the Dancing Devils as an art experience incorporating contemporary challenges and joys of the human spirit in Los Angeles.

The Hammer Museum champions the art and artists who challenge us to see the world in a new light, to experience the unexpected, to ignite our imaginations, and inspire change.

Feminism proposed two alternative sets of criteria between 1970 and 1990: in the 1970s, the first — in whose development Schapiro participated — challenged the formalist canon for its exclusion of so much political narrative, and even formal content and materiality, and proposed alternatives that looked to craft, costume, folk art, surrealism, the real, lived experience, and the body; the second, developed by deconstructionist feminism during the 1980s, challenged the first for its essentialism and looked back to aspects of modernism other than those promoted by Greenberg, namely the fragmentary, the filmic, the appropriational, and the disruptive aesthetics of Brechtian distantiation.

The December 3 event featured renowned visual artists Shirin Neshat and Pratt alumna Mickalene Thomas (B.F.A.» 00), and Heidi Zuckerman, director of the Aspen Art Museum, who explored the qualities that define female artists and leaders in art today, as well as inspiration and challenges related to their own experiences in overcoming obstacles to achieve succeArt Museum, who explored the qualities that define female artists and leaders in art today, as well as inspiration and challenges related to their own experiences in overcoming obstacles to achieve succeart today, as well as inspiration and challenges related to their own experiences in overcoming obstacles to achieve success.

Christopher Lentz and the Visitor Experience staff, including Katherine Wallace, Kelly Bishop, Ginger Davis, and Nicole Meshack, are skillfully managing the daily challenges of bringing performative and participatory artworks to our public, in close collaboration with Media Arts administrative assistant Stephanie Guasp, who not only coordinated all travel but is also managing the schedules of screenings of Guy Ben Ner's Soundtrack and the many performers for Chris Kallmyer and Mark Allen's Live Personal Soundtrack.

Marshall remarks, «It's challenging when there are so few students of color in programs so you don't really get a chance to shape with them the conversation about what kinds of things are possible in making art, but you constantly have to keep doing it with students who already have access to that kind of experience.»

In a groundbreaking career surpassing 50 years of practice and encompassing many significant visual and cultural movements including Conceptual Art, Post-Modernism, and Feminism, Nancy Spero made the female experience central to her art and challenged aesthetic and political conventioArt, Post-Modernism, and Feminism, Nancy Spero made the female experience central to her art and challenged aesthetic and political conventioart and challenged aesthetic and political conventions.

Two additional works served as an epilogue (Wolfson) and an archival documentation (Baldessari), challenging the very notions of live art and the human experience as set out in 14 Rooms.

Join us at Kemper Museum for a unique drop - in art making experience inspired by Kimsooja's artwork that challenges you to explore flag design and symbolism and to create your own piece of flag art!

The artists» renderings document the ways in which travelers encountered and experienced the region as well as the challenges they faced to describe an aesthetic reality for which the language of conventional Western art was inadequate.

In my experience, inspiration comes not just from spending time with so - called masterpieces but also from seeing the way other, less brand - name artists have dealt with the problems and challenges of making art.

Julie Milne, Chief Curator of Art Galleries (Tyne & Wear Archives & Museums): «One of the strengths of the Great Works scheme is that it recognizes that for many people the formative experience of art will be in regional collections and even in times of public funding challenges those collections deserve to be not only protected but enhancArt Galleries (Tyne & Wear Archives & Museums): «One of the strengths of the Great Works scheme is that it recognizes that for many people the formative experience of art will be in regional collections and even in times of public funding challenges those collections deserve to be not only protected but enhancart will be in regional collections and even in times of public funding challenges those collections deserve to be not only protected but enhanced.

Los Angeles - based architects Sharon Johnston and Mark Lee of JohnstonMarkLee architectural firm were instrumental in examining these areas defining characteristics and placing the works of art in ways which either reinforce the urban condition, or challenges it by creating a new way of experiencing a neighborhood.

In celebration of the publication of Louise Nevelson: Light and Shadow, art historian and biographer Laurie Wilson discusses the remarkable life and art of one of the great sculptors of the 20th century in a presentation that considers the key elements of Nevelson's work, the links between her childhood experiences and adult life as an artist, the major influences on her evolving style, the challenges she faced to be taken seriously, and the relationship between her public face and the flesh - and - blood womaIn celebration of the publication of Louise Nevelson: Light and Shadow, art historian and biographer Laurie Wilson discusses the remarkable life and art of one of the great sculptors of the 20th century in a presentation that considers the key elements of Nevelson's work, the links between her childhood experiences and adult life as an artist, the major influences on her evolving style, the challenges she faced to be taken seriously, and the relationship between her public face and the flesh - and - blood womain a presentation that considers the key elements of Nevelson's work, the links between her childhood experiences and adult life as an artist, the major influences on her evolving style, the challenges she faced to be taken seriously, and the relationship between her public face and the flesh - and - blood woman.

Aside from that, which I feel enriches the viewer's experience, their fearless mastery of their craft, their individual courage in piercing more traditional boundaries, and their enthusiastic drive through decades of challenging circumstances make Judith Godwin and all of the women plying their art in the field of abstract expressionism, women to admire.

Highlighting the DMA's exceptional holdings of artwork by female artists working in Europe between the late 18th and early 20th centuries, this exhibition, a complement to Berthe Morisot, Female Impressionist, explores the challenges and limitations experienced by female artists seeking professional careers before women were admitted into fine art academies and / or gained widespread social acceptance.

We can't wait to see everyone in March and continue to share our mission to be the art fair for emerging artists and art lovers with the aim to challenge the boundaries and experience of traditional art fairs.

In the article, Leonardo Drew Challenges Himself and the Traditions of Printmaking, Artsy editor Casey Lesser delves into Drew's process, art - making philosophy, and his experience of collaborating with Ruth Lingen and Akemi Martin at Pace Paper.

White Hawk has a determination and motivation in which she challenges herself to inventively create and develop pioneering techniques and methods that transform the experience of abstract contemporary art for artists, collectors and viewers.

Her second iteration of her interactive show Untitled: What You See or What Do You See during Art Basel Week in Miami during Spectrum Miami, focused on the relationship between art and the viewer's perspective, specifically challenging the traditional experience between viewer and artiArt Basel Week in Miami during Spectrum Miami, focused on the relationship between art and the viewer's perspective, specifically challenging the traditional experience between viewer and artiart and the viewer's perspective, specifically challenging the traditional experience between viewer and artist.

As for artists who work across cultural boundaries, their challenge is to make art that is at once both deeply personal and broadly meaningful while addressing the issues and experiences of the different worlds in which they live.

The art in Information sought to challenge or disrupt both the museum space (such as Stig Brøgger's wooden platforms) and visitors» typical experience (Group Frontera, from Argentina, recorded visitors in the museum, answering questions on a tape they'd then watch live).

Among the most important artists to emerge during the 1990s, Los Angeles — based Diana Thater creates groundbreaking and influential works of art in film, video, and installation that challenge the normative ways in which moving images are experienced.

Painting in Italy 1910s - 1950s: Futurism, Abstraction, Concrete Art relays a complex historical account of the fraught relationship between art and politics in Italy during the interwar and postwar period, attesting to the bumps, curves, utopias and traumas experienced by an eclectic group of artists working to assert a new pictorial language by challenging the dominant tenets of their cultuArt relays a complex historical account of the fraught relationship between art and politics in Italy during the interwar and postwar period, attesting to the bumps, curves, utopias and traumas experienced by an eclectic group of artists working to assert a new pictorial language by challenging the dominant tenets of their cultuart and politics in Italy during the interwar and postwar period, attesting to the bumps, curves, utopias and traumas experienced by an eclectic group of artists working to assert a new pictorial language by challenging the dominant tenets of their culture.

The work challenges viewers to consider new ideas about contemporary art, artifice, and authenticity, and the phenomenology of experience in the desert environment.

«Through these exhibitions, The Goss - Michael Foundation challenges preconceived art notions and strives to set a new standard in artistic awareness by providing visitors with a fresh and fascinating art experience, as well as an opportunity to interact with the ground - breaking international artists who are responsible for the direction of today's most influential art trends,» he continued.

Using found imagery and carefully constructed tableaux, his seductive yet challenging figurative paintings explore complex ideas about history, memory, political extremism and art history and are influenced by his experiences growing up in the last years of Ceausescu's dictatorship.

The works of art in the exhibition raise questions about photography's ability to represent cultural identity while examining the breadth and challenges posed by the multiplicity of the American Jewish experience.

Beyond that speculation, the biggest challenge still faced by arts institutions in the area is creating innovative experiences.

Art and Practice is a series of discussion - based seminars in which emerging and experienced artists can discuss challenges and possibilities in the field.

The presentation will explain the personal challenges in performing in an educational environment and the experience in being censored by an art college.

Repurposing select elements of extant works and combining them into new installations, Wilkes upends the «retrospective» structure of a mid-career exhibition, confounding our experiences of past and present and challenging conventions of art history that would seek to interpret her work in a clear progression.

As the Dean of SMU's Meadows School of the Arts since 2006 and with 30 years of teaching experience at one English and four American universities, Bowen has experienced first - hand the revolutionary impact of technology on higher education learning and has developed a methodology for using technology outside of the classroom to create a more challenging and meaningful in - class experience.

These exhibitions serve as a challenge to preconceived art notions and strive to set a new standard in artistic awareness by providing visitors with fresh and fascinating art experiences.