This is certainly Fincher's most
challenging film since Fight Club.
Not exact matches
This may keep her tied up (and away from the Coppola's and Jonathan Glazer's of the
film world) till her 40s, which is a damn shame
since she (and Dunst) are so much better in
challenging movies like Under the Skin than lame ones like Ghost in the Shell.
In his first
film since There Will Be Blood, director Paul Thomas Anderson explores a
challenging subject in the birth of a religion that has exerted influence on American life, especially in the entertainment industry.
Sadly, getting home from seeing four or five
films a day at midnight (and having been out
since 10.30 am) and having to write for my own blog — a necessity of the «60
films in 17 days» blogathon
challenge I was participating in — took its toll, especially against the backdrop of the flu that I carried all festival.
Perhaps that is unfair, because the young actress has amassed an impressive resume
since her graduation from standard Disney fare to more
challenging roles in
films like «Panic Room» (she replaced Hayden Panettiere and in doing so garnering much comparison to that
film's lead, Jodie Foster).
Directed by Joe Wright (Atonement), the
film features Jamie Foxx who does a magnificent job in his most
challenging outing
since Ray.
The trailer also won't erase skepticism toward Wright's assertion that the
film will
challenge «preconceived notions» by being «multiracial,»
since it basically just shows a bunch of white people playing dress - up.
Release Date:
Since her excellent 2010 debut I Will Follow, DuVernay has become an impressive force to be reckoned with,
challenging herself across a dizzying number of projects and platforms (including the short
film The Door, which went to Venice 2013, television projects such as a compelling portrait of Venus Williams with Venus Vs. for ESPN's «Nine for IX» series, and «Scandal,» plus she unveiled a surprise documentary project this year with The 13th, an excellent portrait of the troubling history of racial injustice within the criminal justice system — and also the first documentary to open the New York
Film Festival).
Since we know Edward Snowden's status today, there is little to no peril,
challenge, or surprise in this
film.
Fortunately, when he finally saw Johnson's movie, he concluded that it was «probably the most sophisticated «Star Wars» movie
since «Empire»... I just think it's a stunning
film — it's
challenging, it's surprising, it has humor.
This
film probably has the most
challenging performance of Jake Gyllenhaal's career,
since he is playing a man that has lost both his legs, with me quite curious about how they achieved the effect for the
film.
Import Export marks Ulrich Seidl's first fictional effort
since 2001's Dog Days, and there's little doubt that the
film is just as
challenging (and plotless) as its predecessor.
The style of the movie however, is
challenging to put into words
since all the
film's action is timed with the beat of the music the protagonist (Elgort) is listening to, even the windshield wipes of the car he drives.
I've
since enjoyed Marsan in other
films, but his driving instructor here is such a seething mass of free - floating bile that he seems to exist solely to
challenge Poppy's fundamental good nature.
SPC has reiterated that both will be campaigned Lead, thereby giving themselves a tough
challenge to overcome — no
film has scored two Lead Actor nominations
since F. Murray Abraham and Tom Hulce did so for Amadeus in 1984.
Since I've been researching female surfers in developing countries for a
film project, I thought it would be important to experience surfing myself, not only to understand the sport but to
challenge myself in new ways.
Lis Rhodes (b. 1942)
Since the 1970s, Rhodes has been making radical and experimental
films that
challenge the viewer to reconsider
film as a medium of communication and presentation of image, language, and sound.
Dark Habits is the seventh publication from HOME Publishing
since inception in 2015 to
challenge and re-position the traditional exhibition catalogue as an artwork and commission in its own right, Dark Habits takes its inspiration from the classic Pedro Almodóvar
film on the occasion of the group exhibition, La Movida at HOME, Manchester (14 April — 17 July 2017).