Run by its owner Paul Keeler and enthusiastically supported by the critic Guy Brett and the artist David Medalla,
they championed Kinetic art, as well as European and Latin American Concretism.
Soon after the ground - breaking Le Mouvement show, Denise René's position as the
champion of Op and
Kinetic art were cemented, and by 1965, the Museum of Modern Art (MoMA) solicited her help in assembling the historical exhibition, The Responsive Eye, where the term «Op and Kinetic Art» was first formally recognis
art were cemented, and by 1965, the Museum of Modern
Art (MoMA) solicited her help in assembling the historical exhibition, The Responsive Eye, where the term «Op and Kinetic Art» was first formally recognis
Art (MoMA) solicited her help in assembling the historical exhibition, The Responsive Eye, where the term «Op and
Kinetic Art» was first formally recognis
Art» was first formally recognised.