Sentences with phrase «change during the exhibition»

Did anything about your thinking change during the exhibition planning and installation?

AMCDDid anything about your thinking change during the exhibition planning and installation?

Actions schedules change during the exhibition in the form of a graph that follows the shape of a mountain.

Not exact matches

Among others, the exhibition portrays the stories of children who stayed in Belgium during the war, but whose lives irreversibly changed due to the occupation.

This spring, the Philadelphia Museum of Art will present an exhibition exploring the creative responses of American artists following the rapid pace of change that occurred in the US during the early decades of the twentieth century.

Alongside the permanent collection are frequently changing photography exhibitions, which included a breathtaking Alex Soth show during my visit.

During the course of an exhibition, the materials undergo changes similar to the constantly evolving nature of culture over time.

The exhibition surveys the remarkable artistic production of women in Paris during the second half of the 19th century, a time of great social, cultural and artistic change, revealing the breadth and strength of their achievements.

From Foxtrot, a site - specific project realized during the Art - chitecure of Change exhibition at the Isola Art Center, Milan, 2005

Lee's projects are often open - ended scenarios for everyday interaction, and take on different forms with the involvement of participants and change during the course of an exhibition.

You are welcome during regular gallery hours (Tuesday - Saturday, 10:00 am — 6:00 pm) to view Swann's paintings — either for the first time, or to discover the changes that have taken place in the work over the course of the exhibition.

Both exhibitions were curated by Kellie Jones, a professor of art history and archaeology at Columbia University, and share the same theme as the sale: «the rapid changes in both the art world and the nation, socially and politically, during the 1960s and 1970s.»

The exhibition features a new installation referencing the changing environment of Samb's atelier as well as showing archival materials and films made during his unique collaboration with French artist / director Jean Michel Bruyère.

JMW Turner's travels took him to many places, but he had certain favourites — and this exhibition focuses on work he produced during various wanderings, stops and residencies along the Thames, the Wey Navigation and in Surrey prior to the London boundary changes of 1889.

This exhibition will take a socio - historical approach, examining Peláez's work in the context of the changing material culture and urban landscape of Havana during the first half of the 20th century.

SMoCA typically features 2 — 5 exhibitions each season that change roughly every three months during fall, spring and winter.

Three of the High Museum's curatorial departments collaborated on this exhibition to represent the true inclusivity of American art during this period of changing national identity.

The exhibition will feature more than 150 paintings, works on paper, and sculptures created by the leading artists of the American South during a dynamic period of growth and change in the region.

Their work manifests in anything from exhibitions, events, and installations to interventions, tours, and publications, taking shape and changing during the residency.

During a Gutai group exhibition in America, he moved to New York for a year, radically changing his style.

The exhibition will contain elements of performativity, with some pieces changing over time and evolving during the course of the exhibition.

Select past exhibitions include Person of the Crowd: The Contemporary Art of Flânerie (2017), a city - wide exhibition featuring works by more than 50 artists in the Roberts Gallery, in street interventions throughout Philadelphia, and on the web; Nari Ward: Sun Splashed (2016), a mid-career survey of the artist's found - object assemblage art; Picasso: The Great War, Experimentation and Change (2016), which examined the artist's stylistic development during the First World War; and Mark Dion, Judy Pfaff, Fred Wilson: The Order of Things (2015), for which the Barnes commissioned three large - scale artist installations in response to the unconventional way Dr. Barnes displayed his collection.

Although based on the personal collection of its founder, the Saatchi Gallery's main activity is developed through semi-permanent and thematic temporary exhibitions, which during the last years reflected the changing composition of the collection.

Indeed, while we tend to think of conceptual art as belonging very much to now, this challenging exhibition views it as a tightly defined historical phenomenon, whose heyday was 40 years and more ago, a period during which, the show claims, British artists changed the very nature of art.

In a follow up to the gallery's critically acclaimed group show «UPRISE / ANGRY WOMEN,» which opened during the week of the 2017 presidential inauguration, exhibition ONE YEAR OF RESISTANCE features artwork across all mediums addressing the issues our society has faced since the election such as immigration rights, women's rights, transgender rights, health care, climate change, white supremacy, gender equality, gun control, sexual harassment, as well as countless other issues which have given rise to mass protest throughout the United States and abroad over the past year.

The exhibition features works by artist's such as Jean - Michel Basquiat and David Salle, among many others, and explores the resurgence of painting as a means of artistic expression during a time of expansive change.

Highlighting The Jewish Museum's unique collection of American art, this exhibition focuses on the first half of the twentieth century, a period of great social change and artistic activity during which Jewish artists played a major role in shaping the direction of American art.

During the course of the show the artists gradually alter the exhibition, changing this solo show into a group show.

As a printing block, the sphere changes the space in a workshop: during the course of the exhibition, the 24 designs are printed, dried and freely distributed among the audience.

While thinking back on this ten year span, one during which the Portland arts ecology has changed so much, I invited ten painters who've all had solo exhibitions at the café during that period, including gallery artists Ty Ennis and Jaik Faulk.

Now, during a time of dramatic demographic and cultural shifts, PGAAMCC's Chocolate Cities Exhibition Series will explore the legacy of and track the continual changes within the nation's capital and Prince George's County.

Works created specifically for Gutstein Gallery will also be on display, including installations by SCAD alumna Cory Imig (B.F.A. fibers) that incorporate balloons, tape and paint, and are designed to change during the course of the exhibition.

Blum & Poe is very pleased to present a large survey exhibition of Nobuo Sekine, one of the key figures of Mono - ha, a group of Tokyo - based artists who radically changed the direction of Japanese art during the late 1960s and early 1970s by examining the interrelationships among natural and industrial materials, space, and perception.

This archival exhibition showcases the dynamic early work of David Dye, an artist who was at the heart of the radical changes taking place in British sculpture during the 1960s and 70s.

The exhibition DRAY can be viewed during and after the event, please note that the event start time has changed to 5 pm.

An exhibition charting changes in love's definition during a century of crisis and liberations, and in the ways we relate to one another.

Drawn from the Brooklyn Museum's renowned American art collection, this exhibition features 57 paintings and sculptures that highlight changes in American art and culture during the fascinating half - century from 1910 through 1960.

For MCASD's ongoing Cerca Series, De Luca's long - term project Stations (2006 - 2007) will be on view for the first time, together with a site - specific altarpiece triptych made for this exhibition, which responds to the changing light conditions experienced on the I - 5 South during her drive from Los Angeles to San Diego, created for Fayman Gallery at 1001 Kettner.

In a follow up to the gallery's critically acclaimed group show «Uprise / Angry Women,» which opened during the week of the 2017 presidential inauguration, exhibition One Year Of Resistance features artwork across all mediums addressing the issues our society has faced since the election such as immigration rights, women's rights, transgender rights, health care, climate change, white supremacy, gender equality, gun control, sexual harassment, as well as countless other issues which have given rise to mass protest throughout the United States and abroad over the past year.

13 October 2017 - 18 February 2018 Sculpture Study Galleries, Leeds Art Gallery This archival exhibition showcases the dynamic early work of David Dye, an artist who was at the heart of the radical changes taking place in British sculpture during the 1960s and 70s.

Art & Black Los Angeles 1960 - 1980» (through March 11) This exhibition of works by black artists who lived and worked in Los Angeles during a time of revolutionary changes happening in art and society had its debut at the Hammer Museum last year as part of the citywide extravaganza «Pacific Standard Time: Art in L.A. 1945 - 1980.»

The exhibition examines the changing streetscape of Main Road in Southold during the 19th century.

«The artists in each of these exhibitions told the complex story of the South during that time of radical change.»

As he begins to plan his second solo exhibition at ODETTA, they offered him the gallery during show change to explore new ideas and exhale for a moment.

The exhibition embraces flux and transformation, reflecting the changing seasons during the exhibition.

During this period, artists sought to capture these changes; and work from this period will be the subject of an upcoming exhibition at the RA, America After the Fall.

This exhibition — organized by the Smart Museum of Art in collaboration with the DuSable Museum of African American History and other cultural partners and presented concurrently with the DuSable's exhibition South Side Stories: Holdings — takes a nuanced look at the cultural history of Chicago's South Side during this momentous era of change and conflict, with a focus on artists of the Black Arts Movement.

The episodes will be edited and posted on - line during the exhibition and the continuously changing stage set can be explored by gallery goers between shoots during gallery hours.

Currently on view at Blum & Poe, Los Angeles is a large survey exhibition of works by Nobuo Sekine, one of the key figures of Mono - ha, a group of Tokyo - based artists who radically changed the direction of Japanese art during the late 1960s and early 1970s by examining the interrelationships among natural and industrial materials, space, and perception.

In 2015 he was artist in residence at FACT during the «Build Your Own» exhibition and in 2016 He worked in residence with the outreach department at Manchester School of Art on «A Whisper to a Shout» an educational recourse book and programme of events centred around climate change and the evolution of the peppered moth.