Whether you have realized it or not, you have just paved the way for a dramatic
change in the horror film.
Not exact matches
Enduring a grueling - and often cruel - shoot
in the Texas heat, Hooper's
film changed the
horror landscape.
In this rapidly
changing industry, genre
film remains a strongly communal experience, as
horror, sci fi, fantasy and cult
films continue to flourish under the banner of event cinema.
John Carpenter, Debra Hill and Jamie Lee Curtis made Halloween a classic, but it was Curtis» closing scene
in the
film that
changed the way audiences reacted to
horror.
One scene
in particular was very cleverly done and was a refreshing
change from the brain donor behavior seen
in most
horror films.
It's cheap
horror, the kind I would criticise if the
film was meant to be scary, but
in a detective flick like this, it is a nice
change of pace.
Director David Robert Mitchell's follow - up to his breakout movie, the creepily elegant
horror film «It Follows,» is something of a
change of pace: When a young man (Garfield) befriends a mysterious neighbor at his Los Angeles apartment complex (Keough), and she disappears the next day, he sets off on a surreal search for her through a La - La Land populated,
in the words of the
film's publicity material, by «dog killers, aspiring actors, glitter - pop groups, nightlife personalities, «it» girls, memorabilia hoarders, masked seductresses, homeless gurus, reclusive songwriters, sex workers, wealthy socialites, topless neighbors and the shadowy billionaires floating above (and underneath) it all.»
Davies»
films have always supplied strong female roles (think Gena Rowlands
in «The Neon Bible,» Gillian Anderson
in «The House of Mirth» and Rachel Weisz
in «The Deep Blue Sea») and this story, which followed an ordinary farm girl
in the 1910s with a dream of being a teacher, who begins to assert her independence
in the face of cruelties dealt by people ranging from her abusive father (Peter Mullan) to the initially sweet young man (Kevin Guthrie) who falls
in love with her marries her, only to come back from the
horrors of World War I irrevocably
changed.
Maybe the big idea here is that nothing has
changed in Australia
in all the time since Power saw whatever
horror film give him a yen to make this movie.
The
changing tide of
film distribution has admittedly watered down the
horror options for us (I've sat through some major clunkers recently), but it has also opened up our options for finding new
films we might not have been able to find
in a post video store world.
Having made his mark as a serious actor to be on the look out for, his
film credits of note include playing the gay socialite Paul
in the sex and drugs filled dark comedy The Rules of Attraction with James Van Der Beek, Life as a House with Kevin Kline, and Hayden Christensen,
Changing Hearts with Faye Dunaway and Lauren Holly, and stars opposite Kristen Bell (TV's Veronica Mars)
in the Weinstein Company's
horror / thriller Pulse.
IT IS SOMEWHAT COMFORTING to know that
in the past one hundred years of
film, the major tropes and formulas of the
horror genre have
changed very little.