Sentences with phrase «change the exhibition concept»

ZKM director Peter Weibel replied that the criticism was no reason to change the exhibition concept.

Not exact matches

Beginning where earlier Morgan exhibitions had left off, New York Collects examined the ways in which the concept of drawing changed over the past century and emphasized the important role it continued to play in the artistic process.

The premise of community is reflected in the cooperative nature of the galleries» and artists» participation in the exhibition, which uses Price's novel to critically consider concepts of neighborhood and change.

It was built by legendary modern architect Mies van der Rohe in 1928, but in recent times it is used as an exhibition space concept of changing exhibitions.

In this group exhibition, artists Rachel Schmidt, Johab Silva, and Levester Williams explore the concept of spaces, both real and imagined with responses to changing or unfamiliar landscapes and restrictive environments.»

Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or -LSB-...]

From the studio as a site of labor, to one that blurs production, performance, and spectacle, to a concept that defines the artist's own identity, the exhibition features artists who, in response to changing socio - economic influences, represented new modes of working and living that would subsequently spread across society.

Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or biennale.

Art Radar spoke to curator and artist Enoch Cheng about the concept behind this unusual, thoughtful and constantly changing exhibition.

From the Museum of Fine Arts, Houston website - «HOME — So Different, So Appealing is an exhibition showcasing works by nearly 40 U.S. Latino and Latin American artists from the late 1950s to the present who use the universal concept of «home» as a lens through which to view socioeconomic and political changes in the Americas over the past seven decades.»

This final exhibition in the series illustrates the forgotten history of Conceptual art in Britain, bringing to the forefront works by two undervalued and under - recognised artists, who irrevocably changed our concept of the traditions of modern art.

The exhibition title refers to the concept of «grounding» in communication theory, and the works featured test whether «communication partners» do in fact share common knowledge and whether a «global realignment», as changes in the Gulf region are thought by some to be, is possible.

From the studio as a site of labor; to one that blurs production, performance, and spectacle; to a concept that defines the artist's own identity; the exhibition examines the work of artists who, in response to changing socioeconomic influences, represented new modes of working and living that would subsequently spread across society.