Sentences with phrase «change them on the fly so»

BEATs can be changed on the fly so pick whichever suits you best for the battle ahead.

You can change them on the fly so you can see what type of chart works best for you.

Not exact matches

To combat Google's new emphasis on artificial intelligence, we're now seeing the addition of new search engine modeling tools that are attempting to predict exactly which algorithms are changing, so SEOs can adjust strategies and tactics on the fly.

Liam's changed from a small baby into a little boy who can walk a few steps on his own in just a few months, so time does seem to fly.

A fly is changed from alive to dead because it is hit with a fly swatter... because the fly swatter's potential is actualized by my wrist... because my wrist's potential is actualized by the muscles in my arm... because my muscles» potential is actualized by particular nerve - endings... and so on.

A change to the seams has reduced air resistance on baseballs, and between that and the sudden desire of so many players to hit fly balls, we've got ourselves a whole bunch of dingers we didn't have even just a few years ago.

The IceBridge flights, which began on August 27 and will continue until September 16, are mostly repeats of lines that the team flew in early May, so that scientists can observe changes in ice elevation between the spring and late summer.

I design most of my necklaces with at least a 3 inch extender chain so that you can really change the length of the necklace on the fly.

Whomever has the fastest speed moves first and this is where you can also change players on the fly so everyone can get a go.

You can instantly top up the gauge with items that get dropped, so your controllable character can keep unleashing musou attacks without the need to switch, but of course the option to change characters on the fly is there and it is a pretty slick in action.

ARE, Sweden — Climate Change has come to this ski resort some 326 miles north of Stockholm as the SAS plane flies, and so the puddle of water on top of frozen Lake Andsjon is getting deeper as the morning goes on.

The not - so - obvious move is that the driver can change the rear wing angle on the fly.

So even though that traveler will physically fly on a British Airways flight, the passenger is subject to all of American's ticketing rules; responsible for paying any change or redeposit fees to American; and must contact American — not British Airways — with any problems or issues that may arise before departure.

It may be helpful to use an Excel spreadsheet or a budgeting app like Goodbudget, EveryDollar or YNAB so you can change categories and enter transactions on the fly.

I got this card well before I decided to switch my business over to American Airlines, and I've never made a habit of flying Delta Air Lines, so recent changes to their lounge access policies that take effect on March 22 and May 1, respectively, aren't serious issues in my mind.

Sure, improving the flying experience isn't likely going to determine whether the millions of people that fly every day continue to do so, but small changes in the way we live our lives do make an impact on the world.

You can always change your FastPass + reservations on the fly from the app, so if you see the wait time for the attraction you're about to board is less than 15 minutes, consider rebooking for a different ride with a longer line.

And maybe the AAdvantage card is so good that you'd change you flying habits if you had it and book more flights on American.

Clearly schedules are subject to change so before you call BA up to ask for the downgrade make sure that the Qsuite is actually being offered on the days you're flying.

As for my return, I booked Lisbon — Frankfurt — Chicago in Lufthansa First Class using 62,500 Air Canada Aeroplan miles, transferred from American Express Membership Rewards, and then Chicago - Pittsburgh with 4,500 Avios (there wasn't availability on the United flight, plus I would have had to have called Air Canada to book a 3 - flight one - way itinerary which would have incurred a $ 30 phone fee, so I was okay with spending Avios and flying American over United when a terminal change would be required for both).

They never charge fuel surcharges, they allow free date changes, they have very flexible routing rules, they allow one - way awards for half the mileage, they have a short - haul award for 20,000 miles, they allow for a stopover and an open - jaw so that you can really maximize an award trip into multiple free trips, they have an around - the - world award to visit tons of cities on one award ticket, and they have dozens of partners to fly on, most of which can be booked on their website.

Since booking the award, I've flown Lufthansa First Class and been to the Lufthansa First Class terminal, so I think I'd prefer to change the award to a direct flight to Los Angeles on Asiana's stunning new product.

The dashing is also very much a mecha staple and unlike Virtual On, which is based around fixed vectored dashes, Border Break uses a more analogue approach so you can change direction on the flOn, which is based around fixed vectored dashes, Border Break uses a more analogue approach so you can change direction on the flon the fly.

The higher the rank, the more weapons, air support, and gear armories you will have available to customize so you can change your tactics on the fly.

On a gamepad this is at least easily rectified - the D - Pad is used for tank, and the analog for modern, so you can change on the flOn a gamepad this is at least easily rectified - the D - Pad is used for tank, and the analog for modern, so you can change on the flon the fly.

It has been said he can change between these three on the fly so this could be Ninja theory's answer to Dante's fighting styles Sword master, trickster, gunslinger and royal guard which brought a hell of a lot of variety in both Devil May Cry 3 and 4.

These mutations can be used in combat and changed on the fly, so, when it comes time to upgrade and purchase mutations, you aren't locked into a single set or tree.

It refers to gameplay where you can change a character's class or type so they can learn new abilities and classifications on the fly, an easy to understand spin on pen and paper role - playing that allows for deep customization.

The great thing here is you have a choice of four special moves per character, that can be changes on the fly using the D - Pad, so you could say it is kind of like changing weapon in a hack and slash game... ish.

Best to have a chosen victory condition in mind, which squares well with your empire's unique abilities; it's more possible to change strategy on the fly in Civ 6 than before, but not so much that you can afford to squander settlers by building redundant cities.

The first trailer showed Barret as the playable character, so this option could be the way for the player to change which them out on the fly.

The combat feels so rewarding and requires fast thinking and changing strategies on the fly (literally), and each character features pretty unique movesets.

Of course this isn't a real - time strategy game so things change on the fly and you have to be prepared to adapt.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

This was meant to be an alarming example of climate change, and yet it struck me as the root of the whole problem — the privileged uber - rich who love their entertainment so much that they can afford to fly hundreds of people and piles of gear in fossil fuel - powered planes to film a few snowy scenes on schedule!

The Indonesian Tourism Bureau gets this good idea to use the Bali meeting to promote jet travel to Bali to boost the tourism market, with the president of the country saying how climate change is so important, and that the upcoming meeting in Bali is to save the Earth, and here he is, asking more people to get on jets and fly there from London, New York, Paris, Tokyo, Taipei, Rome, Stockholm, Anchorage — sure, it's a good tourism promo on CNN, but what's the message?

They know that your availability can change from minute to minute, so they offer a status tool to let you change your call - handling instructions on the fly.

According to Ms. Sarkis, airlines flying to a destination where a storm is predicted will often have travel alerts on their websites indicating the instances in which travelers can rebook their tickets without paying change fees and how long they have to do so (American Airlines, for example, has an alert on its site related to Hurricane Irma).

It feels exactly like the rest of the mouse and has a very shallow click, so unless you're looking directly at the DPI button, it can be a treacherous endeavor to change DPI on the fly.

Both rear cameras have optical image stabilization and can be used simultaneously so that you can change a picture's depth of field on the fly.

But that difficulty comes because one small change can have technical repercussions on other parts of the system, so much so, that changing a blockchain's rules is often compared to tearing out and repairing the engine of an airplane while it's flying.