Sentences with phrase «changes seen in the film»

This acquisition involves the first of many face changes seen in the film (which get tedious after a while) and culminates in a spectacular airplane crash.

Not exact matches

So Paramount, in the wake of a disappointing 2017 that saw big budget films like Transformers: The Last Knight and Ghost in the Shell underperform while the studio's would - be Oscar hopefuls Suburbicon and Downsizing were DOA at awards season, is looking to make some changes in 2018 and selling God Particle off to Netflix may be a cushy deal.

In any store in North America, Europe or Asia right now, you will see bricks that look the same, with at the most maybe laminated films on them, and we are going to change thaIn any store in North America, Europe or Asia right now, you will see bricks that look the same, with at the most maybe laminated films on them, and we are going to change thain North America, Europe or Asia right now, you will see bricks that look the same, with at the most maybe laminated films on them, and we are going to change that.

By Lauren Kearney You may have first seen Gene Baur when he was featured talking about how not eating animal products changed his life in the inspirational pro-vegan film, Forks Over Knives.

generates a «sour» review they could (in theory) change the end of that very show as soon as they read it... the Story NXT tells is set on film (digital file) 4 days to 4 weeks before the Audience sees it, to adjust their sails for that would require back stage re-shoots and post production edits (look at Impact scrambling to re-write their Pre-tape to cover for ADR's release)... easier to let it ride, see if the opinions stay sour, and then IF Needed adjust the angle for the next taping, at which time they'll have a better idea for the correction and can make it look more organic

If you've watched the film Food Inc., you've already seen LFTB in this grayer, block form, and if you don't mind the unlabeled inclusion of the filler in your burger, the above photo is unlikely to change your mind.

What's shocking is how much our political culture has changed in just 60 years — the producers of this film lived in a country that had just seen REAL despotism in the form of Nazi Germany and a military - ruled Japan (note the brownshirt - style uniforms, and also the lack of any of any depiction of their Soviet equivalents), and they pull few punches about what leads a society away from freedom.

Good things tend to come when Michael Winterbottom works with star Steve Coogan (24 Hour Party People, Tristram Shandy, The Trip), so we're happy to see Coogan starring as infamous British pornographer, club - owner, real estate developer, multi-millionaire, and so - called «King of Soho» Paul Raymond in a dramedy that spans decades and includes scenes shot in black - and - white and color, constantly changing to match the film styles of each period.

Unlike series co-star Biel, Mitchell remained with the program throughout its run, and through many character changes that found Lucy marrying Kevin Kinkirk, working as an associate pastor, giving birth, and surviving both a miscarriage to twins and clinical depression.Although Mitchell branched out from television into cinematic work as early as 1996, with a turn in the fantasy - action thriller The Crow: City of Angels, and continued intermittent film appearances (such as a supporting role in 2005's slasher movie Saw II), she made no secret of her real passion: performing country music as a guitarist and vocalist.

All of that begins to change when Candy and her fellow street walkers learn about the lucrative porno film industry, while Vincent also sees dollar signs in running his own bar.

Her parents got to see her Oscar - nominated performance in Mike Leigh's film Vera Drake, the role she still regards as the «big gear change... I think they were proud.

In an interview with BBC's The One Show, Oscar winner and new raider of tombs Alicia Vikander talked about how excited she was to be playing a badass female character and how exciting it is «To see female characters in these kinds of films... It's definitely a big change happening.&raquIn an interview with BBC's The One Show, Oscar winner and new raider of tombs Alicia Vikander talked about how excited she was to be playing a badass female character and how exciting it is «To see female characters in these kinds of films... It's definitely a big change happening.&raquin these kinds of films... It's definitely a big change happening.»

Now, all that waits to be seen is if the film manages to live up to fan expectations critically, which if so, could be the change in direction that the DCEU is in desperate need of right now.

Alas, my heart sank when I realized that the film I was about to see was not a remake of the 1995 forgotten Cindy Crawford - William Baldwin classic but a in fact change of pace low - key political drama from the go to high concept action film - maker of the past decade, Doug Liman (The Bourne Identity, Mr & Mrs Smith) focusing on the Plame Affair, one of the key scandals in recent American political history.

Steve Carell and Paul Rudd have worked together previously on The 40 Year Old Virgin, and Anchorman, but in their previous films they didn't have as much on - screen time together, so it was interesting to see how their dynamic changed.

It's a distinct change of pace after the first section of the film, which is, I think, why I didn't like it as much the first time I saw it, but in fact this part of the story is well done and quite compelling.

In the two scenes screened from Her (note: Neither Jonze nor the moderator, David O. Russell, ever explicity called the film «Her» so maybe another title change is coming) we see the first time Phoenix's character, Theodore, installs OS1 and meets Samantha, the custom personality OS1 builds for him voiced by Scarlett Johansson.

Previously seen paparazzi photos have shown Xavier looking a bit rough, but Stewart's comments make it sound like Xavier's attitude might have drastically changed from previous films in the franchise.

When he saw the changes, Wright left due to differences in their visions of the film.

You've seen it all before, especially if you are familiar with William Douglas - Home's play, «The Reluctant Debutante,» which was also made into a movie back in 1958, and the screenplay for that film provides the backbone for What a Girl Wants (I assume the name change is meant to appeal to the aforementioned young girls familiar with the Christina Aguilera song of the same name.)

Although we were hardly experts in the mumblecore movement *, what we'd seen of it had not been hugely inspiring, and Humpday single - handedly changed that: the film was so funny, endearing, and brilliantly - constructed, it single - handedly turned us around on the whole sub-genre.

Some of the other actors in the film are Aja Naomi King, who plays Nat's wife, Aunjanue Ellis, who plays his mother, and Roger Guenveur Smith, who plays the slave who works in the house and doesn't want to see things change.

I saw more DVNR than other reviewers seem to be seeing (at least, grain is all but absent, which doesn't jibe with the picture having been shot in Super35), but fear not: Changing Lanes doesn't look anywhere near as processed as the Mountain's concurrent BD issues of the Star Trek film series.

It presents a future in 2022 that seems unlikely not because we're not currently on the verge of some great ecological disaster, but because rough math suggests that the Heston character would've been born the year before the film's 1973 release and thus his declaration that he'd never seen a grapefruit (or grass, or cows) should worm its way into the audience consciousness as Soylent Green's statement that it's not serious, thoughtful science - fiction, but rather soapbox and screed timed to coincide with, in 1972, the first international conference on climate change.

The only departure here is that the film only spends a third of its running time in New York, though since his most recent movies have seen his scripts relocated to Europe, this isn't that big a change, I guess.

In fact it was not certain until the last minute whether we would get to see it, for apparently the censors had insisted on some changes, including the removal of some scenes featuring the film's beautiful female protagonist, Hanieh, played by Golshifteh Farahani.

Life - changing events for this protagonist (her father losing his job, acceptance into college, the loss of her virginity) bump up against funnier, more inconsequential ones; it's one of the most authentic depictions of that tumultuous period on the cusp of adulthood I've ever seen in a film.

A 20 - second «Altered Ending» isn't much to see without more context, but as the menu write - up explains, this abrupt clip was what the film wrongly concluded with for decades, until over a minute of critical footage was restored in 1997, completely changing the fates of our heroes.

One scene in particular was very cleverly done and was a refreshing change from the brain donor behavior seen in most horror films.

I sincerely hope the film challenges people to take an introspective look at their lives and see how they fit into the world at large, and see what kinds of positive changes they can make, because in researching for this film we didn't find one person who had met Ernie who hadn't been positively influenced by him.

with optional commentary sees the director proclaiming it «fascinating» how things change during the course of the film and shows young Rosie (a.k.a. Grace) in a continuous tracking shot that the creative team «knew wasn't working» without further clarification of how the final version works better.

A few obvious makeup changes make her resemble the woman we saw so often on TV (curly hair, darker skin, the swelling belly), but Jolie's performance depends above all on inner conviction; she reminds us, as we saw in some of her earlier films like «Girl, Interrupted» (1999), that she is a skilled actress and not merely (however entertainingly) a Tomb Raider.

In an interview with Robert K. Elder for The Film That Changed My Life, Duplass speculates on what might have happened had he not seen the film in his youtIn an interview with Robert K. Elder for The Film That Changed My Life, Duplass speculates on what might have happened had he not seen the film in his youtin his youth.

The film has been in development for some time and has seen numerous changes but, according to Deadline, it will now finally go ahead with Burr Steers directing from a script he has re-written based on an earlier draft from David O. Russell.

The style has also changed, seeing the zombie outbreak in a faux documentary captured by a group of film students.

Where Gyllenhaal's — as well as Fuqua's and Sutter's — abilities stand out is in demonstrating to us how Billy changes as a boxer over the course of the film; the fighter we meet at the beginning is not the one we see at the end, and «Southpaw» takes us through that process and lets even those of us unstudied in the Sweet Science take in Billy's evolution.

For instance, most audiences perceive Leonard as a good guy, which doesn't change even when they see him commit a violent act early in the film.

That premiere never happened, the public did not see the film and its fate was forever changed; a few critics were able to attend a makeup screening in a little 20 - seat theater.

That all changed in 2010 with Cianfrance's re-breakthrough film, «Blue Valentine,» and «Pines» will see him reunited with that picture's star Ryan Gosling.

«Our film is a hopeful one in lots of ways but it's also an angry one, and as we've seen this year, sometimes anger is the only way to get people to listen and to change, so we're thrilled that BAFTA has recognised this,» he said.

See, Kar picks pockets and changes film reels in a theater that plays Chinese kung - fu movies, where he taught himself martial arts.

With the tempo cooled, director David Yates (back for his third film) and screenwriter Steve Kloves pore over the nuances of character and environmental changes, delighting in the opportunity to kick the kids out of Hogwarts (nowhere to be seen in this installment) and into the treacherous Muggle world, staging much of the action in outdoor locations that open up the scope of the series.

While it would have been nice to see Condon take a more active stance against the ignorance that drove much of the politics and education of the times, all in all, Kinsey is a well - crafted film that offers a respectful look at a pioneer who changed the lives and attitudes of millions around the world.

LMD: Having directed them in four films since 2006, what changes have you seen in «The Trio,» Daniel Radcliffe, Emma Watson and Rupert Grint?

Maybe the big idea here is that nothing has changed in Australia in all the time since Power saw whatever horror film give him a yen to make this movie.

I directed another of his plays, The Man From Nebraska, at the South Coast Rep. My ideas of what I wanted to see and what I wanted to direct have changed in the sense that they're not obviously commercial films.

The victim turns out to be an impostor, live - target practice for Grant's escapades later in the film — but that momentary shock establishes right from the start that the rules have changed since last we saw 007.

«We saw it develop and we were right in there with the narrative journey that the film took, every change that was made editorially we were part of.

In fact, festival director Thierry Fremaux held a meeting with the press before the festival even began to discuss some of the changes this year, including the selfie ban and the new schedule which won't allow the press to see any of the competition films prior to their red - carpet premier.

(Crispin Glover narrated the live version we saw), the poignant, coming - of - age in tyrannical - Iran animated film, «Persepolis» directed by Vincent Paronnaud and Marjane Satrapi, Todd Haynes «Dylan fantasia, «I'm Not There» which breathed new life into the biopic (and was a perfect conceit for its elusive shape - changing protagonist), Pedro Costa «s gorgeous - looking, but little - seen, «Colossal Youth,» David Cronenberg «s episodic, but still engaging and continuing look into violence with, «Eastern Promises» and Noah Baumbach «s widely disliked, but still valuable, «Margot At The Wedding.»