Sentences with phrase «changing approach to painting»

«The highly structured surfaces (of these works) would change his approach to painting» (M. Friedman, 1983).

In those 9 months, he radically changed his approach to painting.

Not exact matches

Braque was his first god, followed by Miró, but gradually he became involved in an effort to tell a story with his paintings, so he changed to a more introverted approach, meanwhile developing an admiration for Gauguin, Van Gogh and de Staël.

«Whenever I approach what looks like an existing modernist painting, I know I have to change something,» says Rommel in an interview with Art in America, «I try to mess up the painting to prevent a fixed reading that reflects an established tradition.»

Ryman remarks in his essay, «When I complete each group of paintings, I try to change my approach, as it gives me a new challenge so that I don't become too comfortable with my painting.

Yet she displays a knowledge and familiarity with academic theory and art history: Clement Greenberg; the changing applications of portraiture from Holbein through to Freud; different approaches and time - scales to painting a canvas; the allusive history of certain attitudes for sitters to adopt.

It is in the nocturnal paintings that Plimack Mangold not only switched from acrylic to oil but also changed her approach.

Dan's new collection of paintings brings a more subtle and controlled approach to his work, triggered, in his words, by a change of surroundings from the city to the countryside and also his impending fatherhood (Baldwin Jr. attended the opening in utero!).

Has your approach to painting the body changed?

Coming out of the tail end of a legacy of abstraction at the region's art schools and in the midst of the ascendency of new figurative painting and changing approaches to sculpture via clay, etc, (eg, Voulkos) in the Bay Area, the work they made in that period of transition shows the freedom with which they approached art - making.

Art critic Louisa Buck recalls first edition fig - 1 in 2000, painting a picture of the second edition of the project and the changes in the contemporary art world in the intervening fifteen years; Director of the Contemporary Art Society Caroline Douglas explores shifting models of philanthropy and patronage in the arts; Serpentine Gallery co-director Hans - Ulrich Obrist discusses curatorial approaches and the role of the institution with Fatos Ustek; Writer and lecturer Gilda Williams uses the fig - 2 programme as a vehicle to explore language and differing approaches; Tate Modern Curator of performance Catherine Wood dissects the role and impact of performance?

Ito's paintings have gone through changes: in addition to a new approach of arranging various motifs in the diorama and painting all images as they are in her mind, Ito has begun using various new motifs.

Eschewing dramatic changes in her approach to painting as much as dramatic conflict within any particular work, Martin depends for her surprises on the degree to which the effects of her paintings can vary within severe limits.

Considering the 15th century example of the head of an angel in Verrocchio's Baptism of Christ (1472 - 1475) that was famously painted by his workshop prodigy Leonardo da Vinci, we ask ourselves, does it change our understanding and appreciation of a contemporary artwork if we know that it was executed by an assistant whose own independent work we have come to associate with an altogether different approach?

The topic of how digital imaging has changed the way young artists approach painting is too broad to tackle here but in the exhibition, some of the most interesting changes are the most subtle.

Looking back on the trajectory of these solo shows, I can see that my approach to the subject matter and painting changed over time.