Sentences with phrase «changing curated exhibitions»

Changing curated exhibitions mostly reveal art made in The Hamptons.

Not exact matches

In 2012, with the support of an Artistic Innovation and Collaboration grant from the Robert Rauschenberg Foundation, the second Marfa Dialogues program considered the science and culture of climate change, with Michael Pollan, Rebecca Solnit and Dr. Diana Liverman leading discussions concurrently with Carbon 13, a visual arts exhibition curated by David Buckland of Cape Farewell and presented at Ballroom Marfa.

Jaray is curating a joint exhibition at the nearby Royal Academy, The Edge of Printing, which runs until 23 October and is a survey and celebration of changing contemporary printmaking techniques.

In 2012, with the support of an AIC grant from the Robert Rauschenberg Foundation, the second Marfa Dialogues program considered the science and culture of climate change, with Michael Pollan, Rebecca Solnit and Dr. Diana Liverman leading discussions concurrently with Carbon 13, a visual arts exhibition curated by David Buckland of Cape Farewell and presented at Ballroom Marfa.

Ruffneck Constructivists, a group exhibition curated by artist Kara Walker, brings together 11 international artists in order to define a contemporary manifesto of urban architecture and change.

Another powerful exhibition using the medium of photography to document, and also to instigate social change, is «A Fire That No Water Could Put Out»: Civil Rights Photography curated by Erin Nelson, a curatorial assistant at the High Museum (November 4, 2017 — May 27, 2018).

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

2004 Beautiful Losers, Yerba Buena Center for the Arts, curated by Aaron Rose and Christian Strike, San Francisco, CA Beautiful Losers, Contemporary Arts Center, curated by Aaron Rose and Christian Strike, Cincinnati, OH Change of Address, Lizabeth Oliveria Gallery, Los Angeles, CA Your Heart is No Match For My Love, The Soap Factory, Minneapolis, MN It's a Wonderful Life, Spaces Gallery, Cleveland, OH Altoids Collection 2003, traveling exhibition East of the Sun and West of the Moon, White Columns, NY

Both exhibitions were curated by Kellie Jones, a professor of art history and archaeology at Columbia University, and share the same theme as the sale: «the rapid changes in both the art world and the nation, socially and politically, during the 1960s and 1970s.»

2011 Sculpture Now, Galerie Eva Presenhuber, Zurich, Switzerland The Language of Less, Museum of Contemporary Art, Chicago / IL, USA The Art of Narration Changes with Time, Sprüth Magers, Berlin, Germany ILLUMInations (curated by Bice Curiger), 54th International Art Exhibition — La Biennale di Venezia, Venice, Italy The Shape of Things to Come: New Sculpture Part 1, Saatchi Gallery, London, Great Britain Tableaux, Le Magasin, Grenoble, France THE WAY IT WAS N'T, Culturgest, Porto, Portugal After Images (curated by Fionn Meade), Musée Juif de Belgique, Bruxelles, Belgium Isabelle Cornaro, Nikolas Gambaroff, Oscar Tuazon, Eli Hansen, A Palazzo Gallery, Brescia, Italy Fragments Americana (curated by Hedi Slimane), Almine Rech Gallery, Brussels, Belgium Dystopia, CAPC Bordeaux, Bordeaux, France Art In The City, Art Brussels, Brussels, Belgium Under Construction, SAKS, Geneva, Switzerland Light In Darkness, Western Bridge, Seattle, Washington, USA Poste Restante (curated by Eric Fredericksen), Artspeak, Vancouver, Canada You and Now, Balice Hertling, Paris, France

Curated by Tim Goossens, Shapeshifters is an intergenerational exhibition that features the work of artists, activists, and musicians who use alter egos as tools for change and survival.

Curated by Skuta Helgason, Artbook @ Hauser & Wirth Los Angeles changes thematic focus with each exhibition.

Another force was the founding of the Studio Museum in Harlem in 1968 and pioneering exhibitions that began to change the conversation, like one Mr. Gaither organized at the Museum of Fine Arts in 1970, «Afro - American Artists: New York and Boston»; and «Two Centuries of Black American Art,» curated by the scholar David C. Driskell in 1976 for the Los Angeles County Museum.

Whitespace has approximately 8000 square feet of exhibition space which has partial permanent programming and a changing project space entitled «Whitebox», which has curated exhibitions which meet a high level of competency, vision and creativity.

The exhibition continues a conversation about how the Internet has changed contemporary art, a matter most recently articulated in an exhibition called» Free» at the New Museum in New York (2010 — 2011) that was curated by Lauren Cornell.

Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or -LSB-...]

In 2013 he curated 9 Artists, a multigenerational group exhibition and accompanying catalogue that considered the changing role of the artist in contemporary culture, and travelled to the MIT List Visual Arts Center.

Curating has been a key concept both in and outside the art world in the past few years, with the remit of what a curator does having changed and expanded with each new exhibition or biennale.

The history gallery also presents changing exhibitions of artifacts curated from The Grace Museum history collection.

His work has been featured is several group exhibitions including, OZ: New Offerings From Angel City at Museo Regional Guadalajara in Jalisco, Mexico, the 09 New Insight exhibition, curated by Sussanne Ghez, at Art Chicago, V Bienal Internacional de Estandartes at CECUT in Tijuana, Mexico, Common Ground at the California African American Museum and Changing Ties, at Avenue 50 Studio.

Dumas» work was featured in notable solo and group exhibitions including «Winter Studies» (2015), Kunstverein Gaestezimmer E.V, Stuttgart, Germany (Curated by Alf Setzer); «New York» (2013), Hawkeye Crates, Brooklyn, NY; «Ad Hoc» (2015), La Station, Nice, France; «Waterline: Inspiration for Change» (2015), Studio C Gallery, Los Angeles; «No Grand Rituals» (2014) and «The Rock Show» (2014), Hawkeye Crates, Brooklyn, NY; «Mono no Aware Film Festival» (2013), LightSpace Studios, Brooklyn, NY; «Clothes Line» (2012), Lawn Gallery, Chicago, IL; «Atelier Nomade» (2009), French Ambassy, New York.

The exhibitions, curated by Tamar Garb, offer new perspectives on the archive, exploring its poetic and political dimensions, its diverse histories and materialities, and its changing and contingent meanings.

She has curated the Robin Rhode exhibition Who Saw Who at the Hayward Gallery for autumn 2008, Walking in my mind (summer 2009), which explored the inner workings of the artist's imagination through the medium of large - scale installation art; Move: Choreographing you a show about the relationship between visual art and dance (2010); Pipilotti Rist: Eyeball Massage (2011); and Art of Change: New Directions from China (2012).

In 2009, at the Barbican Art Gallery in London, he curated the exhibition «Radical Nature: Art and Architecture for a Changing Planet 1969 — 2009,» which will serve as a critical point of departure for the 11th Taipei Biennial.

Felshin's past exhibitions include, in addition to the five she curated for ICI, Black and Blue: Examining Police Violence; Disasters of War: From Goya to Golub; Global Warning: Artists and Climate Change; and Framing and Being Framed: The Uses of Documentary Photography.

IMMA exhibition highlights 2018 Brian Maguire, War Changes Its Address: The Aleppo Paintings 26 January — 6 May IMMA Collection: Freud Project, Ethics of Scrutiny, curated by Daphne Wright 15 February — 2 September 2 Frank Bowling, Mappa Mundi 24 March — 8 July Yvonne Rainer Live Performance, 4, 5 May Brian O'Doherty, Language and Space: Rotating Vowels, Structural Plays and other Works24 April 26 — September 16 Hennessy Art Fund for IMMA Collection 2018 11 May — 16 September Monir Shahroudy Farmanfarmaian, Sunset, Sunrise 10 August — 2 December Wolfgang Tillmans 26 October — 17 February Mary Swanzy 26 October — 17 February

Broken Boxes, an exhibition curated by Ginger Dunnill and Cannupa Hanska Luger, features Miyuki Baker and 40 other creators from around the world who are effecting change in their work.

Broken Boxes, an exhibition curated by Ginger Dunnill and Cannupa Hanska Luger, features Kim Werner and 40 other creators from around the world who are effecting change in their work.

The exhibition curated by Yilmaz Dziewior and Barbara Engelbach in Bregenz and Cologne (April 28 to July 29, 2012) will change this.

Crossing Over / Changing Places: An Exhibition of Collaborative Print Projects and Paperworks, curated by Jane Farmer for the Print Club.

Luis Camnitzer included in Art Turning Left: How Values Changed Making 1789 — 2012, the first exhibition to examine art influenced by left - wing values, curated by Francesco Manacorda, Lynn Wray, and Eleanor Clayton at the Tate Liverpool, United Kingdom.

Amalia Mesa - Bains, a Latina artist featured in the PST: LA / LA exhibition Home: So Different, So Appealing (curated in part by Noriega) participated in a panel at last year's AAMD annual meeting titled «Different Voices: A Social, Cultural, and Historical Framework for Change in the American Art Museum — 25 Years Later.»

Recent exhibitions include: Possible Side Effects, Arróniz Arte Contemporáneo, Mexico City, MX (2015); Redacted: connecting dots in a shifting field, curated by Janet Goleas, Islip Art Museum, East Islip, NY (2014); Art = Text = Art at UB Anderson Gallery, University at Buffalo, NY (2014) which travelled from the University of Richmond Museum, VA, the Zimmerli Art Museum at Rutgers University, NJ, and The Hafnarfjör ∂ ur Centre of Culture and Fine Art, Iceland (2013); Contemporary Monochromes, Contemporary Galleries, Museum of Modern Art, New York (2013); Science is FICTION, Bartha Contemporary, London (2013), Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary, Ireland (2011); Wünsche und Erwerbungen, Zeitgenössische Zeichnung, Museum Folkwang, Essen, Germany (2010); ALL OVER THE MAP, John Michael Kohler Arts Center, Sheboygan, WI (2009); BLOWN AWAY, Krannert Art Museum, University of Illinois at Urbana - Champaign, IL (2008); Uncoordinated: Mapping Cartography in Contemporary Art, Contemporary Art Center, Cincinnati, OH (2008); Leaded: The Materiality and Metamorphosis of Graphite (traveling to 7 University Museums)(2008 - 2009).

Frequently changing exhibitions include one - person shows by Guild Artists, national and regional juried competitions, and curated shows including prominent artists such as Christo and Jean Claude, Faith Ringgold, Robert Gober, Kiki Smith, and Jasper Johns.

2014 «Work Order, Change Order» MITCHELL - INNES & NASH, New York 2013 «Some End of Things» Kunstmuseum Basel, Museum für Gegenwartskunst, Basel «Despite our differences», Fondation Hippocrène, Paris «Avant de Rentrer, Il Faut Incendier la Maison», Thomas Duncan Gallery, Los Angeles «Some Redemptions», Soloway, New York «I knOw yoU», Irish Museum of Modern Art, Dublin «Version Control», Arnolfini, Bristol 2012 «Social Scarecrows Printing Fields» (with Ei Arakawa), Reena Spaulings Fine Arts, New York «Ecstatic Alphabets / Heaps of Language», MoMA, Museum of Modern Art, New York 2011 ArtlBasellMiami Beachl with Scott Lyall and Clément Rodzielski «That's The Way We Do It», Kunsthaus Bregenz «Fax», Carpenter Center, Harvard «Faces», two - man exhibition, Gallery Dependance, Brussels Project curated by Mousse magazine, Art Brussels Exhibition of scholarship holders, Villa Romana, Florence 2009 «Non-Solo Show, Non-group show», with Ei Arakawa, Nicolas Gambaroff and Nick Mauss, Kunsthalle, Zurich Two person exhibition with Pernille Kapper Williams, Grazer Kunstverein, Austria «Collatéral» (with Liz Deschenes, Sam Lewitt, Scott Lyall, Sean Paul, Eileen Quinlan, Blake Rayne, Cheyney Thompson), Le Confort Moderne - Centre pour l'Art Contemporain, Poitiers 2008 «Idealismusstudio», Grazer Kunstverein, Graz, Austria «On Interchange - Zwischenspiele einer Sammlung», Museum Kurhaus, Kleve, Germany «Non-Solo show, Non-group show», with Ei Arakawa und Henning Bohl, Galleria Franco Soffiantino, Turin «One Season in Hell», Mehringdamm 72, Berlin 2007 «24 November - 22 December», Sutton Lane (Campoli Presti), Paris «The Four Colour Contingency», The Approach, London «For the People of Paris», Sutton Lane (Campoli Presti) Paris «kjubh: The New Domestic Landscape 2007», curated by Caroline Nathusius, kjubh, Köln «The Re-distribution of the Sensible», curated by Warren Neidich, Magnus Mueller, Berlin «Dependance», Galerie Neu, Berlin «Tension, Sex, Despair, Wow / So Whexhibition, Gallery Dependance, Brussels Project curated by Mousse magazine, Art Brussels Exhibition of scholarship holders, Villa Romana, Florence 2009 «Non-Solo Show, Non-group show», with Ei Arakawa, Nicolas Gambaroff and Nick Mauss, Kunsthalle, Zurich Two person exhibition with Pernille Kapper Williams, Grazer Kunstverein, Austria «Collatéral» (with Liz Deschenes, Sam Lewitt, Scott Lyall, Sean Paul, Eileen Quinlan, Blake Rayne, Cheyney Thompson), Le Confort Moderne - Centre pour l'Art Contemporain, Poitiers 2008 «Idealismusstudio», Grazer Kunstverein, Graz, Austria «On Interchange - Zwischenspiele einer Sammlung», Museum Kurhaus, Kleve, Germany «Non-Solo show, Non-group show», with Ei Arakawa und Henning Bohl, Galleria Franco Soffiantino, Turin «One Season in Hell», Mehringdamm 72, Berlin 2007 «24 November - 22 December», Sutton Lane (Campoli Presti), Paris «The Four Colour Contingency», The Approach, London «For the People of Paris», Sutton Lane (Campoli Presti) Paris «kjubh: The New Domestic Landscape 2007», curated by Caroline Nathusius, kjubh, Köln «The Re-distribution of the Sensible», curated by Warren Neidich, Magnus Mueller, Berlin «Dependance», Galerie Neu, Berlin «Tension, Sex, Despair, Wow / So WhExhibition of scholarship holders, Villa Romana, Florence 2009 «Non-Solo Show, Non-group show», with Ei Arakawa, Nicolas Gambaroff and Nick Mauss, Kunsthalle, Zurich Two person exhibition with Pernille Kapper Williams, Grazer Kunstverein, Austria «Collatéral» (with Liz Deschenes, Sam Lewitt, Scott Lyall, Sean Paul, Eileen Quinlan, Blake Rayne, Cheyney Thompson), Le Confort Moderne - Centre pour l'Art Contemporain, Poitiers 2008 «Idealismusstudio», Grazer Kunstverein, Graz, Austria «On Interchange - Zwischenspiele einer Sammlung», Museum Kurhaus, Kleve, Germany «Non-Solo show, Non-group show», with Ei Arakawa und Henning Bohl, Galleria Franco Soffiantino, Turin «One Season in Hell», Mehringdamm 72, Berlin 2007 «24 November - 22 December», Sutton Lane (Campoli Presti), Paris «The Four Colour Contingency», The Approach, London «For the People of Paris», Sutton Lane (Campoli Presti) Paris «kjubh: The New Domestic Landscape 2007», curated by Caroline Nathusius, kjubh, Köln «The Re-distribution of the Sensible», curated by Warren Neidich, Magnus Mueller, Berlin «Dependance», Galerie Neu, Berlin «Tension, Sex, Despair, Wow / So Whexhibition with Pernille Kapper Williams, Grazer Kunstverein, Austria «Collatéral» (with Liz Deschenes, Sam Lewitt, Scott Lyall, Sean Paul, Eileen Quinlan, Blake Rayne, Cheyney Thompson), Le Confort Moderne - Centre pour l'Art Contemporain, Poitiers 2008 «Idealismusstudio», Grazer Kunstverein, Graz, Austria «On Interchange - Zwischenspiele einer Sammlung», Museum Kurhaus, Kleve, Germany «Non-Solo show, Non-group show», with Ei Arakawa und Henning Bohl, Galleria Franco Soffiantino, Turin «One Season in Hell», Mehringdamm 72, Berlin 2007 «24 November - 22 December», Sutton Lane (Campoli Presti), Paris «The Four Colour Contingency», The Approach, London «For the People of Paris», Sutton Lane (Campoli Presti) Paris «kjubh: The New Domestic Landscape 2007», curated by Caroline Nathusius, kjubh, Köln «The Re-distribution of the Sensible», curated by Warren Neidich, Magnus Mueller, Berlin «Dependance», Galerie Neu, Berlin «Tension, Sex, Despair, Wow / So What?»

Broken Boxes, an exhibition curated by Ginger Dunnill and Cannupa Hanska Luger, features Douglas Miles and 40 other creators from around the world who are affecting change in their work.

Broken Boxes, an exhibition curated by Ginger Dunnill and Cannupa Hanska Luger, features Cara Romero and 40 other creators from around the world who are effecting change in their work.

The answer is probably not to be found in exhibitions like All the World's Futures, this year's Venice Biennale, curated by Okwui Enwezor, whose overarching theme related to «the confluence of sociopolitical changes and radical historical ruptures.»

How we remember and how we can change what is remembered was also the subject of Yevgeniy Fiks» The Lenin Museum, a solo exhibition curated by Katherine Carl which ran from 20 November 2014 to 17 January 2015 at The James Gallery at The Graduate Center, City University of New York in Midtown Manhattan.

Art and the Feminist Revolution, an international survey of the relationship between art and feminism curated by Connie Butler, Schor's exhibition distinctly focuses on «how women artists changed the image and the representation of women in art.»

Vogue's André Leon Talley regularly curates couture exhibitions such as «Little Black Dress» alongside ever - changing site - specific installations by artists such as Fred Wilson, Kendall Buster, Odili Donald Odita, Ingrid Calame and Jennifer Rubell.

Ruffneck Constructivists, published to accompany a group exhibition curated by artist Kara Walker, brings together 11 international artists in order to define a contemporary manifesto of urban architecture and change.

In response to the changing art market, FK carefully curates exhibitions to showcase the latest works from their emerging and mid-career artists.

A resident of both San Francisco and Paris, Hanru gained international attention with Cities on the Move (1997 — 2000), a traveling exhibition curated with Hans Ulrich Obrist that emphasized the ways in which Asian contemporary artists have dealt with rapid changes in urban lifestyles and values.

The Civilization and its Discontents exhibition curated by faculty members Scott and Tyson Reeder celebrated alumni from the last three decades who have (in some way) changed the conversation within their discipline and received considerable recognition for their achievements outside of Chicago.

All gallery spaces are changed over approximately every 5 — 6 weeks and combine in - house curated and touring exhibitions.

(His 1936 show of Fantastic Art, Dada and Surrealism was one of the most influential exhibitions ever mounted by a museum; likewise, the epochal Modern Architecture: International Exhibition, 1932, curated by Henry - Russell Hitchcock and the young prodigy Philip Johnson, changed the course of American building.)

You're no stranger to curating exhibitions — EXPO VIDEO marks your 6th show this year alone, including the Mauritius Pavilion at the Venice Biennale — but I wonder how your approach changes when presenting works in a commercial context like an art fair.

2008 Migrations: New Directions in Native American Art, Rosemary Berkel & Harry L Crisp II Museum, Southeast Missouri State U., Cape Girardeau, MI Modern Art, Modern Lives: Then and Now, curated by Andrea Mellard, Austin Museum of Art, Austin, TX Contemporary NW Art Awards, Curated by Jennifer Gately, Portland Art Museum, Portland, OR Reimagining the Distaff Tool Kit, curated by Rickie Solinger, Mead Art Museum, Amherst College, Amherst, MA, traveling exhibition Women's Work: Contemporary Women Printmakers from the Collections of Jordan D. Schnitzer and his Family Foundation, organized by Terri Hopkins & John Olbrantz, The Art Gym, Marylhurst University, Marylhurst, OR Tradition and Change: A survey of Contemporary American Indian Art, Northwest Museum of Arts & Culture, Spokcurated by Andrea Mellard, Austin Museum of Art, Austin, TX Contemporary NW Art Awards, Curated by Jennifer Gately, Portland Art Museum, Portland, OR Reimagining the Distaff Tool Kit, curated by Rickie Solinger, Mead Art Museum, Amherst College, Amherst, MA, traveling exhibition Women's Work: Contemporary Women Printmakers from the Collections of Jordan D. Schnitzer and his Family Foundation, organized by Terri Hopkins & John Olbrantz, The Art Gym, Marylhurst University, Marylhurst, OR Tradition and Change: A survey of Contemporary American Indian Art, Northwest Museum of Arts & Culture, SpokCurated by Jennifer Gately, Portland Art Museum, Portland, OR Reimagining the Distaff Tool Kit, curated by Rickie Solinger, Mead Art Museum, Amherst College, Amherst, MA, traveling exhibition Women's Work: Contemporary Women Printmakers from the Collections of Jordan D. Schnitzer and his Family Foundation, organized by Terri Hopkins & John Olbrantz, The Art Gym, Marylhurst University, Marylhurst, OR Tradition and Change: A survey of Contemporary American Indian Art, Northwest Museum of Arts & Culture, Spokcurated by Rickie Solinger, Mead Art Museum, Amherst College, Amherst, MA, traveling exhibition Women's Work: Contemporary Women Printmakers from the Collections of Jordan D. Schnitzer and his Family Foundation, organized by Terri Hopkins & John Olbrantz, The Art Gym, Marylhurst University, Marylhurst, OR Tradition and Change: A survey of Contemporary American Indian Art, Northwest Museum of Arts & Culture, Spokane, WA

, LIAF, Lofoten International Art Festival, Norway Rematerialized New Galerie Paris / New York, New Galerie, Paris on Off moments, Grimmuseum, Berlin Le tamis et le sable 2/3: L'Intervalle, Instants Chavirés, Paris New Eyes for New Spaces, ISCP, New York Und everybody says yeah — on internet meme, The House of Electronic Arts, Basel 2012 The End (s) of the Library, Goethe - Institut New York Library, New York The Making of Americans: A marathon reading of Gertrude Stein's novel, Triple Canopy, New York Let us keep our own noon, curated by David Horvitz, West, Den Haag Rome Photo Festival, MACRO, Testaccio, Rome Fair Exchange, curated by Taeyoon Choi, Eyebeam, New York Canceled: alternative manifestations and productive failures, organised by Lauren van Haaften - Schic, Center for Book Arts, New York Frieze, with Triple Canopy, New York Group exhibition, Access Art, Vancouver Matter Out of Place, The Kitchen, New York Scenes of Selves, Occasions for Ruses, Surrey Art Gallery, Vancouver In search of..., curated by Lennard Dost and Daniel Dennis de Wit, Academie Minerva, Groningen the chief on top of the chief, MIRACLE & CONNELLY PRESENTS, Vancouver Force Fields, curated by Alexis Granwell and Jenny Jaskey, Tiger Strikes Asteroid, Philadelphia 2011 The Greater Cloud, curated by Petra Heck, Netherlands Media Art Institute, Amsterdam Worng, IMO, Copenhagen Intimate Bureaucracies: Art and the Mail, curated by Zanna Gilbert, Art Exchange, University of Essex, Essex Subject to Change, Fathom + Hatch, New York The Best of 2011, Soloway, Brooklyn, New York The Open Daybook, Los Angeles Contemporary Exhibitions, Los Angeles FINISHED, Showpaper 42nd St Gallery, New York, New York As Yet UnTitled, SF Camerawork, San Francisco LATE Nights, Berkley Art Museum, Berkeley, California (performance) 2010 FREE, New Museum, New York Different Repetitions, curated by David Senior, Booklyn, New York Palling Around with Socialists, U-turn Art Space, Cincinnati, Ohio We have as much time as it takes, Wattis Institute for Contemporary Arts, San Francisco FAX, Burnaby Art Gallery, Vancouver An Immaterial Survey of our Peers, Chicago (online) 01, Presented by 01 Magazine, 107 Shaw Gallery, Toronto The Page, Guggenheim Gallery, Chapman University, Orange, California Burn, Baby, Burn!