Sentences with phrase «changing event of the film»

And then, thankfully, Kate makes a discovery in the house that becomes the game - changing event of the film, raising tensions between the pair and leading to a heart - wrenching conclusion.

Not exact matches

But he never gets overenthusiastic for big events; even with 2001's always magnificent sometimes dramatic choice of music, the visual pacing of the film never changes.

Based on the award - winning book by acclaimed British author and illustrator Raymond Briggs, this hand - drawn, animated film tells the true story of Raymond's own parents — Ethel and Ernest - two ordinary Londoners living through a period of extraordinary events and immense social change.

At the center of the film, however, is a story that not only functions as true continuation of the events in the original, allowing the characters to grow and change in different ways than the first chapter, it's surprisingly emotionally engaging and resonant.

It presents the usual disclaimers that «some of the events, characters and scenes in the film have been changed.»

In this rapidly changing industry, genre film remains a strongly communal experience, as horror, sci fi, fantasy and cult films continue to flourish under the banner of event cinema.

(That's currently just a playful nickname for the film, which will almost certainly change in the event of a Trump presidency.)

Director Rodrigo Plá presents events as in a film noir, as though the outcome is inevitable, no matter what anyone might do to try and change that, and the realization that dawns upon the viewer is one of dread.

The experience of watching the film is forever changed and one wonders just how much more enjoyable it may have been were the events that unfold at the end of the first act a surprise.

Should the film be a success — and it has all the markings of one so far — the film landscape will change dramatically for African - American creative forces — an event that would be as significant as the spotlighting of superheroines, women - led movies and women filmmakers by «Wonder Woman.»

A brief, near ghostly collection of people and places in Berlin, Collatos frames his film around the ideas of change and unification in Germany, ultimately capturing a cacophony of events, sometimes violent, sometimes meditative, and always confrontational.

It does a great job of fixing the pacing issue from the book while also changing the events in a, in my opinion, less niched and improved way, especially for a film.

Life - changing events for this protagonist (her father losing his job, acceptance into college, the loss of her virginity) bump up against funnier, more inconsequential ones; it's one of the most authentic depictions of that tumultuous period on the cusp of adulthood I've ever seen in a film.

Kurosawa's story about a sexual assault and murder — told from the perspective of people who either participated in the events or stumbled onto them — is a «poem... that changed my perception of what is possible in film,» Altman says.

One should always take a movie that starts off with an «Inspired by a true story» blurb with a grain of salt, as the creative forces behind the film are basically admitting that they are going to be making liberal changes in the events of a true story and twisting them for their own agendas.

Bridge to Uprising — The cast and crew discuss how the world of Pacific Rim has changed in the ten years since the events of the original film.

We know Trevorrow and screenwriter Derek Connolly have made significant changes to that draft, but considering present day would mean 22 years after the events of the first film, it's certainly possible that the functional Jurassic Park scenario could remain intact.

Cruz's character is an offscreen personality from almost the beginning of the film, so her actual presence is going to have to change things, but somehow — even as events become more sensational — they become less interesting.

A big issue is that the timeline alteration makes it so the filmmakers change certain elements later on in the film that render the events of the previous films to not matter as much.

During the past ten years, AWFJ has also hosted screenings of films by and about women, presented and served on panels at film festivals and other events, expanded our membership base to include women film journalists in Canada and the UK, mentored young women film journalists and offered them publishing opportunities, forged alliances with other groups concerned about disparities pertaining to women and film and raised awareness within the industry and in the public arena about the need for change.

While the film will retain the main villain and storyline of the comic book event, the heroes will change.

We follow in almost real time a handful of individuals forced to make split - second decisions after this incomprehensible event that would change their lives and forever alter our world's landscape: the young doctors and nurses at Parkland Hospital, the chief of the Dallas Secret Service, the unwitting cameraman who captured what has become the most watched and examined film in history, the FBI Agents who had gunman Lee Harvey Oswald within their grasp and Vice President Lyndon Johnson who had to take control of a country in a moment's notice.

For a film that so deftly moves at such a slow clip, one does not particularly detect a stagnancy or yearn for something to change the course of events.

A collage of everyday events the film is a story of changes, loneliness, responsibilities and the unavoidable passing of time.

It was only when she represented the former at Champions of Change, a White House event celebrating LGBT media luminaries, that it became clear to her via feedback from transgender attendees who had seen both films.

Given the turbulent events of the last year, with the fallout of the Harvey Weinstein scandal still still ongoing, it's perhaps not surprising that this year's Golden Globes ceremony was dominated by talk of the need to change the Hollywood (and world) culture for the better and a celebration of women on film and TV.

«I'm not going to make a difference, I'm not going to change a thing,» concludes Ari late in the film, and while most people are afraid to admit it, that's pretty much the futile fate of every single person on this planet, regardless of what good one attempts to make of one's life (a certain recent outside event has certainly taught me that); it's just that Ari bears no illusions about himself or how the world works.

Every now and then, my hyperactive mind runs the film of the Federal Reserve changing its policy, and an unexpected chain of events happens, triggering a war a long way away.

In such a long period of time between the events of the first film and this one things have changed.

As Dillane shuttles from autobiographical reflection to passages from The Tempest, his hairstyle suddenly changes or a wig appears from nowhere; Event for a Stage turns out to be a montage of multiple events, and the formal marriage of theater and film enfolds a profounder union of actor and artist.

The film will forever change your perspective of D.C. as the nation's capitol, art, culture, and the remarkable events of the 60's.

Part of Centre Pompidou's ongoing Prospectif Cinéma program, this event will address the ways our production and consumption of film and video has radically changed in the last ten years since the introduction of platforms like Youtube, Vine, Instagram and Snapchat.

FILM / VIDEO / PERFORMANCE promises to be the biggest, most ambitious exhibition of its kind to date; bringing together documentary, film, animation and performance, as well as live events and discussions on climate change, human rights and arts and disabilFILM / VIDEO / PERFORMANCE promises to be the biggest, most ambitious exhibition of its kind to date; bringing together documentary, film, animation and performance, as well as live events and discussions on climate change, human rights and arts and disabilfilm, animation and performance, as well as live events and discussions on climate change, human rights and arts and disability.

1971 Group Show, 112 Greene Street Workshop, New York, USA (maintained a series of changing pieces over a four month period) Performances Series, organized by Carol Goodden and Gordon Matta ‑ Clark, 112 Greene Street, New York, USA Pier 18, The Museum of Modern Art, New York, USA 26 x 26 (Tree Dance), Vassar College Art Gallery, Pougskeepsie, USA Five New York Artists, film for Italian television Brooklyn Bridge Event, Brooklyn Bridge, New York, USA Sao Paolo Biennal, Sao Paolo, Brazil (boycotted) Chancing Terms, (Pipes), Boston Museum School, Boston, USA Gordon Matta ‑ Clark y Jeffrey Lew, Museo de Bellas Artes, Santiago de Chile About 405 East 13th Street, 405 East 13th Street, New York, USA

Between public grassroots events, the UN Summit on Climate Change, film openings, and demonstrations there certainly was a lot of activity.

As anyone who remembers Al Gore's movie «An Inconvenient Truth» knows, the 2005 film claimed climate change was increasing both the frequency and intensity of extreme weather events like hurricanes.

After the event concluded, the attendees continued to the SCC's film premiere of the «Quiet Triumph: How arbitration changed the world» at Rigoletto cinema, followed by a gala dinner at Stockholm Waterfront.

Here, there are a number of different settings to change, but something that bothered me is that the film settings they made such a fuss about during the launch event are buried in... you guessed it... another menu.