Sentences with phrase «changing exhibitions by»

PRAXES presents half - year cycles of changing exhibitions by two unassociated artists, this autumn displaying Gerard Byrne and Jutta Koether.

The majority of Celadon Clay Art Gallery and Shop is devoted to changing exhibitions by invited ceramicists, smaller items are offered for sale in its shop.

«We could have changing exhibitions by that artist, or the artist could invite other artists, even, say, a musician, to create projects together.»

Not exact matches

Exhibitions like this are hugely important in helping to drive this much - needed change by challenging perceptions and encouraging discussion and debate.

The changing indoor exhibitions of the Sheffield Millennium Gallery are matched by timeless green spaces, which breathe a freshness and vitality into the air.

Supported in part by the Parks Conservancy, an exhibition of wildflower photos by Rob Badger and Nita Winter (through March 27 at the San Francisco Main Public Library) inspires hope in reducing the impacts of climate change.

Frankfurt Airport is 22 kilometres away and travel time to the Frankfurt Exhibition Centre (Messe) by S - Bahn only takes 18 minutes without changing.

Seasonally changing exhibitions feature the latest creations by our many regional artists and other gallery favorites from around the country.

The detailed exhibition displaying artefacts from the period allows us to step back in time and better understand the lives of those changed irrecoverably by the Great War.

Art lovers can explore the «Taidehalli» (Art Hall), which offers changing exhibitions of modern art and architecture fans will recognize the many buildings by famous architect Alvar Aalto.

Visitors can explore 14 magnificent historic and State Apartments, the ruins of the Holyrood Abbey, the royal gardens, the oldest part of the palace with Mary's Bed Chamber, connected by a secret stairway to her husband's bedroom and The Queen's Gallery which hosts a programme of changing exhibitions from the Royal Collection.

See works by both at the Turner Contemporary gallery on the seafront and head to Resort Studios and Crate for regularly changing art exhibitions and events.

With cultural gems and attractions around every corner hosting constantly changing exhibitions, day - by - day you'll find something new and exciting to enjoy.

Meanwhile for users not able to visit the Louvre Museum, the multimedia guide can be updated by connecting to the Internet and selecting «Update Guide» to receive data on brand new exhibitions or when major changes are made to existing shows, and ensure their interactive tour provides the most up - to - date experience.

The sculptures on view will continue changing over the course of the exhibition's run, and will be accompanied by a video Canell made with Robin Watkins about slugs.

East City Art Reviews: You, if no one else & The More Things Change at Arlington Arts Center By Wade Carey on March 14, 2018 The current exhibition at Arlington...

This exhibition covers a span of over four decades (c. 1929 — 70), including a total of some forty paintings, photographs by the artist, works on paper, and sculptures in order to explore the change and continuity in Still's ideas and pictorial forms.

In 2012, with the support of an Artistic Innovation and Collaboration grant from the Robert Rauschenberg Foundation, the second Marfa Dialogues program considered the science and culture of climate change, with Michael Pollan, Rebecca Solnit and Dr. Diana Liverman leading discussions concurrently with Carbon 13, a visual arts exhibition curated by David Buckland of Cape Farewell and presented at Ballroom Marfa.

In keeping with the Greater Reston Arts Center's mission to enrich community life by promoting involvement and excellence in contemporary art, GRACE offers and series of changing exhibitions each year designed to present a diverse array of themes and media.

At the center of the space is a cube, its outer walls lined with what she calls «Tête - à - Tête,» a constantly changing group exhibition of pieces by artists — Derrick Adams, Malick Sidibé, Carrie Mae Weems, among others — whose work has influenced Thomas's.

Joined by Jamillah James, Curator at the Institute of Contemporary Art, Los Angeles, and Assistant Curator of John Outterbridge: Rag Man, together we will explore the possibility of an exhibition to create change in our community.

Positioned in the gallery's atrium is the dominant feature of the exhibition: Act Three: Silent Siege, a single channel movie that evolves and changes as live video feeds embedded around the viewing area allow Hartung to observe and adjust the picture remotely by capturing the viewer's image and manipulating it on screen.

Together, the artworks featured in this traveling exhibition represent artistic and intellectual growth generated by a change of scenery.

This exhibition will shed scholarly light on the aesthetic and intellectual concerns undergirding the development of this important strand of early American modernism to explore the origins of its style, its relationship to photography, and its aesthetic and conceptual reflection of the economic and social changes wrought by industrialization and technology.

The 2012 Marfa Dialogues are kicking off on Friday, August 31 with the opening of Carbon 13, Ballroom Marfa's fall 2012 exhibition that will see newly commissioned works by artists that propose a creative response to climate change.

Additional projects included solo exhibitions on the work of Robert Therrien, 2011, and Matt Saunders, 2013, and a distinctive group exhibition exploring experimentation by artists utilizing drawing throughout the 20th century entitled Tracing the Century: Drawing as a Catalyst for Change, 2013.

The exhibition «Who We Be» is inspired by «Who We Be: A Cultural History of Race in Post-Civil Rights America,» the award - winning book by Jeff Change.

Inspired by — and drawing its title from — a neon work by the late Blair Trethowan, the exhibition signals the potential for change and transformation that MUMA's new situation presents.

The show will be on view until December 20, and the exhibition is sponsored by the Rauschenberg Foundation as part of the 2013 Marfa Dialogues on art and climate change.

One hundred years ago, Dada artist Marcel Duchamp forever changed the nature of art by anonymously submitting Fountain in 1917, a porcelain urinal signed «R. Mutt» as an artwork to the exhibition of the Society of Independent Artists in New York.

Temporary exhibitions at Jane Addams Hull - House Museum examine social change by engaging contemporary artists, activist, educator, and local organizations.

Opening this weekend at Corey Helford Gallery; Stranger Than Earth, is a solo exhibition by Redd Walitzki, is a requiem to an Earth transformed by climate change.

Sim Smith Gallery works closely with collaborators to inspire multidisciplinary projects aiming to engage new audiences for the work and changing the viewer experience through exhibition design, curation and by taking art outside of the traditional gallery setting.

This exhibition of works by New York artist David Reed documents the continuities and changes evident in a three - decade - long engagement with painting.

Gallery presents the exhibition You Can't Change The Weather by Aleksandra Vajd and Hynek Alt.

In 2012, with the support of an AIC grant from the Robert Rauschenberg Foundation, the second Marfa Dialogues program considered the science and culture of climate change, with Michael Pollan, Rebecca Solnit and Dr. Diana Liverman leading discussions concurrently with Carbon 13, a visual arts exhibition curated by David Buckland of Cape Farewell and presented at Ballroom Marfa.

Ruffneck Constructivists, a group exhibition curated by artist Kara Walker, brings together 11 international artists in order to define a contemporary manifesto of urban architecture and change.

But there's also an air of seriousness — the photographer is interested in contemporary global problems, like climate change and migration issues, two themes that are well covered by this exhibition.

Another powerful exhibition using the medium of photography to document, and also to instigate social change, is «A Fire That No Water Could Put Out»: Civil Rights Photography curated by Erin Nelson, a curatorial assistant at the High Museum (November 4, 2017 — May 27, 2018).

Change Agents: Six South Florida Artists Making Things Happen Artists include Leah Brown *, Rosemarie Chiarlone *, Naomi Fisher *, Jillian Mayer *, Lisa Rockford * and Frances Trombly for Girls» Club's 10th anniversary exhibition, celebrating a decade of art exhibitions, events, publications, videos and web projects dedicated to contemporary art by women ABMB Hours: Tuesday — Friday, December 5 - 9, 10 am — 5 pm; Saturday — Sunday, December 9 - 10, Noon — 4 pm at Art and Culture Center / Hollywood, 1650 Harrison Street, Hollywood

By picturing decades of Brooklyn's coastal scenery, including its changing industrial and postindustrial environment, the exhibition presents dramatic panoramic vistas; spectacular aerial views; glimpses of popular recreational attractions, particularly in nearby Brooklyn Bridge Park and at Coney Island; and other scenes, including those impacted by natural or manmade forces, as well as by gentrificatioBy picturing decades of Brooklyn's coastal scenery, including its changing industrial and postindustrial environment, the exhibition presents dramatic panoramic vistas; spectacular aerial views; glimpses of popular recreational attractions, particularly in nearby Brooklyn Bridge Park and at Coney Island; and other scenes, including those impacted by natural or manmade forces, as well as by gentrificatioby natural or manmade forces, as well as by gentrificatioby gentrification.

By posing pertinent questions about the role of images in African public narratives, the exhibition opens the way to unexpected and penetrating insights into a rapidly changing social dynamic.

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

The 2012 Marfa Dialogues begins Friday, August 31 with the opening of Carbon 13, Ballroom Marfa's fall 2012 exhibition presenting newly commissioned works by artists that propose a creative response to climate change.

Our exhibitions of major 20th - century modernists are always changing and have included Rockwell Kent, Helen Frankenthaler, Jules Olitski, and Sir Anthony Caro, as well as works by contemporary outsider artists such as Gayleen Aiken and Jessica Park.

2004 Beautiful Losers, Yerba Buena Center for the Arts, curated by Aaron Rose and Christian Strike, San Francisco, CA Beautiful Losers, Contemporary Arts Center, curated by Aaron Rose and Christian Strike, Cincinnati, OH Change of Address, Lizabeth Oliveria Gallery, Los Angeles, CA Your Heart is No Match For My Love, The Soap Factory, Minneapolis, MN It's a Wonderful Life, Spaces Gallery, Cleveland, OH Altoids Collection 2003, traveling exhibition East of the Sun and West of the Moon, White Columns, NY

The NCMA's newest exhibition space, this gallery is dedicated to showing video and multimedia work by local, national, and international artists creating in this exciting, ever - changing medium.

«All Summer» - A Solo Exhibition by Patricia Feiler presents over twenty luminous paintings that reflect the changing faces of summer on the East End.

The exhibition looks at the international exchange of ideas opened up by early twentieth - century Russian artists, suggesting how we might re-conceive spheres of public and private life to bring about social change.

Francesca Fiumano presents Changing Landscapes, a new exhibition featuring paintings by Steve Lopes & Euan Macleod.