Sentences with phrase «changing exhibitions includes»

The year - round schedule of changing exhibitions includes both one - person and group shows, the annual Members Exhibition and the Student Arts Festival.
The ever - changing exhibitions include oil paintings, watercolors, pastels, photography, sculpture and mixed media.
Frequently changing exhibitions include one - person shows by Guild Artists, national and regional juried competitions, and curated shows including prominent artists such as Christo and Jean Claude, Faith Ringgold, Robert Gober, Kiki Smith, and Jasper Johns.
Historical museum that offers changing exhibitions including art shows.

Not exact matches

79 schools had exhibition stands on the day, with the event featuring numerous CPD workshops on topics including returning to teaching, teaching in the UK for overseas qualified teachers and changing from a teaching assistant to teacher.
It includes short films linked to the new Europe 1600 - 1815 galleries, interviews with architects about John Madejski Garden commissions, the Sackler Centre for Arts Education, and a consultation project with students on changes to Exhibition Road in 2010.
The conference / trade show will also have several format changes and new features, including: • Petfood Innovation Workshop: Next Generation Treats, the one - day opener for the conference and exhibition, will have a new hands - on format.
Alongside the permanent collection are frequently changing photography exhibitions, which included a breathtaking Alex Soth show during my visit.
Roger Brown is featured in Art AIDS America Chicago, an exhibition that includes over 100 contemporary works to explore how the AIDS crisis forever changed American art.
This exhibition covers a span of over four decades (c. 1929 — 70), including a total of some forty paintings, photographs by the artist, works on paper, and sculptures in order to explore the change and continuity in Still's ideas and pictorial forms.
The artist's major solo exhibition at Tate Modern, London, in 2017 included works that demonstrate his increasingly direct engagement with current affairs, from gay rights to refugee crises and climate change.
Recent exhibitions include: Arnolfini, Errant Bodies with residencies at Cabot Institute of Climate Change and workshops at Bergen Academy of Art, Cass Art School, UCL Urban Lab and South London Gallery Local.
Featuring the work of 60 artists and including vibrant paintings, powerful sculptures, street photography, murals, and more, this landmark exhibition is a rare opportunity to see era - defining artworks that changed the face of art in America.
Recent exhibitions include UNTITLED: Art on the Conditions of Our Time, New Art Exchange, Nottingham, UK (2017); In This Soup We Swim, Kingsgate Project Space, London, UK (2016); Changing City: Shifting Places, CCA Lagos, Lagos, Nigeria (2016); Arena, Center of Contemporary Art, Torun, Poland (2014) and a number of screenings including at Akademie der Künst, Cologne, Germany (2016); Mount Florida Studios, Glasgow, UK (2016); Kunstmuseum Bonn, Bonn, Germany (2015); Atomic Pictures, Paris, France (2015).
Additional projects included solo exhibitions on the work of Robert Therrien, 2011, and Matt Saunders, 2013, and a distinctive group exhibition exploring experimentation by artists utilizing drawing throughout the 20th century entitled Tracing the Century: Drawing as a Catalyst for Change, 2013.
The exhibition also includes a recurring live performance entitled 3 -2-1 (2011/16), in which saxophonist André Vida improvises alongside musician Jemeel Moondoc's recorded lamentation in Long Sorrow, expanding on the dynamics of free jazz in a duet that changes with each recital.
The exhibition also includes a recurring live performance entitled 3 -2-1 (2011/16), in which saxophonist André Vida improvises alongside musician Jemeel Moondoc's recorded lamentation in Long Sorrow, expanding on the dynamics of free - jazz in a duet that changes with each recital.
Change Agents: Six South Florida Artists Making Things Happen Artists include Leah Brown *, Rosemarie Chiarlone *, Naomi Fisher *, Jillian Mayer *, Lisa Rockford * and Frances Trombly for Girls» Club's 10th anniversary exhibition, celebrating a decade of art exhibitions, events, publications, videos and web projects dedicated to contemporary art by women ABMB Hours: Tuesday — Friday, December 5 - 9, 10 am — 5 pm; Saturday — Sunday, December 9 - 10, Noon — 4 pm at Art and Culture Center / Hollywood, 1650 Harrison Street, Hollywood
By picturing decades of Brooklyn's coastal scenery, including its changing industrial and postindustrial environment, the exhibition presents dramatic panoramic vistas; spectacular aerial views; glimpses of popular recreational attractions, particularly in nearby Brooklyn Bridge Park and at Coney Island; and other scenes, including those impacted by natural or manmade forces, as well as by gentrification.
Recent group exhibitions include: Change at Crew, The Studio, Llandudno; Painted Thought, Arcade, Cardiff; Without an edge there is no middle, Pluspace, Coventry; Like A Monkey With A Miniature Cymbal, Aid & Abet, Cambridge; Uncle Vern's Dog, Gallery North, Newcastle; National Open, Motorcade Flash Parade, Bristol; AreWeNotDrawnOnwardToNewEra?
FRANCIS PICABIA: OUR HEADS ARE ROUND SO OUR THOUGHTS CAN CHANGE DIRECTION Picabia was on the ground with the Dadaists in Paris, but this exhibition includes his later work, which has influenced contemporary painters — perverse figurative paintings that look like precursors to Pop Art, or pulp fiction book covers.
Our exhibitions of major 20th - century modernists are always changing and have included Rockwell Kent, Helen Frankenthaler, Jules Olitski, and Sir Anthony Caro, as well as works by contemporary outsider artists such as Gayleen Aiken and Jessica Park.
This exhibition explores a wide range of important topics including: personal histories, cultural traditions, environmental concerns, the effects of violence, changing ideas about gender and sexuality, and new approaches to the medium of photography.
This salon - style presentation will also include one wall that will change over the course of the exhibition.
Selected 2013 exhibitions include If the World Changed, 4th Singapore Biennale, Singapore; Everyday Life, 4th Asian Art Biennial, Taiwan; Sights and Sounds: Global Film and Video, Jewish Museum, New York; Phnom Penh: Rescue Archaeology, ifa, Berlin and Stuttgart; Out of Nowhere: Photography in Cambodia, creativetimereports.org; Developments, Seventh Gallery, Melbourne.
Please note all details including exhibition dates are subject to change, for all confirmation please contact Graham Hunter Gallery.
Including photographs by artists such as Dorothea Lange, Richard Misrach, Robert Rauschenberg, Shirin Neshat, and Adi Nes, the exhibition presents artistic responses to a range of global issues including climate change, world wars, financial ruin, and the violation of humaIncluding photographs by artists such as Dorothea Lange, Richard Misrach, Robert Rauschenberg, Shirin Neshat, and Adi Nes, the exhibition presents artistic responses to a range of global issues including climate change, world wars, financial ruin, and the violation of humaincluding climate change, world wars, financial ruin, and the violation of human rights.
Selected exhibitions include; Kunstraum, London (forthcoming); The Things We Talked About, group exhibition at St PAUL St Gallery, Auckland (forthcoming); Wilderness, group exhibition at New Shelter Plan, Copenhagen (forthcoming); instead to meet strangers who might change our minds, solo exhibition at the Swiss Church, London (2014); A Space of No Exception, group exhibition at Sokol Space, Moscow (2014).
«Maya Lin was invited to be our 2014 Platform artist because her timely and exquisite works make palpable the changes to the environment that deeply affect coastal communities everywhere, ours included,» said exhibition organizer Andrea Grover, the Parrish's Curator of Special Projects.
Her recent projects include LOT, a project exploring coexistance in a rapidly changing Miami neighborhood, and American Domain, a special exhibition about property within Oakland's new Museum of Capitalism.
Group exhibitions include: Global Imaginations, Museum De Lakenhal, Leiden, NL (2015); El Theatro del Mundo, Museo Tamayo Art Contemporáneo, Mexico City, MX (2014); Ja Natuurlijk, Gemeente Museum, The Hague, NL (2013); On Geometry and Speculation, Higher Atlas, 4th Marrakech Biennial, MO (2012); Portscapes, Boijmans van Beuningen Museum, Rotterdam, NL (2010); Screaming and Hearing, 7th Mercosul Biennial Porto Alegre, BR (2009); The Order of Things, MuHKA, Antwerp, BE (2008); 8th Sharjah Biennial «Still life, Art, Ecology and the Politics of Change», UE (2007).
The artists included in this exhibition — Adam Nelson, Yoko K., and Grethe Wittrock — will collaborate to create an immersive environment that explores the changing nature of our relationship to the natural world.
Recent solo exhibitions and collaborations include Low Impact (Resistance to Flow / ThisIsBobDylanToMe) Subject to Change, a collaborative project with Linda Post at Lawndale Art Center, Houston, 2012; Today Is Tomorrow, Art Palace Gallery, Houston, 2011; (v) = Variable Project, Houston, a site specific project w / Mick Johnson, 2010; A Powerful Hankering, artMoving, Brooklyn, NY, 2005; JIM NOLAN WORKS, NoName Exhibitions at the Soap Factory, Minneapolisexhibitions and collaborations include Low Impact (Resistance to Flow / ThisIsBobDylanToMe) Subject to Change, a collaborative project with Linda Post at Lawndale Art Center, Houston, 2012; Today Is Tomorrow, Art Palace Gallery, Houston, 2011; (v) = Variable Project, Houston, a site specific project w / Mick Johnson, 2010; A Powerful Hankering, artMoving, Brooklyn, NY, 2005; JIM NOLAN WORKS, NoName Exhibitions at the Soap Factory, MinneapolisExhibitions at the Soap Factory, Minneapolis, MN, 2002.
Her exhibitions include The Altered Landscape: Photographs of a Changing Environment (2011), American Indian Art of the Great Basin (2012), The 36th Star: Nevada's Journey from Territory to State (2014), and Tahoe: A Visual History.
Featuring the work of 60 artists and including 164 vibrant paintings, powerful murals, photographs, sculpture, and more, this landmark exhibition is a rare opportunity to see era - defining artworks that changed the face of art in America.
Now, Mr. Stella's 60 - year trajectory as an artist, which developed as he traveled the world, is on display in an exhibition, Frank Stella: Experiment and Change, at the NSU Art Museum Fort Lauderdale, in Florida; the show will run from Nov. 12 to July 8, 2018, and includes approximately 300 of his paintings, sculptures and drawings spanning from the late 1950s to the present.
Selected exhibitions include; Beyond the Nation Station State I want to Dream, solo exhibition, Decad, Berlin, 2018; A Farewell to Progress, performance, South London Gallery, London, 2018; A Farewell to Progress, performance, KW, Berlin, 2017; Ideology Meets Implementations, group exhibition, W139, 2017; Gentle Dust, group exhibition, Showroom MAMA, Rotterdam, 2017; Southern Summer School, summer school and public programme, BAK, Utrecht, 2017; Northern Winter Workshops, collective events programme across, the Netherlands, South Africa and the UK, 2017; duo exhibition at Kunstraum, London; The Things We Talked About, group exhibition at St PAUL St Gallery, Auckland; Wilderness, group exhibition at New Shelter Plan, Copenhagen;... instead to meet strangers who might change our minds, solo exhibition at the Swiss Church, London (2014); A Space of No Exception, group exhibition at Sokol Space, Moscow (2014).
The exhibition will include drawings, photographs, paintings, sculpture, ephemera, and material culture that deal with changing conceptions of the body over time in Philadelphia scientific and artistic culture.
His exhibitions include bold themes such as Peer Gynt and Ibsen's Women in the Ibsen Year; Apocalypse incorporating the nature bleeds expressing the warming of climatic changes and «the Mother of all women», resembling a Madonna - like figure.
Among them were exhibitions of the works of Ant Farm, Joe Brainard, Joan Brown, Theresa Hak Kyung Cha, Robert Colescott, Jay DeFeo, Juan Gris, Eva Hesse, Paul Kos, Robert Mapplethorpe, Barry McGee, Richard Misrach, Bruce Nauman, Peter Paul Rubens, Martin Puryear, Sebastião Salgado, William Wiley, and many others, as well as thematic exhibitions including Made in U.S.A.: An Americanization in Modern Art, the»50s &»60s; State of Mind: New California Art Circa 1970; In a Different Light; Human / Nature: Artists Respond to a Changing Planet; Masterworks of Chinese Painting: In Pursuit of Mists and Clouds; Beauty Revealed: Images of Women in Qing Dynasty Painting; and Andrea Fraser: Aren't They Lovely?.
Please note all exhibition details including names, dates and featured works, opening days / hours are subject to change.
In addition to being the producing sponsor of the dance production, the Berkeley Art Museum and Pacific Film Archive, under the direction of Assistant Curator Dena Beard, has mounted an exhibition of visual materials relating to Parades and Changes, including photography, newspaper clippings, video (the Swedish television production) obtained from the Halprin Archive at the Performaing Arts Library and Museum in San Francisco.
Below, art historian Jacky Klein presents our video - tour of the exhibition, including a taste of the stunning works on display and an appearance from Tate Modern's Director, Sir Nicholas Serota, who explains how the artist changed the face of modern art.
In 1983, his work was included in exhibitions at the Contemporary Arts Museum in Houston and the New Orleans Museum of Art, and he was chosen for the 38th Corcoran Biennial in Washington, D.C., an exhibition of American painters that proved life changing.
The artworks included in this small, focused, survey exhibition encourage conversations surrounding indigenous cultural practices such as mark - making and mapping; visual representations of settlement and expansion; and depictions of changes to the landscape brought about by colliding cultures.
Selected recent and upcoming group exhibitions include: When Attitudes Became Form Become Attitudes, Museum of Contemporary Art, Detroit (2013); Signs Taken in Wonder, MAK, Vienna (2013); Incremental Change, Galeri NON, Istanbul (2012); When Attitudes Became Form Become Attitudes, CCA Wattis Institute, San Francisco (2012); Show Off, Malmö Konsthall, Malmö (2012); An Incomplete History of Incomplete Works of Art, Francesca Minini, Milan (2012); Untitled (12th Istanbul Biennial), 2011 and Danföredanföredanföredan, Index — The Swedish Contemporary Art Foundation, Stockholm (2010).
With the nine oil paintings and three works on paper that comprise the exhibition, Miller continues to explore the narrative potential of the animal world by revisiting many of the themes that she has surveyed in her work for the past thirty years, including the relationship between predator and prey, the effect of changing habitats upon both flora and fauna, the folly of our human sense of control over nature, and the passage of time.
Since our initial meeting, Dashiell's work has been included in numerous group and solo exhibitions and he has undergone some important changes in the studio.
Recent responses have come from Jerry Saltz, who has ranted in numerous articles about the inequity of women in the arts, artnet News, which has run several stories that have brought gender imbalance in culture into mainstream dialogue, and in March, shortly after launching the lauded Women, Arts and Social Change exhibition, the National Museum of Women in the Arts (DC) launched # 5womenartists, a month - long invitation to post information about women artists, past and living, in a communal effort to trumpet them across social media; participants included the Guggenheim and the New Museum in New York, and the Los Angeles Country Museum in LA.
Her work has been shown in numerous individual and group exhibitions in Alaska and the contiguous United States, including the national exhibition Changing Hands 2: Art without Reservation, the international exhibition Arts from the Arctic, and Hide at the National Museum of the American Indian in New York.
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