Sentences with phrase «changing fabric of the city»
It draws attention to the rapidly changing fabric of the city and afterlife of materials.
http://www.whitechapelgallery.org/ Not exact matches
Bakary Camara, a parent, a realtor and leader of the Gambian Society, who was at the Mayor's announcement, said the policy change recognizes that Muslims are «part and parcel of the fabric of New York City.
September 18: Booth Vehicle Application September 18: Feature Vehicle Application (vehicle displays outside of booth) September 21: Lead - Retrieval Rental (Advance Rate)-- CompuSystems September 24: Freight — Freeman Warehouse September 25: Sponsorship Materials September 25: Student Program Application (interns) October 2: Booth Catering Service (Advance Rate)-- ARAMARK October 2: Fabric Solutions — Freeman October 2: Target Date Changes — Freeman October 5: Rental Exhibit Order (Advance Rate)-- Carpet, Furnishings & Booth Rentals — Freeman October 8: Additional New Products Entry Advance Rate Discount October 9: Booth Security Guard Service (Advance Rate) October 9: Cable Order (Advance Rate)-- Smart City October 9: Exhibitor Booth Insurance (If purchased from John Buttine Inc.) October 9: Internet / Telephone Order (Advance Rate)-- Cox Business (LVCC) October 9: New Products Entry (Advance Rate) October 9: Project Vehicle Builders October 12: Internet / Telephone Order (Advance Rate)-- Encore (Westgate) October 16: Exhibitor - Appointed Contractor (EAC) Application
What has changed is the layout of our cities and fabric of our lives, so all Jeep had to do to keep the Wrangler relevant is give it some road manners, which is exactly what it's done.
The City Lost and Found explores photographic and cinematic responses to the changing fabric of New York, Chicago, and Los Angeles that contributed to a reconsideration of cities in popular media and urban policy during this period.
While prior shows focused on emerging artists, according to press notes the 2015 edition plans to «examin [e] key points of connection and intersection between emerging and more established artists across New York, while also exploring aspects of earlier histories of the city itself, and its changing political, social, and architectural fabric.»
«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003
I leave the gallery and reflect how the history of kurimanzutto mirrors the changing social and economic fabric of Mexico City.
We're working on much higher impact things that will fundamentally change the fabric of transportation in cities.
The fabric of the city was changing, and existing residents were vocal about it.