Sentences with phrase «changing field of art»

On the occasion of his diaristic show «30/130: Thirty Years of Books and Catalogs, etc.» at White Columns, the longtime art writer, editor and curator reflects on the fast - changing field of art publishing.

Art in the Age of the Internet, 1989 to Today examines how the internet has radically changed the field of art, especially in its production, distribution, and reception.

Art in the Age of the Internet, 1989 to Today examines how the Internet has radically changed the field of art, especially in its production, distribution, and reception.

Not exact matches

There are three areas in which this change of sensibility, this move from pessimism to optimism, can be discerned — in the social sciences, in the field of art, and in the civil rights movement.

The PEGASOS project will investigate the impacts of European air pollution on climate change and vice versa by combining field measurements with state of the art atmospheric and climate models.

In addition to the general knowledge these experiences convey, the research I've done with others at the University of Arkansas on the effects of field trips to art museums and to see live theater suggests that these culturally enriching experiences change student values to promote greater tolerance and empathy.

Overall, this program made substantive changes in the audience building and community engagement skills of the arts presenting field and created meaningful and lasting partnerships between presenters and community organizations nationwide.

As we move on from and reflect upon the 20th century, this staggering collection represents the foundations of what would influence some of the fastest changing creative fields, and a long - overdue recognition of the enormous contribution graphic design has made to economics, politics, social causes, arts, media, and the way we see the world.

Associated with movements as diverse as Abstract Expressionism, Color Field painting, Minimalism, Op art, and Postmodernism, the artists featured in Rothko to Richter were at the forefront of debates about the changing priorities and imperatives of painting after World War II, each seeking to redefine abstraction for new social and cultural milieus.

In public projects supported by the Sacramento Metropolitan Arts Commission, I encourage aesthetic appreciation of the everyday environment by emphasizing the play of light within the visual field and changes from morning to night.

«The way in which our radically changed circulation path will expose our audiences to the entire campus network of interior courtyards, performing arts fields, elevated walkways, and lightwells increases the experience of our facilities by an order of magnitude,» said Thompson.

On Nov. 5 at 7:30, she will present a public lecture, «ART CRITICISM IN THE EXPANDED FIELD,» and discuss the ways criticism has changed: the effects of the Internet, blogging and tweeting on writing «print» criticism for a daily newspaper, as well as the expansion of the art world itself and the kinds of art being made, Moss Theater at New Roads School, 3131 Olympic Blvd Santa Monica, CA 90ART CRITICISM IN THE EXPANDED FIELD,» and discuss the ways criticism has changed: the effects of the Internet, blogging and tweeting on writing «print» criticism for a daily newspaper, as well as the expansion of the art world itself and the kinds of art being made, Moss Theater at New Roads School, 3131 Olympic Blvd Santa Monica, CA 90art world itself and the kinds of art being made, Moss Theater at New Roads School, 3131 Olympic Blvd Santa Monica, CA 90art being made, Moss Theater at New Roads School, 3131 Olympic Blvd Santa Monica, CA 90404

Despite the massive changes that the field of contemporary art has undergone in the past several decades, that saw the dematerialization of the art object and onset of experiential events, most art institutions continue to be oriented around static, object - based exhibition formats.

November 30, 2015 — «Eleven Museums, Eleven Directors: Conversations on Art and Leadership» surveys the state and future of museums by uncovering the career trajectories, mentors, inspirations, and goals of some of the field's most innovative change agents.

Mark Themann (Germany / Australia) Go Into This Space presents an evocative single screen DVD work, a silent film that consists of phasing texts, interrupted by flashing color fields, and utilizing structures of invocation and evocation.Location One is a not - for - profit organization devoted to the convergence between visual, performing and digital arts in a time of rapidly changing technology.

These changes, their authors hope, will help the AAMD play a more vital role in its field, as well as in local communities and in Congress, arenas where art museums have not been considered particularly relevant of late.

Macel writes in her catalogue essay that her show is «a passionate outcry for art and the state of the artist» and argues that «art may not have changed the world, but it remains the field where it can be reinvented.»

I think the big change in modern art comes with the idea that creation is more a way of organizing the field rather than depicting a model.

Recent exhibitions include: Possible Side Effects, Arróniz Arte Contemporáneo, Mexico City, MX (2015); Redacted: connecting dots in a shifting field, curated by Janet Goleas, Islip Art Museum, East Islip, NY (2014); Art = Text = Art at UB Anderson Gallery, University at Buffalo, NY (2014) which travelled from the University of Richmond Museum, VA, the Zimmerli Art Museum at Rutgers University, NJ, and The Hafnarfjör ∂ ur Centre of Culture and Fine Art, Iceland (2013); Contemporary Monochromes, Contemporary Galleries, Museum of Modern Art, New York (2013); Science is FICTION, Bartha Contemporary, London (2013), Terrible Beauty: Art, Crisis, Change & The Office of Non-Compliance, Dublin Contemporary, Ireland (2011); Wünsche und Erwerbungen, Zeitgenössische Zeichnung, Museum Folkwang, Essen, Germany (2010); ALL OVER THE MAP, John Michael Kohler Arts Center, Sheboygan, WI (2009); BLOWN AWAY, Krannert Art Museum, University of Illinois at Urbana - Champaign, IL (2008); Uncoordinated: Mapping Cartography in Contemporary Art, Contemporary Art Center, Cincinnati, OH (2008); Leaded: The Materiality and Metamorphosis of Graphite (traveling to 7 University Museums)(2008 - 2009).

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

We should grasp it as belonging (albeit sometimes in shifting or barely legible relationships) to the same continuum of experience and knowledge - the episteme - that encompassed an array of cultural changes, myths, and motifs or the sixties... yet nor was Color Field art shaped in a vacuum by artist adrift from external reality.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

This book of interviews tracks the work of artists in the field of new media art in order to consider the massive changes and developments over a relatively short period of time.

Regardless of the semantic debate that has long complicated popular understanding of the category's definition, the annual Outsider Art Fair provides an opportunity to see how its major galleries respond to the changes in the field, all while promoting both emerging and well - known artists to an eager marketplace.

A UK - based scientist has removed trees from world famous works of art to highlight the threat of deforestation In the field of climate change, we are constantly asked to imagine nightmarish scenarios.

In this latter field, however, the changes will not necessarily come into effect upon the entry into force of the Lisbon Treaty, but are subject to complicated transitional provisions and the possibility of a UK opt - out (Protocol on Transitional Provisions, Art 10).

Change is occurring in the litigation field and parties and their lawyers can benefit from understanding the science, or art, of negotiation.