(41.5 x 58 cm) Courtesy the artist and Luhring Augustine, New York, and i8 Gallery, Reykjavík Christina Kubisch German, born 1948 Cloud, 2011/2017 Electrical cable, electromagnetic induction headphones, and fourteen -
channel audio composition Dimensions variable Technical assistance: Eckehard Güther Headphone engineering: Manfred Fox, Berlin San Francisco Museum of Modern Art, Accessions Committee Fund purchase Drawing for Cloud, 2017 Ink on paper 11 7/16 x 16 9/16 in.
The three works selected for Soundtracks are Sphere Packing: Mozart (2014; white polymer, 565
audio channels), Sphere Packing: Wagner (2013; glazed porcelain, 110
audio channels), and Sphere Packing: Cage (2014; plastic, 269
audio channels)-- an abridged walk through the eighteenth, nineteenth, and twentieth centuries.2 The series as a whole, featuring seventeen composers, constitutes nothing less than a broad history of classical music, with surprising insights in terms of productivity, ranging from seventeen
compositions (by Claudio Monteverdi) to 1,128 (by Johann Sebastian Bach).
/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo
audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen
audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013;
Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale
audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo
audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four
audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major
composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth