Sentences with phrase «channel audio with»

Not exact matches

All of those genre - specific, audio - only music channels way up in the triple digits that come with your cable or satellite subscription?

Users have unlimited access to channels with scores of audio programs and are entitled to one free audiobook every month.

FE's podcast channel provides you with exclusive and engaging industry coverage in an audio format.

And it annoys me that in my area, philly Comcast, FS2 is packaged with Bein and a ton of Spanish audio sports channels.

you know, the center channel is an audio channel that is commonly found with surround sound systems.

Each of the three films (Fellowship of the Ring, The Two Towers, and Return of the King) takes two discs each and features a DTS - HDMaster Audio 6.1 channel soundtrack, along with multiple audio commentaries for each film.

That first scene is so immersive, we flinch and duck (it scared my cat out of the room)-- from the breaking waves around the carrier to the incoming mortars to the zipping past of bullets, it's a layered, thickly - crafted audio track, with distant shots and center - channel machine gun fire making full and brilliant use of the entire soundstage.

The DD 5.1 audio doesn't bother to fuck around too much around with the rear channels, helpfully exposing the music for the dispassionate hack - job it is.

Having missed Firewall at the multiplex, I can't vouch for the fidelity of the disc's Dolby Digital 5.1 audio to the original soundmix, but I will say that what we get here is surprisingly hemispheric, with the surround channels seemingly reserved for atmospheric reinforcement.

Picture quality is extremely high, and though the commensurately booming Dolby Surround audio stream doesn't give the rear channels much of a workout, it reproduces all the bitchy shenanigans with a fulsome fidelity.

The DD 5.1 audio adequately delivers a predictably front - heavy mix with next to no rear - channel usage, save a near - closing shout - out to Death Cab for Cutie that I simultaneously welcomed and cringed at.

The audio mixes do nothing to confirm that they're prepared with five distinct channels in mind.

The accompanying DD 5.1 audio is a predictable blitzkrieg of discrete effects; it's a soundtrack sure to impress but also one with a slightly - undercooked centre channel and slightly overcooked surround channels.

The audio, rendered in 5.1 Dolby TrueHD, is fairly robust, if a tad monotonous, working every channel and the sub with ambient and environmental sound effects plus a generally rumbly score.

A DD 5.1 audio mix is roomy and professional — sedate almost, though it'll occasionally surprise with the bass refrain and the stray atmospheric in the rear channels.

The 5.1 DTS - HD master audio soundtrack is largely anchored to the front channels, but it delivers the heavy stream of dialogue with crispness and weight.

A Dolby 5.1 audio mix shows surprising fidelity through every channel — a rich, faithful presentation with a hearty bass rumble and nice rear - channel effects.

The soundtrack is encoded as Dolby 5.1, seemingly at odds with Woody Allen's preference for one - channel audio.

The accompanying Dolby Digital 5.1 audio is fittingly unobtrusive, with music and crickets being the only soundtrack elements to creep into the surround channels; dialogue is full and easy to decipher.

The 1.0 monaural DTS - HD master audio is true to the original design (Allen only recently started making films with multiple channel soundtracks) and largely without incident.

Dolby Atmos combines distinct sound elements with traditional channel - based audio content.

2 side - firing full - range drivers, mounted in a unique way, work together with Dolby Atmos or the EAX 15.2 DSP processing to deliver the rear audio channels and create an enveloping 360 ° surround sound — eliminating the need for additional side and rear speakers.

With support for up to 7.1 channels of high - definition audio, Dolby TrueHD provides the most authentic surround sound experience available for your home theater.

The handsome image is matched by DD 5.1 audio whose dialogue is rendered with high fidelity and atmospherics spread out across the channels and booming besides.

The DD 2.0 stereo audio isn't anything to write home about, either; the centre channel, in particular, is a disappointment, necessitating constant volume adjustments to keep up with the fluctuating dialogue levels.

The attendant DD 5.1 audio serves the picture's dialogue - heavy purpose well enough, with the rear channels used mainly for atmosphere.

Though Scream Factory presents Dead Ringers with a clean soundtrack (the Criterion master was plagued by audio distortion), the stereo channels are reversed on the 2.0 DTS - HD MA tracks for both incarnations of the film.

The 5.1 Dolby TrueHD audio is exceptional, however, with booming effects from every channel reproduced with clarity and logic.

The DD 5.1 audio is focused almost entirely in the front channels, with dialogue regrettably clear throughout.

The 7.1 channel performance was pretty typical for a receiver in this class - content encoded with the Dolby Digital / TrueHD / DTS / DTS - HD Master Audio audio formats sounded fine and was on par with other receivers I have worked with in this class.

His latest film, Phantom Thread, which has quietly been winding its way through post production reunites the director with his star Daniel Day - Lewis, here strangely channeling late - period Ralph Fiennes (just close your eyes, and you can see Fiennes in the role just through the audio association).

Special materials on the unrated 3D Blu - ray release include audio commentary by film historians, interview with star Veronica Hurst, restored three - channel stereophonic sound, and original 3D trailer.

The 5.1 DTS - HD master audio is largely restrained, with the monaurally - recorded dialogue remaining clear in the front channels and being surrounded and complemented by Cliff Martinez's ethereal, understated score.

The 5.1 - channel lossless audio, Dolby TrueHD rather than the more common DTS - HD Master Audio, is even better, with music and effects dazzling at demo - worthy heights.

The revolutionary technology seamlessly blends onscreen visuals with enhanced audio by not limiting the sound to channels or fixed speaker locations.

DD 2.0 audio is provided along with a DD 5.1 remix, the latter the preferred option as an astonishing degree of care was obviously expended to fill the discrete channels with all manner of obscenity.

The Dolby Digital 5.1 audio mix is likewise clear with a surprising amount of channel separation and atmospheric effects.

The audio is a DTS - Master Audio 5.1 mix that doesn't necessarily need a track with that many channels.

While nothing can compare with the grand scale audio technology and acoustics of IMAX theaters, this 5.1 channel soundtrack does a commendable job at creating a lively and appropriate mix.

The attendant, uncompressed centre - channel mono audio is likewise free of distortions, with Maurice Jarre's cacophonous and demented carnival theme coming through with disturbing clarity.

As with any Mono track, all of the audio comes from the center channel, and the mix of dialogue, mostly - present»70s score, and a few active sound effects is satisfactory and never difficult to distinguish.

The 5.1 DTS - HD track is exceptional here as well, balancing dialogue, score, and background audio with dynamic clarity across all channels.

The DD 5.1 audio is better than expected — indeed, probably better than it should be, what with a good deal of atmospherics appearing nonsensically from the rear channels (especially during the «crossfire» set - piece).

The DD 5.1 audio shakes the dishes in the cupboards (at least it does at the obscene volume I had it cranked)-- sound emanates with force, logic, and fidelity from every channel.

The stereo effects are noticeably good, as there are numerous shots of the car moving across the screen with the audio going from one front channel to the other.

With 5.1 channels of high - quality audio, Dolby Digital places you in the center of the action.

Qualifications: • Bachelor's degree, and five to seven years of experience in a related position • Standout samples of video and editing work • Demonstrated experience with a range of digital storytelling and tools, and strong engagement with digital trends • Strong people - management skills, and a knack for developing talent, both in - house and freelance • Experience with a variety of social media platforms for audience development • Experience developing partner relationships for distribution or content creation • Experience in audio / video production / editing a plus • Background in teaching or education policy a plus • Passionate visual journalist with an innovative spirit and a drive to understand and service our audience • Appreciation for EPE's mission in the education community is essential, but a background in education content is not • Experienced leader who can coach a team to excellence and articulate a vision for our visual operations to stakeholders • Strong news judgment, video storytelling, and editing expertise • Experience in social distribution channels and partnerships • Strategic content planning • Flexibility to work on multiple projects at once • Adaptability to change

Through the new ASCD iTunes U channel, educators can stay up - to - date with the most recent audio and video professional development content, including

It's a 16 - channel system with four ceiling - mounted speakers that allows for true 5.1 surround sound; even Kidz Bop will sound amazing with this audio system.

For example, the 2016 Prius Four Touring can be had with trick JBL premium audio system with 10 speakers, six channels, and 400 watts.