«Since there is no equivocal definition of life, most current definitions are descriptive,» reads Hannah Black «s «Beginning, End, None» three -
channel film installation, a triptych of audio - video collage exploring what it means to be alive through the ambivalent idea of the «cell.»
Main image: Mikhael Subotzky, WYE, 2016, film still, three -
channel film installation.
During 2008, Stokes also completed a residency at Arthouse in Austin, Texas, which included making the two -
channel film installation these are the days, also on show at 176.
(Comedians and Singers), 2016 Walking into Thomas's two -
channel film installation is like being invited into a cozy living room to celebrate the diversity of womanhood, and in particular,...
On view at the gallery's Chelsea and Lower East Side locations, Prager has produced a series of large - scale pigment print photographs depicting elaborately staged crowd scenes and a companion piece, an immersive three -
channel film installation starring the actress Elizabeth Banks.
The acclaimed three
channel film installation will be shown in Margate from 8 October 2016 until 7 January 2016
Walking into Thomas's two -
channel film installation is like being invited into a cozy living room to celebrate the diversity of womanhood, and in particular, the many layers of black female identity.
«Untitled (Structures)» (2012) is a two -
channel film installation inspired by an archive of civil rights - era photographs housed at the Menil Collection in Houston.
In Lockhart's five -
channel film installation Five Dances and Nine Wall Carpets by Noa Eshkol (2011), five of Eshkol's dances are performed by seven dancers.
True North, Isaac Julien's new three -
channel film installation, is receiving its US premiere, and the icy expanses that it depicts gained traction from the contrast with the junglelike conditions in the museum's courtyard.
Conceived as a two - person exhibition, Sharon Lockhart Noa Eshkol presents Eshkol's largely unknown achievements through a new five -
channel film installation, a series of photographs, and a selection of Eshkol's carpets, scores, and archival drawings.
Elsewhere in the gallery, Prager's three
channel film installation contrasts the unmoving crowds with intimate narrative.
The collected footage, created with filmmaker Nicolás García (Chile) and photographer Ruben Diaz (US), has been assembled into two versions: a three -
channel film installation and a single - channel 20 - minute short.
(Comedians and Singers), 2016 Walking into Thomas's two -
channel film installation is like being invited into a cozy living room to celebrate the diversity of womanhood, and in...
Single
channel film installation (16 mm film transferred to HD video, color / sound), 3:29 min.
Not exact matches
Part of the
installation at 18th Street Arts Center's Main Gallery is a simultaneous three -
channel film, which will offer insight into the complex web of relations and influences stretching between Latin America and the United States.
Life and death 7 January Oscar - winning artist /
film - maker Steve McQueen's fifth exhibition at Marian Goodman Gallery, Paris (and the gallery's first for 2016) comprises a two -
channel synchronised video, Ashes, and a new neon light
installation.
Haris Epaminonda talks about the making of her four -
channel video
installation Chapters,
filmed in h...
Bosland and Langwa
channel this with a sample of vintage Lyle Ashton Harris pictures from the Ektaarchive (1989 — 92); they echo a four - minute
film and text
installation by Evan Ifekoya, who likens queerness to a beautiful, necessary glitch in our collective code.
Haris Epaminonda, Chapters, 16 mm
film transferred to digital, four -
channel video
installation, approx. 4 hrs, sound by: Part Wild Horses Mane On Both Sides, 2013
Yang Fudong: East of Que Village, 2007;
installation view; 6 -
channel video
installation,
filmed with HDV, black and white, sound; 20:50 min; courtesy of the artist, Marian Goodman Gallery, Paris / New York, and ShanghART Gallery, Shanghai / Beijing / Singapore.
For the
installation Joints 4tet for Ensemble, Atlas brings the resulting
films together for the first time, editing the material into four
channels of synchronized video and showing them across a choreographed arrangement of ten different sized monitors; some placed on mono - stands, some on rolling carts, and others grouped in pairs.
In his newest single
channel video
installation, Gatson uses original footage of a Black Panther rally on the day of the funeral of slain member Bobby Hutton, interrupting the
film with with blank pauses and overlaying the clip with colorful forms to create a kaleidoscopic effect.
For example, the presence of male suicide in
film is explored through the six -
channel installation, Feasting or Flying (2008), and the five
channels of War Tropes (2011) reflect key motifs found within war
films.
Zac Langdon - Pole, Pieces of 8, 2015, single
channel HD digital
film, 5» 17 min,
Installation view, The Physics Room, Christchurch, 2015 - 16
For the fourth installment of this exhibition Laure Prouvost presents The Wanderer (The Storage), an ambitious new
installation in which the viewer undertakes a labyrinthine journey encountering mysterious fragments of
film, sculpture and signage before reaching a final large scale single -
channel video.
He creates multi-
channel site - specific
installations as well as single
channel works that often blur the line between narrative, experimental, and documentary
film modes.
Susan Philipsz has developed a 24 -
channel sound
installation (24 pillars in the main hall of Hamburger Bahnhof), which is based on three
film music compositions by Eisler.
In a new commission at London's Studio Voltaire, Hayes draws on archives in the US and UK that document the gay liberation and feminist movements — expect a large - scale
installation and five -
channel film that consider the relevance of these issues today as oppression and violence persist.
Installation with single
channel animation
film and sculpture.
This captivating, three -
channel video
installation encompasses fictional narrative, natural history documentary, and
film essay, referencing Ralph Waldo Emerson, Herman Melville's Moby Dick (1851) and Heathcote Williams's poem Whale Nation (1988), among others.
The 2 -
channel video
installation Black Moon / Mirrored Malle places an original 1975 interview with Louis Malle about his
film «Black Moon» against a shot - for - shot version in which the artist herself plays Malle, enacting a gendered battle of authorship and doubled future within the present.
The Five Senses assumes the hybrid form of a five -
channel video
installation crossed with (studio) performance, featuring a young Claflin,
filmed against a bare white wall, invoking the five Aristotelian senses in five performances each lasting about five minutes: hearing, scent, touch, taste, and seeing.
Moataz Nasr 2003 Monologue
film, two
channel video 4 minutes, 27 seconds Arabic with English translation
Installation view Photo by Alfredo Rubio
Marking the second
installation in a quartet of
films, Purple is an immersive six -
channel video
installation that combines hundreds of hours of footage shot across a variety of landscapes to create a meditation on the relationship between humans and the planet.
The result was a six
channel installation composed of a large main screen that displays a four - minute loop of an edited
film and five Hantarex monitors presenting raw, unedited footage that showed the events transpiring inside the bathhouse, the overall atmosphere of the space, as well as the relationships between the women.
Left: Vergleich über ein Drittes (Comparison via a third), 2007 2 -
channel video
installation 24 min.16 mm
film, transfered to digital Ed.
In All Things Pass, London - based artist Darren Almond (born 1971) explores the passage of time, juxtaposing a six -
channel video
installation filmed on the steps of Chand Baori, a spectacular ninth - century well in India, with number paintings, sculptures of stacked timepieces, and photos of a strangely modernist Neolithic stone circle.
Face in the Crowd was conceived as a three -
channel installation, however the
film will be shown as a single
channel during its presentation at the Saint Louis Art Museum.
The exhibition brings together four works: «Looking for Alfred» (2004), an homage to Hitchcock's cameo appearances in his
films, with a cast of look - alikes; «Hitchcock didn't have a Belly Button: Interview with Karen Black» (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; «You Tube Me and I Tube You,» a two -
channel interaction
installation and web project initiated in 2010; and «I may have forever lost my umbrella» (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which will be shown in New York for the first time in this exhibition.
In the two -
channel video
installation outside of all things (2013), a
film begins with the crescendo of a repetitive dissonant chord as the artist as moves through the desert with a large cutout image of a mountain peak strapped to his back.
Silent Auction of Original Artworks to raise funds for the post production of MIRROR LANDS, a
film and multi
channel sound
installation.
El Fin del Mundo (The End of the World), 2012 (
film still); 2 -
channel HD video
installation; 13:35 mins.
DVD, One
channel installation, aluminum size variable Edition 3 + 1 AP
Filmed at Mies van der Rohe's Farnsworth House, Plano, Illinois IMAN / GTS 2
DVD, single
channel installation, aluminium structure, color, sound, dimensions variable
Filmed at Mies van der Rohe's Farnsworth House, Plano, Illinois
The exhibition brings together four works: Looking for Alfred (2005), an homage to Hitchcock's cameo appearances in his
films, with a cast of look - alikes; Hitchcock didn't have a Belly Button: Interview with Karen Black (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; You Tube Me and I Tube You, a two -
channel interaction
installation and web project initiated in 2010; and I may have forever lost my umbrella (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which is shown in New York for the first time in this exhibition.
Inside the vortex - like reflective room, the 5 -
channel synchronized
film installation plays the work, to create an evocative personal story of modern movement.
Inspired by Electric Earth, the single
channel version of Doug Aitken's expansive video
installation from 1999 available at EVR, this program of experimental and documentary short
films explores the power of imagination, the potential of the supernatural that derives from the foundations of our highly technological world.
Two -
channel video / audio
installation, 16 mm
film transferred to video; El Anatsui — Intermittent Signals, 2009.
The exhibition features GLENN LIGION, «Live,» 2014 (silent seven
channel video
installation; Edition of 3 and 1 AP; Duration: 80 minutes, 51 seconds), which is based on the 1982
film «Richard Pryor: Live on the Sunset Strip.»