Sentences with phrase «channel installation of the work»

Not exact matches

We work with a national network of channel partners who offer our financing to homeowners and perform the installation.

Lyle Ashton Harris's Once (Now) Again, a site - specific multimedia installation features a three - channel video work comprised of projected images taken from Harris's Ektachrome Archive (photographed 1986 — 2000) as well as three new video works using footage originally recorded on Hi - 8 and MiniDV format in the 1990s.

Major moments for Breitz in 2017 included the Venice Biennale, for which she was one of two artists selected to represent South Africa (alongside Mohau Modisakeng); the inclusion of a new commission titled I'm Your Man (A Portrait of Leonard Cohen) in an exhibition titled Leonard Cohen: A Crack in Everything at the Musée d'art contemporain de Montréal; and the premiere of a major new video work, TLDR (this 13 - channel video installation is the sequel to Love Story), at the B3 Biennial of the Moving Image in Frankfurt.

The Nasher Museum of Art at Duke University is presenting John Akomfrah's three - channel video installation Precarity (2017 - 18), a work that it commissioned for its...

In 2015 Flatland Gallery introduced Erwin Olaf's newest body of work, aptly titled «Waiting»: a two - channel video installation of 50 min.

It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores, according to the museum.

For one day only, the cast of Michelle Handelman's newly commissioned work Hustlers & Empires (2018) activates the three - channel video installation in the Gina and Stuart White Box.

This Gallery allowed for an expanded exhibition schedule and provided facilities for large - scale works and dramatic installations, such as Peter Halley's explosive hanging of paintings and wallpaper, Marc Quinn's complete series of carved marble statues of persons with missing limbs, monumental sculpture by James Lee Byars, and, most importantly, a four - channel DVD installation by Barbara Kruger.

Drastically different from works like Tonight Moon, but nonetheless relatable, is Yang's harrowing black and white, six - channel video installation, East of Que Village (2007).

Richards» exhibition presents a suite of works including Migratory Motor Complex (2017), a six - channel electro - acoustic installation that explores the capacity of sound to render artificial spaces and locate sonic and melodic events within them.

The transitory flashes of a cosmic light show, the near stasis of the lunar landscape, the unending flux of a hurricane, and the slow passage of clouds are all elements that have appeared in her video installations, monitor works, and single — channel videotapes.

It includes work spanning the Swiss artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

Icelandic artist Ragnar Kjartansson's nine - channel, life - size video installation, The Visitors (2012), will occupy the entirety of FAC's Sala Catedral and marks the first time Kjartansson's work has been exhibited in Buenos Aires.

The installation which combines two bodies of work; a 15 meter long painting by Reynolds and a thirty - two minute, six channel audio composition by Riegler, has been a moving experince for visitors and is a must see for those able to get to the gallery.

It includes work spanning the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

Also in 2015, Wolfgang Tillmans: Book for Architects, a two - channel video installation, was on view at The Metropolitan Museum of Art, New York, as well as a solo show of the artist's work at the Dům Umění — Galerie Současného Umění České Budějovice, Czech Republic.

The highlight of this exhibition, and the work that best exemplifies Bender's famed notion of «electronic theater,» is Total Recall, 1987 — a striking eight - channel installation in a black - box setting of

Selections present a range of video art forms, ranging from single - channel works on monitors to installations that immerse the viewer, according to the curators.

«Pixel Forest» will be the most comprehensive presentation of Rist's work in New York to date; it spans the artist's entire career, from her early single - channel videos of the 1980s, which explore the representation of the female body in popular culture, to her recent expansive video installations, which transform architectural spaces into massive dreamlike environments enhanced by hypnotic musical scores.

These historically minded works are joined by a four - channel video installation by the young Chinese contemporary artist Sun Xun, who became known for mixing visualizations of his father's recollections of the Cultural Revolution with scenes from dioramas at the American Museum of Natural History in his surreal 2015 animation The Time Vivarium.

Taking its title from the seminal 1954 essay by African - American author and cultural critic Richard Wright, the installation juxtaposes two of the artist's video works: Untitled (Predawn, Osu, Accra, 2010), 2017, a meditative single - channel work, and Black Power, 2010, a three - channel work depicting physical training at an outdoor neighbourhood gym in Accra.

Despite these disparate interests, After Mirage exemplifies Jonas's fundamental bricolage approach in translating non-linear performance into video - performance into single - channel video into installation and vice versa, defying categorization and crating infinite ways of experiencing her work with each new iteration.

TEJAL SHAH, AS IT IS May 31 - Aug 15, 2018 Private view Thu May 31 6 pm - 8.30 pm Tejal Shah will present a selection of new works alongside a 5 - channel video installation Between the Waves (2012).

This Gallery allows for an expanded exhibition schedule and provides facilities for large - scale works and dramatic installations, such as Peter Halley's explosive hanging of paintings and wallpaper, Marc Quinn's complete series of carved marble statues of persons with missing limbs, a four - channel DVD installation by Barbara Kruger, and monumental sculpture by James Lee Byars.

Two channel video installation in «Elements of Architecture» Central Pavilion, 14th Architecture Biennale Venice, curated by Rem Koolhaas We have been fans of Wolfgang Tillmans» work for years and were interested to see he had

Solo exhibition of 14 works by Reynold Reynolds, including the seven channel installation of The Lost and the new 2014 work One Part Seven which was made during his residency at the American Academy in Rome.

Finally, a two - channel video installation with ephemeral objects by James T. Hong plays as a counterpoint to the other works, performing the history of maritime commerce in Hong Kong with a focus on the opium trade.

The work is a dual - channel video installation of the first 64 measures of the appropriated Sweet Child of Mine stage video by Guns and Roses.

Comparison Via a Third is a dual channel installation that discusses the concept of working under different contexts, by juxtaposing scenes of manufacturing in Africa, India and Europe.

Other highlights include Edgar Arceneaux's nine - channel video installation «The Alchemy of Comedy... Stupid» (2006), featuring a performance by comedian David Alan Grier; Tammy Rae Carland's «I'm Dying Up Here» (2011), a series of large - scale color photographs of female stand - up comedians captured mid-act, emphasizing the vulnerability of performance; Stanya Kahn's absurdist, pathos - filled video «Lookin Good, Feelin» Good» (2012), shown alongside a selection of her humorous line drawings; and an installation of Sara Greenberger Rafferty's visceral photographic works, for which she manipulates images from the history of late 20th century comedy.

His recent works include «Pacific Ocean Water Colors,» a series of paintings created using the currents of the Pacific Ocean, and «The Voice,» a five - channel audio installation commissioned for the Singapore Biennale 2013, where his poetry was narrated by Carolyn Hopkins, a voice actress whose announcements are used for the entire New York City subway system and most airports worldwide.

Hayes» new work, In My Little Corner of the World, Anyone Would Love You, is a five - channel video installation projected onto a large plywood structure that bisects the gallery.

Featured works include Ivekovic's historic single - channel videos, performances and sculptural installations as well as a selection from Double Life (1975 - 76), her celebrated series of 64 photocollages.

Stan Douglas's new six - channel video installation «The Secret Agent» is an adaptation of the 1907 novel, the work is examining terrorism and political identity in Europe through the combined lenses of history and fiction.

The title of this exhibition is inspired by John Akomfrah's three - channel video installation The Unfinished Conversation (2012), which is included here and chronicles the life and work of the Jamaican - born British cultural theorist Stuart Hall (1932 — 2014).

Like much of Korina's work, this installation channels the changing face of Russian contemporary culture — and questions the ease with which reality is manipulated for political gain.

The artist often channels this approach with site - specific installation work — vivid large - scale paintings and ornate sculptures in various materials — expanding on ideas of self - reflection and imagined luxury.

These include installations such as Wall Piece (2000), and Blind Spot (2003), and single - channel works such as Incidence of Catastrophe (1987 - 88).

From Eileen Cowin's five channel video installation, Fear Itself (2014), situated in a darkened walkway, to Guillermo Bert's multi-media neon work, Gentrification (2017), which moves beyond the conceptualism of the 60's into today's activism, and Joey Forsyte's A Band of Voters (2017), an interactive platform for promoting action beyond appreciating the artifacts in the gallery and getting out into the world and voting, the visual panorama set out in this diverse exhibition is broad and multifaceted.

The exhibition brings together four works: «Looking for Alfred» (2004), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; «Hitchcock didn't have a Belly Button: Interview with Karen Black» (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; «You Tube Me and I Tube You,» a two - channel interaction installation and web project initiated in 2010; and «I may have forever lost my umbrella» (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which will be shown in New York for the first time in this exhibition.

Once Upon a Time features a selection of video installations and single - channel works by Francis Alÿs, Cao Fei, Pierre Huyghe, Aleksandra Mir, Mika Rottenberg, and Janaina Tschäpe that explore this practice in contemporary art.

There are eye - popping installations (by Samara Golden, Raúl de Nieves, and Ajay Kurian), transporting video works (by Anicka Yi and the Postcommodity collective, among others), and works that channel the current socio - political climate of frustration and outrage (including by Henry Taylor, Celeste Dupuy - Spencer, and An - My Lê).

Alongside a host of her celebrated photocollages from the 1980s and a four - channel video work of 2004, she is for the most part presenting new installations in Bregenz that have been especially conceived for the unique Kunsthaus architecture.

The Bad Faith exhibition will feature the first showing of Common Culture's new work I Dreamt I Was A Monkey — And They Made Me Wear Shoes, a multi — channel video installation featuring «ex — TV «soap» actors performing scenes of discrete social interaction» set against a backdrop of high street consumption.

Known for playful and provocative video projects that range from monumental installations to intimate, single - channel works, Pipilotti Rist (born 1962) is a pioneer of moving - image art.

(Part Two), AV Festival presents the UK premiere of newly commissioned works by Pallavi Paul, including the three - channel video installation Cynthia Ke Sapne / The Dreams of Cynthia.

The exhibition brings together four works: Looking for Alfred (2005), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; Hitchcock didn't have a Belly Button: Interview with Karen Black (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; You Tube Me and I Tube You, a two - channel interaction installation and web project initiated in 2010; and I may have forever lost my umbrella (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which is shown in New York for the first time in this exhibition.

EMILY JACIR, Crossing Surda (a record of going to and from work), 2002, two - channel video installation with text, dimensions variable.

Inside the vortex - like reflective room, the 5 - channel synchronized film installation plays the work, to create an evocative personal story of modern movement.

An incredibly comprehensive retrospective, «Lorna Simpson «gathers more than three decades of the artist's photography and video works (above)-- probing distillations that question and recast standard notions of race, gender, identity and memory — and features «Chess,» 2013, a three - channel video installation making its U.S. debut.