Sentences with phrase «channel sound with»

The integrated sound bar boasts 60W, 4.2 channel sound with Dolby Atmos.

Nicer speakers have 2.1 channel sound with a subwoofer (however compact it is compared to a traditional home stereo subwoofer) hidden away in the case.

Not exact matches

Surely the Turcke household is subscribed to Bell's highest - tier TV package, with all manner of channels, shows and movies flowing like water, which kind of makes the anecdote sound a little fishy.

Sounding more like a Chinese political campaign, it is actually designed to make content production easier, allowing creators to make more diverse content for more channels which will then be made available on a revenue sharing basis with Tencent taking a cut of profits.

Plus, with the jazz sounding background music and the silky voice of Michelle, the whole channel has a very laid - back vibe.

you know, the center channel is an audio channel that is commonly found with surround sound systems.

It operates on a digital technology platform that gives a pin sharp, interference free sound transmission with 120 automated selected channels.

Eight channels and two frequencies broadcast your baby's every sound with crystal clear clarity

The parent unit has an easy - to - read LCD display showing the room temperature, with a rechargeable docking station, auto - channel select and a sound level indicator.

SONOS» Playbar offers outstanding sound quality with a 2.0 channel budget setup.

If you're looking for a way to crank up the sound system that came with your car or if you're in the process of building a whole new one, chances are you're in the market for the best 4 channel amp around.

The Kinect works best with either a stereo (two - channel) or Dolby 5.1 surround sound setup.

The NWP, comprised of a series of gulfs, straits, sounds and channels that connect the Beaufort Sea in the west with Baffin Bay in the east, is a much shorter route for moving goods between the Pacific and Atlantic regions than the Panama and Suez Canals.

Jessica's unique way of intuitively channeling healing through sound, combined with Ally's intelligent and elegant teaching style produce a set of tools for listeners to receive a wealth of physiological, emotional and spiritual benefits.

Portugal About Blog Nu Meditation Music channel updated regularly with Relaxing Music, Reiki Music, Healing Music, Study Music, Space Music, Sleep Music, Instrumental Music, Mantras, Meditation Music, Piano Music and Nature Sounds.

As is often the case, the choice between the DTS and Dolby Digital track is an easy one, with the DTS offering a much more precise, richer delivery of the sound, and a more effective separation between the channels.

It may be frontloaded, meaning the surround channels don't get much of a workout, but sound effects (mainly the many gunshots) and Fabio Frizzi's score (combining synthesizer and native drumbeat) are presented with a full and robust centrality.

All sound fields get a work out, including an awesome rear channel stereo split that is just as impressive as the front sound field, Dialogue mix is exact, with no dropouts or distortion.

The movie's theatrical Dolby Digital 5.1 sound mix is reproduced here accurately, with crystal - clear dialogue in the centre channel that's been perfectly recorded, ensuring you don't miss a word of this decidedly dialogue - based film.

These additional scenes are encoded in MPEG - 2 HD, with two - channel Dolby Digital sound running at 192 kbps.

The dialog takes place front and center most of the time, with ambient sounds echoing in the rear channels on a regular basis.

The 2 - channel HD Mono track sounds great, showcasing the wonderful score from Dominic Frontiere with ease.

The issue isn't it being merely broad mono (which it is, with a majority of sounds emanating from the front center channel).

The track sounds incredible, with a great balance between the surrounds and center channel, ensuring you'll be able to hear the dialogue among some of the more intense scenes.

The simple and sleek style sound bar is packed with an internal amplifier that pumps 30 watts to each the left, right, and center channels.

The center channel does a fine job with clear sound, though, so as long as you don't expect too much from the promised 5.1 treatment, the sound quality won't too much disappoint.

The audio, rendered in 5.1 Dolby TrueHD, is fairly robust, if a tad monotonous, working every channel and the sub with ambient and environmental sound effects plus a generally rumbly score.

Dolby Atmos combines distinct sound elements with traditional channel - based audio content.

2 side - firing full - range drivers, mounted in a unique way, work together with Dolby Atmos or the EAX 15.2 DSP processing to deliver the rear audio channels and create an enveloping 360 ° surround sound — eliminating the need for additional side and rear speakers.

With support for up to 7.1 channels of high - definition audio, Dolby TrueHD provides the most authentic surround sound experience available for your home theater.

Which is why many supervising sound editors and final mixers aim to fill the rear channels with rich but undefined backgrounds.

If a scene requires, say, a helicopter taking off, that sound has to be assigned to specific channels and mixed together with other sounds.

Traditional Blu - ray ™ technology was a leap forward from DVD and HDTV, with Blu - ray Disc ™ media offering full 1080p video resolution and up to 7.1 channels of high - quality sound.

Levels are well balanced, with the majority of the sound coming from the center channel.

Sound quality is flat - out outstanding — this film goes loud - quiet - loud, like a Pixies song, with exceptional dynamic range, very little noise, and thunderous overtones when the sounds of Amadou's percussion band are blasting urgently from all channels.

The track sounds great here, with a good balance between the surrounds and center channel.

Elsewhere, the mix does strive to put the viewer in the action — an early scene with Sam Elliott taking an overly - hot shower uses rear - channel effects to enhance the first - person POV, and a later action scene that takes place outside of the house gains tension from directional sound work after Lewis's score drops away entirely.

Surround sounds are separate from those height channels and stand out on their own quite nicely, with blood - thirsty crowds, the protesters in Athens, a motorcycle chase, background traffic, and more.

On the other hand, one comparison I could make is how the Dolby Surround Upmixer and DTS Neural: X surround sound processing formats made use of height channels with non-Dolby Atmos / DTS: X encoded content.

The 7.1 channel performance was pretty typical for a receiver in this class - content encoded with the Dolby Digital / TrueHD / DTS / DTS - HD Master Audio audio formats sounded fine and was on par with other receivers I have worked with in this class.

Special materials on the unrated 3D Blu - ray release include audio commentary by film historians, interview with star Veronica Hurst, restored three - channel stereophonic sound, and original 3D trailer.

The revolutionary technology seamlessly blends onscreen visuals with enhanced audio by not limiting the sound to channels or fixed speaker locations.

For the first time, Dolby Atmos introduces a hybrid approach to mixing and directs sound as dynamic objects that envelop the listener, in combination with channels for playback.

The 5.1 Dolby Digital Surround track is more center channel - intensive than one would have hoped, with the majority of the dialogue and sound effects emanating from the middle speaker.

I love that the rear channels still twinkle with activity during the quietest scenes, not just because it spares neither the characters nor the viewer a lurking sense of danger, but also because it shows the sound designers going the extra mile, like everyone else who worked on Fury Road.

The Dolby Digital 5.1 Surround Sound track is quite good, with a good deal more channel separation than one usually finds on anything that originated on television.

As with any Mono track, all of the audio comes from the center channel, and the mix of dialogue, mostly - present»70s score, and a few active sound effects is satisfactory and never difficult to distinguish.

The purist in me insisted on watching the film with its original mono soundtrack, but a sampling of the hilariously overspec'd DTS 7.1 alternative (Blue Underground putting a lesbian vampire film out on Blu - ray with 7.1 channels of sound reminds me for some reason of Spinal Tap turning their amps up to 11) revealed it to be a viable option for serious viewers.

The center channel utilizes most of the use with the dialogue, but you will get a range of weather effects or other ambient sounds coming from the surrounds.

The DD 5.1 audio shakes the dishes in the cupboards (at least it does at the obscene volume I had it cranked)-- sound emanates with force, logic, and fidelity from every channel.