Sentences with phrase «channel sound work»

Mei - Jia & Ting - Ting & Chih - Fu & Sin - Ji (2018) is a new two - channel sound work by artist and experimental composer C. Spencer Yeh (1975, Taipei, Taiwan).

In early 2012, I created my first works from that research: an eight - channel sound work using the theme symbols as a graphic score, shown in Berlin, and a large three - channel video / sound projection at LACE in Los Angeles.

Not exact matches

The Kinect works best with either a stereo (two - channel) or Dolby 5.1 surround sound setup.

A knowledgeable enemy could probe side - channels, such as electromagnetic fields or sounds emitted by a working device, and potentially gain enough information about its internal operations to crack even mathematically sound encryption methods used to protect the design.

Currently Energy medicine is a term being bantered about as a catch all for all forms of alternative medicine, from acupuncture, to visualization, to Reiki, to sound healing, to channeling, massage, crystal therapies, psychic work, forms of Yogic practice, etc..

All sound fields get a work out, including an awesome rear channel stereo split that is just as impressive as the front sound field, Dialogue mix is exact, with no dropouts or distortion.

The audio, rendered in 5.1 Dolby TrueHD, is fairly robust, if a tad monotonous, working every channel and the sub with ambient and environmental sound effects plus a generally rumbly score.

2 side - firing full - range drivers, mounted in a unique way, work together with Dolby Atmos or the EAX 15.2 DSP processing to deliver the rear audio channels and create an enveloping 360 ° surround sound — eliminating the need for additional side and rear speakers.

Elsewhere, the mix does strive to put the viewer in the action — an early scene with Sam Elliott taking an overly - hot shower uses rear - channel effects to enhance the first - person POV, and a later action scene that takes place outside of the house gains tension from directional sound work after Lewis's score drops away entirely.

The 7.1 channel performance was pretty typical for a receiver in this class - content encoded with the Dolby Digital / TrueHD / DTS / DTS - HD Master Audio audio formats sounded fine and was on par with other receivers I have worked with in this class.

I love that the rear channels still twinkle with activity during the quietest scenes, not just because it spares neither the characters nor the viewer a lurking sense of danger, but also because it shows the sound designers going the extra mile, like everyone else who worked on Fury Road.

The optional sports exhaust fitted to this Spider gives it a properly ballsy note when working hard, achieved by channeling some of the sound towards the cockpit via the area beneath the tonneau cover.

The new 12 - channel amplifier that works in conjunction with a high - performance subwoofer represents the best combination of sound clarity and performance for this upgraded system.

Furthermore, Toyota worked with JBL to provide a premium nine - speaker, eight - channel sound system.

Pullman Sydney Airport offers sound proof accommodation, flat screen smart TV with cable channels, high speed WiFi, a great shower and ergonomic work desks along with a 24 hour room service menu.

Deluxe in - room conveniences include 46» LED televisions with satellite channels; Bose surrounds sound systems, work desks, and ergonomic chairs, mini-fridges stocked with fruit, bottled water and snacks, Nespresso coffee machines, TWG Tea making facilities, hairdryers, beach towels, and sandals, and complimentary wired and wireless high - speed Internet access.

Sitting areas have comfortable armchairs, working fireplaces, writing desks and chairs, and modern in - room conveniences include air - conditioning, flat - screen televisions with cable channels, DVD players, alarm clock radio with iPod docking stations, sound machines, hairdryers, irons and ironing boards, and complimentary wireless Internet.

The 6 - channel sound and video installation will explore the spatial atmosphere surrounding The Last Chance Module Array, a land work created in 2015 - 16 in a former agricultural field.

Distributed among separate channels in the stairway, the sound recreates the disjointed spatial effects of the live performance and offers an additional glimpse of the gradual and highly social process by which the work was made.

The highly reflective surfaces of the Smith grouping and the multiple sound channels encourage viewers to move around the work, altering their relationship to the array of sound.

Mediengruppe Bitnik Ashley Madison Angels at Work in London, 2017 5 - channel looping video installation with sound, Full HD, 16:9, 8 min 07 sec, five 40» LCD screens, five trolley stands, five video players, five cables 150 x 95 x 61 cm

There will be seven installation works at Ambika P3: the centrepiece will be NOW (2015), a powerful 8 channel video installation with surround sound originally commissioned for the Venice Biennale 2015.

Ashley Madison Angels at Work in Berlin, 2017; five - channel full HD video installation (16:9, sound; 10:07 loop); LCD screens, trolley stands, cables, pink neon lights; dimensions variable; installation view.

Richards» exhibition presents a suite of works including Migratory Motor Complex (2017), a six - channel electro - acoustic installation that explores the capacity of sound to render artificial spaces and locate sonic and melodic events within them.

The artist's single - channel video works of the past ten years are more allusive and poetic, addressing political and theoretical concerns obliquely via densely constructed image - sound montages whose explicit subjects range from the relationship between Maria Callas and Pier Paolo Pasolini (Come Lontano, 2010) to the life of Charlotte Brontë (CB, 2011).

SCREEN COMPOSITIONS 14 curated by Katherine Liberovskaya For the 14th year, Screen Compositions brings you, as every time, a collection of intersections of moving image with sonic art; a program of screen works representing dynamic two - way collaborations between video / film artists and sound / music artists specifically intended for single - channel projection with no live or performance component: «Parachora», 2009 by Milosz Luczynski -LSB-...]

Channelling an array of found footage into his sound and video works, James Richards tests the limits of depicting visceral materiality

Martine Syms A Pilot For A Show About Nowhere 2015 Two - channel video, colour, sound 24:29 min Edition 5 of 5 (+ 1 AP) A major work by LA - based artist Martine...

Incorporating sound artist Lou Mallozzi's dissembled reworking of Vivaldi's The Four Seasons as played by cellist Fred Lonberg - Holm, Sandra Binion's five - channel video work Seasons delicately sifts through imagery of altered seasonal landscapes.

Marcus will present his work: «Frog Test» (2009), a one channel video with sound.

Born: Stockholm, Sweden (1981) Lives and works: Stockholm, Sweden He's on the phone (Copenhagen version)(2017) from the concert and performance series: Hilbert's Hotel 16 - channel sound installation 16 minutes (loop)... Read More

>> > Japanese Rattana Vandy (Born in Cambodia) Still from «MONOLOGUE», 2015 Single channel HD video, color, sound Vandy Rattana (B. 1980, Phnom Penh) lives and works between Phnom Penh, Paris and Taipei.

Performance Under Working Conditions, 1973, single - channel video, black and white, sound, 22 min., dimensions variable, edition of 5

In an additional work, Dream, 2004 — installed in Gallery One - Pétursson channels low frequency sound through a large, clear bowl of water, creating reverberations on the water's surface.

Resonance / Dissonance brings together works in an immersive environment to demonstrate the powerful ways in which artists have employed single - channel video and sound as a platform for formal and conceptual experimentation.

In his 2012 work The Refusal Of Time, he uses shadows and sounds to combine autobiography, philosophy and politics in a five - channel video that questions the nature of time itself.

Bringing together these works in an immersive environment, Resonance / Dissonance demonstrates the powerful ways in which these artists have employed single - channel video and sound as a platform for formal and conceptual experimentation.

John Wiese returns to Lampo to perform his new four - channel composition Time Column — a work that the Los Angeles - based artist says «imposes vertical time on horizontal sounds.»

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

Is there a channel surfer out there who does not grasp that picture and sound track (or caption) are subject to arbitrary mismatch and mutual influence (as James Coleman's and Stan Douglas» works remind us laboriously), or that TV news is a corporate product easily customized to suit government interests (see Martha Rosler), or that the camera (see Nan Goldin) has unleashed new modes of self - display that do not necessarily spell liberation?

Featured images: Douglas Gordon — Untitled (I'm Not Sure This Is Working), 1997 - 2007, Wall text, telephone, audio recording, Courtesy the artist © Studio lost but found / VG Bild - Kunst, Bonn 2017, Photo: Matthias Langer; Marina Abramović & Ulay — Breathing In, Breathing out, 1977, Single - channel video, b / w, sound, 10:49 min (looped sequence), LIMA — preserves, distributes and researches media art © LIMA, Amsterdam / VG Bild - Kunst, Bonn 2017; Four stills from Rodney Graham's City Self — Country Self series, 2000, 35 mm transferred to DVD, 04:00 min (Loop), Courtesy of the artist and Lisson Gallery © Rodney Graham; Yayoi Kusama — Infinity Mirrored Room — the Souls of Millions of Light Years Away, 2013, metal, glass, mirrors, plastic, acrylic panel, wood, rubber, LED lighting system, acrylic balls, water, Collection HGN © Yayoi Kusama.

Accompanying his radio drama is his newly commissioned gallery exhibition, which features multi - channel sound and visual installation works.

His work across single channel video, video installation, sound environments, electronic music performances, and broadcast television deeply examines the universal themes of life, death, the unfolding of consciousness, the spirit, and the human condition.

Works added to the collection of the Solomon R. Guggenheim Museum during 2010 included a 2009 16 mm film, Beau Geste, by Morocco - based Yto Barrada, a 2009 slide - projection installation, In the Near Future, by New York — based Sharon Hayes, a 19 - channel digital video, The Torn First Pages, 2004 — 8, by Indian artist Amar Kanwar, the 2006 interactive piece This Progress by German artist Tino Sehgal and the 2010 sound installation The Shallow Sea by Scottish artist Susan Philipsz.

Still from SONDRA PERRY «My Twilight Zone Thing,» 2014 — work in progress (2 channel 4:3 video, loop, color, sound).

F - 16: the sounding channels quit working early February F - 17: April 5th data quality impaired on one of the surface imaging channels, data volumes sent are greatly reduced.

If some channels don't work or don't have sound, try enabling more decoders to see if that helps.

See the HT - ST9 up close and explore how 7.1 channel surround sound works in this High - Resolution Audio - capable sound bar.

Placing the left and right surround sound channels: Just like the addition of the center channel offloads some of the work from the original left and right channels of the 2.1 setup, the addition of the left and right surround sound channels also spreads out the load.

Finally, because both systems are designed to work as home theatre speakers when the sound bars are paired with two rear channel speakers, we used them with 2 - channel, 5.1 Dolby, and Dolby Atmos sources via an optical cable from an LG OLED TV.