Sentences with phrase «channel video installation black»

The large scale single - channel video installation Black Friday (2016) features hypnotic renderings of Qatari shopping malls that are often distorted and refracted, creating a dizzying disorientation of space.

The 2 - channel video installation Black Moon / Mirrored Malle places an original 1975 interview with Louis Malle about his film «Black Moon» against a shot - for - shot version in which the artist herself plays Malle, enacting a gendered battle of authorship and doubled future within the present.

The large scale single - channel video installation Black Friday (2016) features hypnotic renderings of Qatari shopping malls that are often distorted and refracted, creating a dizzying disorientation -LSB-...]

Not exact matches

The Phillips Collection in Washington presents «Question Bridge: Black Males,» a five - channel video installation.

The artists molded this rich content into an insightful, provocative and entertaining five - channel video installation — a portal into an inner realm of black male consciousness.

«Question Bridge: Black Males in America» documents a five - channel video installation and touring exhibition co-created by Hank Willis Thomas.

Yang Fudong: East of Que Village, 2007; installation view; 6 - channel video installation, filmed with HDV, black and white, sound; 20:50 min; courtesy of the artist, Marian Goodman Gallery, Paris / New York, and ShanghART Gallery, Shanghai / Beijing / Singapore.

Drastically different from works like Tonight Moon, but nonetheless relatable, is Yang's harrowing black and white, six - channel video installation, East of Que Village (2007).

In his newest single channel video installation, Gatson uses original footage of a Black Panther rally on the day of the funeral of slain member Bobby Hutton, interrupting the film with with blank pauses and overlaying the clip with colorful forms to create a kaleidoscopic effect.

JOHN SMITH, The Black Tower, 1985 — 87, still from single - channel video installation, 24 min, at Para / Site, Hong Kong, 2012.

Video still, Two - channel black and white video / audio installaVideo still, Two - channel black and white video / audio installavideo / audio installation.

Question Bridge: Black Males A 5 - channel video installation by Artist Hank Willis Thomas January 27 — May 1, 2016 Opening Reception: January 27 The UMCA is pleased to present Question Bridge: Black Males, a five - channel video installation that aims to represent and redefine black male identity in America, and powerfully exposes the incredible diversity of thought, character, and identity within the black American male demographic, disrupting traditional generalizatBlack Males A 5 - channel video installation by Artist Hank Willis Thomas January 27 — May 1, 2016 Opening Reception: January 27 The UMCA is pleased to present Question Bridge: Black Males, a five - channel video installation that aims to represent and redefine black male identity in America, and powerfully exposes the incredible diversity of thought, character, and identity within the black American male demographic, disrupting traditional generalizatBlack Males, a five - channel video installation that aims to represent and redefine black male identity in America, and powerfully exposes the incredible diversity of thought, character, and identity within the black American male demographic, disrupting traditional generalizatblack male identity in America, and powerfully exposes the incredible diversity of thought, character, and identity within the black American male demographic, disrupting traditional generalizatblack American male demographic, disrupting traditional generalizations.

Materials; three channel video installation (HD on brightsign media players), modified satellite dishes with curtain enclosure in red and black...

Taking its title from the seminal 1954 essay by African - American author and cultural critic Richard Wright, the installation juxtaposes two of the artist's video works: Untitled (Predawn, Osu, Accra, 2010), 2017, a meditative single - channel work, and Black Power, 2010, a three - channel work depicting physical training at an outdoor neighbourhood gym in Accra.

Materials; three channel video installation on modified satellite dishes with curtain enclosure in red and black fabric and wireless audio.

Materials; three channel video installation (HD on brightsign media players), modified satellite dishes with curtain enclosure in red and black fabric, wireless audio (silent disco).

Bruce Conner THREE SCREEN RAY, 2006, three - channel video installation, black and white, sound, 5:23 Courtesy Kohn Gallery Courtesy Conner Family Trust © Conner Family Trust

The installation of Black Friday will be paired with The Future was Desert, Parts 1 & 2 (2016), a two - channel video that pays homage to the desert as a harsh fictional landscape, serving as an impending site for human civilization.

Six - channel panoramic video installation, black - and - white and color, silent.

Color, Courtesy of the Artist and Marian Goodman Gallery; John Gerrard, Western Flag (Spindletop Texas), 2017, 2017, simulation, Courtesy the artist and Simon Preston Gallery, New York & Thomas Dane Gallery, London; Arthur Jafa, Love is The Message, The Message is Death, 2016, video, color and black - and - white, sound, Courtesy of the artist and Gavin Brown Enterprise, NY Shirin Neshat, Soliloquy, 1999, Two - channel video / sound installation, Running time: 33 min.

The exhibition brings together four works: «Looking for Alfred» (2004), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; «Hitchcock didn't have a Belly Button: Interview with Karen Black» (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; «You Tube Me and I Tube You,» a two - channel interaction installation and web project initiated in 2010; and «I may have forever lost my umbrella» (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which will be shown in New York for the first time in this exhibition.

In his new single - channel video installation Love is the Message, the Message is Death at MoCA Geffen in LA, Arthur Jafa uses the Black gestural sign as a way to demonstrate his project of «black visual intonation.&rBlack gestural sign as a way to demonstrate his project of «black visual intonation.&rblack visual intonation.»

IC - 98, Abendland II (The Place That Was Promised), 2013, two - channel video installation, black - and - white, sound, 16 minutes.

Tomorrow will be better 2016 Single channel video installation projected on paper (black and white; no audio) Edition of 5 + 2 AP

2016 Single channel video installation projected on paper (black and white; no audio) Edition of 5 + 2 AP

The exhibition brings together four works: Looking for Alfred (2005), an homage to Hitchcock's cameo appearances in his films, with a cast of look - alikes; Hitchcock didn't have a Belly Button: Interview with Karen Black (2010), a recorded interview of the actress recounting her experiences with the legendary filmmaker; You Tube Me and I Tube You, a two - channel interaction installation and web project initiated in 2010; and I may have forever lost my umbrella (2011), a color short with a narration based on Fernando Pessoa's Book of Disquiet underneath the images of YouTube videos of the 2011 earthquake and tsunami in Japan, which is shown in New York for the first time in this exhibition.

Bring an umbrella 2016 Single channel video installation projected on paper (black and white; no audio) Edition of 5 + 2 AP

Co-created by Chris Johnson, Hank Willis Thomas, Bayeté Ross Smith, and Kamal Sinclair, Question Bridge is a five - channel video installation giving voice to black males — exploring identity and a range of issues, highlighting a diversity of thought and experience.

Beryl Korot, Text and Commentary, Five - channel video installation, black and white, with weavings, drawings, pictographic video notations, 1976 - 1977.

The three - channel video installation is an homage to Pittsburgh, its renowned bridges, and photographer Teenie Harris (1908 - 1988), who documented the city's Hill District from the 1930s to 1970s, when it was a thriving black community.

«Since there is no equivocal definition of life, most current definitions are descriptive,» reads Hannah Black «s «Beginning, End, None» three - channel film installation, a triptych of audio - video collage exploring what it means to be alive through the ambivalent idea of the «cell.»